mar. 25. she/her
-> minors dni | 18+ only
south asian, tme
i'm gorgeousgirl on story graph!
& here on letterboxd
& maybe here one day: marjoram.neocities.org
-> blog directory
terfs, zionists FUCK OFF
almost home
Mike Driver
Jules of Nature

Product Placement
Not today Justin
noise dept.
art blog(derogatory)

gracie abrams
cherry valley forever
he wasn't even looking at me and he found me
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PR's Tumblrdome
macklin celebrini has autism

Andulka
PUT YOUR BEARD IN MY MOUTH
The Stonewall Inn
EXPECTATIONS
Sade Olutola

seen from Malaysia

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@7bitter
mar. 25. she/her
-> minors dni | 18+ only
south asian, tme
i'm gorgeousgirl on story graph!
& here on letterboxd
& maybe here one day: marjoram.neocities.org
-> blog directory
terfs, zionists FUCK OFF

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Idk how to feel about it bc i do believe in liberation and not pathologising ppl for behaving in ways that are simply the result of preexisting social pressures but also it is really fucking dismaying to have to tell my fat niece about this kind of thing when she experiences it daily
i mean yeah ofc the foremost victims of fatphobia will be fat people, fat children especially who are denied personhood & bodily autonomy due to their child status. i don't personally see a contradiction btw that & saying that harassment & hyperscrutiny of emaciated beauty workers is unproductive & cruel though. do let me know if i'm misunderstanding u
it sounds like there's a goat outside my window. i'm three stories high...?
the horrors ™️
ok now that the shelves r sorta filled, i think i will steal back my cuter chair & get to phase 2: getting rid of stuff. i feel so bad abt throwing things out but it has paralyzed me for years. why do i have to bear the burden of things other people put on me😭 #BadSteward
if i have less things that i don't touch, then really i will have more things that i do touch. -the Touching Things Pervert

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every famous woman who wanders out onto the red carpet stick thin is a freak who escaped the cage she was meant to be locked in forever, this is the first & only emaciated person to trade on beauty & thinness & for this she must be killed- sorry we voice our deep concern for her health
it's just that the same logic that demands an emaciated celebrity should get over their eating disorder to be a better role model for your problems with food can be turned around on you to say that you should be able to ignore the same social coercion that led them to their situation. like if it is something easily overcome then you can do it too!
your shanebug bit me dude.... your little puppyshane guard dog just fucking bit me dude...........
ok now that the shelves r sorta filled, i think i will steal back my cuter chair & get to phase 2: getting rid of stuff. i feel so bad abt throwing things out but it has paralyzed me for years. why do i have to bear the burden of things other people put on me😭 #BadSteward
almost thought i lost it tbh but. Shane persists literally dude ur fucking shanebug has bitten meeeee

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And the thing about Shane's "With who?" is that in a mere two words, Shane immediately shows his cards. Like BAM, it's all out on the table - just the instantaneousness of the question, the way it bursts out of him with no lead up, no preamble, an irrepressible blurt at the mere sight of Ilya,,, it exposes the entirety of Shane's frustration and hurt during the six months of silence in one fell swoop. It makes it IMMEDIATELY obvious that Ilya was constantly on his mind, that Shane clearly spent ages torturing himself with the thought of Ilya being out with other people. "With who?" In that hurt, resentful, accusatory tone and just like that, Ilya has the upper hand. No wonder Ilya swaggered onto that stage with that cocky little smirk. He knew he still had Shane hooked.
its a great lesson that every shilya interaction and generally every scene can be broken down into a metaphorical representation of their entire dynamic like thats such good romance writing at every moment they should be embodying the fantasy at a micro and macro level and if they're not they should be doing exception proves the rule or similar. full saturation 100% all the time
I think I finally failed whatever secret test my mom was giving me all these years :/
Masterpost of Free Gothic Literature & Theory
Classics Vathek by William Beckford Wuthering Heights by Emily Brontë The Woman in White & The Moonstone by Wilkie Collins Carmilla by Joseph Sheridan Le Fanu The Turn of the Screw by Henry James The Monk by Matthew Lewis The Phantom of the Opera by Gaston Leroux Melmoth the Wanderer by Charles Maturin The Vampyre; a Tale by John Polidori Collected Works of Edgar Allan Poe Confessions of an English Opium-Eater by Thomas De Quincey The Mysteries of Udolpho by Ann Radcliffe The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Dracula by Bram Stoker The Castle of Otranto by Horace Walpole The Picture of Dorian Gray by Oscar Wilde Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
Short Stories and Poems An Occurrence at Owl Creek Bridge by Ambrose Bierce Songs of Innocence & Songs of Experience by William Blake The Rime of the Ancient Mariner by Samuel Taylor Coleridge The King in Yellow by Robert W. Chambers The Legend of Sleepy Hollow by Washington Irving The Yellow Wallpaper by Charlotte Perkins Gilman
Pre-Gothic Beowulf The Divine Comedy by Dante Alighieri A Journal of the Plague Year by Daniel Defoe Faust by Johann Wolfgang von Goethe The Tragical History of Doctor Faustus by Christopher Marlowe Paradise Lost by John Milton Macbeth by William Shakespeare Oedipus, King of Thebes by Sophocles The Duchess of Malfi by John Webster
Gothic-Adjacent Northanger Abbey by Jane Austen The Wendigo by Algernon Blackwood Jane Eyre & Villette by Charlotte Brontë Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth The Mystery of Edwin Drood by Charles Dickens The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky The Man in the Iron Mask by Alexandre Dumas Moby-Dick by Herman Melville The Island of Doctor Moreau by H. G. Wells
Historical Theory and Background The French Revolution of 1789 by John S. C. Abbott Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle Demonology and Devil-Lore by Moncure Daniel Conway Ancient Pagan and Modern Christian Symbolism by Inman and Newton On Liberty by John Stuart Mill The Social Contract & Discourses by Jean-Jacques Rousseau Feminism in Greek Literature from Homer to Aristotle by Frederick Wright
Academic Theory Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost Women, Power and Conflict: The Gothic heroine and “Chocolate-box Gothic” by Avril Horner Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage by Maria Antónia Lima ‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel The terms “Gothic” and “Neogothic” in the context of Literary History by O. V. Razumovskaja The Female Vampires and the Uncanny Childhood by Gabriele Scalessa Curating Gothic Nightmares by Heather Tilley Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz Hesitation, Projection and Desire: The Fictionalizing ‘as if…’ in Dostoevskii’s Early Works by Sarah J. Young Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia

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A Litany for Survival: The Life and Work of Audre Lorde (1996) dir. by Ada Gay Griffin and Michelle Parkerson
Sometimes, time seems to move in a vicious cycle, repeating itself in a painfully astonishing manner, as if mocking humanity's ability to learn from its mistakes. Two images are separated by 79 years, yet they appear as though no time has passed, as if the gap between them is merely a few fleeting moments.
The first image: A Palestinian elder holding the keys to his home, from which he was forcibly displaced after the Nakba of 1948. An image filled with pain, with tears that dried on faces, and hearts that collapsed under the weight of loss. Yet, hope for return still filled those hearts.
💳 Please donate - ✅️ Vetted # 15
The second image: A recent photo that tells the same story, but this time, the protagonist is my young sister, Maryam, holding the keys to our home from which we were displaced and demolished after the Nakba of 2023.
There is no difference between the two stories, except that this time, the story is even harsher and more painful.
Please help Maryam.. help us and donate 🙏