Gemini! Lemon soda, blueberry popping, kiwi syrup
Me when I figure out how cups work just to forget how colors work 😞

Origami Around
Cosimo Galluzzi
I'd rather be in outer space 🛸

Product Placement
occasionally subtle

oozey mess
"I'm Dorothy Gale from Kansas"
Today's Document

roma★
taylor price
Interview Vampire Daily
hello vonnie
★
Mike Driver
h
cherry valley forever

Love Begins

he wasn't even looking at me and he found me
seen from United States
seen from United States

seen from United States
seen from Colombia
seen from Türkiye

seen from Türkiye
seen from Germany
seen from Germany
seen from Canada

seen from Malaysia
seen from United States
seen from Saudi Arabia

seen from Türkiye

seen from United States

seen from United States
seen from Brazil
seen from Belgium

seen from Maldives

seen from United States
seen from Mexico
@themanicgalaxyart
Gemini! Lemon soda, blueberry popping, kiwi syrup
Me when I figure out how cups work just to forget how colors work 😞

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i love the phrase "great post everyone. hit the showers" because it implies that posting is a sport. which it is
CORRECT
Taurus boba: kiwi-strawberry milk tea with tapioca
I’ll figure out how cups work one of these days
can’t believe ppl think zuko is cooler than aang. zuko is not cooler than aang ever, but he was certainly not a cooler twelve year old than aang. zuko was and is one of those kids whos allergic to everything. he radiates the aura of that little boy from stuart little. aang threw an illicit party for a bunch of kids he’d known for less than a day and they all showed up. aang won every single fight against zuko he was ever in, and he never even threw a single punch. aang can fly and talk to spirits. zuko doesn’t even have a full pair of eyebrows. aang has glowing tattoos and a giant monster for a pet. what does zuko have? chronic migraines? please

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
☆ - ̗̀✨ He's just Ken ✨ ̖́- ☆
i ended up liking how gendered french is solely because i can say that i want people to use he/him pronouns for me the same way they use it for angels, blood and blunts
i asked a trans friend to give me her fem version of this and she said that people should use she/her with her the same way they use it for the sea, flesh and stuffed toys
I don’t speak French but I speak Spanish and I’m nonbinary so the whole gendered language thing is… difficult. I couldn’t get this post out of my head and so I wrote a poem. It's a first draft but i just had to get it out there
It’s called “Masculino como el amor, femenino como la espada”
Si tienes que usar el masculino conmigo, usa el masculino cómo lo usas para el azúcar para el lobo el amor y el mar. Pero si tienes que usar el femenino, úsalo cómo lo usas para la tierra para la anaconda la guerra y la mar. Llámame masculino cómo el día cómo el melocotón el pecho y la cometa. O, llámame femenino cómo la noche cómo la piedra la leche y la mano. Masculino cómo el viento, femenino cómo la tormenta. El hueso, la sangre. El mito, la magia. El sol, la luna. Si tienes que usar el masculino conmigo, o si tienes que usar el femenino, llámame femenino con la boca y la lengua o llámame masculino con los dientes y los pulmones. O si puedes llámame por mi nombre. Llámame yo.
Translation: Masculine like love, feminine like the sword
If you have to use the masculine for me, use the masculine like you use it for sugar for the wolf love and the sea. But if you have to use the feminine, use it like you use it for earth for the anaconda war and the sea. Call me masculine like the day like the peach the chest and the comet. Or, call me feminine like the night like the stone the milk and the hand. Masculine like the wind, feminine like the storm. The bone, the blood. The myth, the magic. The sun, the moon. If you have to use the masculine for me, or if you have to use the feminine, call me feminine with your mouth and your tongue or call me masculine with your teeth and your lungs. Or if you can call me by my name. Call me myself.
no one speak to me this poem cut me open
alsdkfjalsdkj thaaaaanks! I made a few typos but i'm fairly proud of it hehe
I'm not corrupted by the amulet or anything but people who might try to touch or steal it from me definitely have to die. just as a moral thing
Say what you will about the politics of A Song of Ice and Fire, 'a feudal army marching through the countryside doesn't become any less horrific, abuse-filled and starvation-causing for the local peasantry just because they're the Good Guys' is really a point that like 90% of epic fantasy that's trying have any sort of serious/coherent morality could stand to learn.
Been (slowly) reading the Wolf series and recently re-read the Witcher series, both of which shined a light on that exact topic. Both had commanders go "we want the local peasantry to like us and not be mad we're marching through their farms so no raping or pillaging and try to stay on the roads" and their soldiers went "okay got it boss" and then proceeded to completely terrorize the local peasantry. Often to their downfall because it makes it really easy to get the local peasantry to say "hey actually fuck these guys even if they're technically on our side" when The Good Guys are acting like your typical army doing Army Things.
As much as I do love stories like LOTR where The Good Guys Would Never and anyone that does is Actually Secretly A Bad Guy, the former is definitely more realistic.
(Image ID: tags from user doberbutts that read: the difference is Tolkien was a soldier and sapkoswi watched his country put itself back together after a fascist steamrolled it. Tolkien says war is horrible but the good and moral and just soldiers would never do such a thing. Sapkowski says war is horrible and there is no such thing as a good and moral and just soldier. End image ID.)
Lmk if you want me to delete your tags, but I thought they were too good to pass by.
I also think this lines up with something I saw another user post recently along the lines of how lotr is a response to the cultural paradigm after the Great War, but asoiaf is a response to the paradigm of the Vietnam War, hence the tone difference. Mesh that with the Tolkien’s identity as a soldier, vs the (for good reason) anti war movement of grrm’s generation, and yup. (Someone left a similar comment in the notes too)
Oh no you can keep those up I'm flattered.
Witcher/Sapkowski to add to that is WWII, he was born in 1948 and so would have grown up watching a fractured country try to rebuild... well, damn near everything. In his books it's very clear that really it doesn't matter what army it is, militaries are not good things and war is hellish and horrific no matter whose "side" you're on or what morals you claim to espouse.
LOTR/Tolkien is all the Great War, where war is shocking and terrible and filled with dread and dispair and the lives lost are too many to count and each of them tragic and avoidable. But, also, the Good Guys Would Never, only Bad Guys do things like that. And maybe Tolkien's specific troupe was made up of Good Guys Who Would Never. Who knows.
ASOIAF/GRRM and the Vietnam War and being an objector while living in a country in a war that he hates the very principal of... yeah, of course, that's why all the people making military decisions are written to be Like That, and all the soldiers are also written Like That. War is a terrible and grotesque thing. It makes people into monsters. It encourages the very worst in a human being. If you think your Good Guy Army isn't performing war crimes casually as they march where they need to go, you're an idiot and you practically deserve to be war crimed.
All three are anti-war statements made in reaction to the aftermath of various wars. Unfortunately pop media focuses on the cool battle scenes and not on the "war is bad and should be avoided as much as possible" message surrounding them.
Tolkien's war also offered a lot fewer opportunities to despoil parts of the countryside that weren't the exact bit you were trapped in as it became a slice of hell. Like. In comparison.
But also the lotr setup is genuinely better for Good Guys Would Never (in the opposite direction from wwi lol) than the scenarios grrm and sapkowski are designing, because the good guy armies are literally at home for most of the story--the closest to heroic 'away' armies we really see are the Rohirrim a-horse making double time cross-country to the place next door, the small band of Rangers going south if you want to call that an army, and the various technically-volunteer citizen levies of Gondor coming to relieve Minas Tirith, some of them upriver by pirate ship at the last minute.
And then the feint to the gates of Mordor but there's nothing left to despoil along that route by then, the orcs just came through. A lot of the route isn't even inhabited normally.
This is a short-term deployment over territory you are actively defending, as warrior-aristocrats and citizen-soldiers of the place being defended, and everyone spends all these mobilizations in a hurry to get someplace to defend it. That's not a recipe for the kind of pillaging you see in with a professional army occupying territory, or moving over hostile territory needing to supplement your supply lines.
You don't have the motive and you don't have the time, and you don't have the degree of alienation from your surroundings that makes pillage endemic in early-modern armies of the kind the Witcher is explicitly depicting and asoiaf trends toward.
Sure he's still idealizing a good bit, but not as far as the contrast suggests because it's a different psychological and economic situation.
Whether the warrior-aristocracy and guards of Gondor and so forth tend to abuse their power over the public on an everyday basis is another realm of issue and tone, but it's mostly separate from the cost of waging war.
Additionally-
In LOTR, the thing you are alienated from is your enemy. And that’s what I think Tolkien got out of the Great War; a war of powerful machines and people trying to kill you who you never see. You never talk; you never make strange eye contact when they die, or step on them, or _anything_. And they chose this; they chose these weapons, and these terms. LOTR is borderline lovecraftian, in that the bad guys are incomprehensible and even more strangely, appear to have made allies of people you might have otherwise found comprehensible (the southrons, etc).
Fun fact! The Great War was the first war in europe where, in order to actually move forward in battles, you could not stand next to your fellows and walk, or run, in formation, to the other guys. You didn’t line up and shoot. Not that we really understood that at first. The war started with machine guns killing tens of thousands of scared men who just wanted to keep their Sam, next to them, from dying.
So the escapism in LOTR says “let’s imagine that way- the old way, where the curtain wall isn’t just pounded to rubble by artillery miles away, where a dwarf and an elf standing side by side didn’t just make dwarf-elf-mud-stew but actually matters. It would be better, if it were like that. It would be a nice escape.”
and also,
“But the hero doesn’t win the war by being brave. The hero wins by being good at hiding and wanting to go home very badly.”
Which is, you know. The only kind of person who actually came home from the Great War. A hobbits instincts are to avoid being seen, and stay in cover. Thousands of Aragons and Boromirs and Eowyns died bravely, and died quickly. Only the hobbits ever came home.
Everything noted above re Tolkien is true, and also! And I realize this is a thing only nerds of the Deep Tolkien Lore will know -
Gondor and especially Aragorn are descended from the Numenoreans, aka the absolute fucking definition of Might Makes Right: they were an imperial, colonial entity who eventually bought fully into what Sauron was selling, and tried to wage war on Valinor and the Valar because they wanted immortality instead of just really really long lifespans compared to the rest of the Edain. Aragorn comes from the line that didn't do that, that didn't think this was a Great Idea, but that does not in any way mean that his ancestors were exempt from the effects of a culture that did prize imperial ambitions. Especially since, you know, they were in fact part of the ruling class of Numenor.
They are explicitly an example of what happens when a culture founded on noble ideals falls to their absolute worst motives and pretends they're doing it for your own good. The Valar sank Numenor into the ocean.
And! Aragorn was fostered by the brother of the first king of Numenor! You can bet your ASS that Elrond taught him all about how noble ideals and Believing You're A Good Guy isn't nearly enough to be a good ruler, not just through history lessons but through how he ruled Imladris. So like: take that kind of guy and put him in charge of an army and watch him work super hard to keep morale up without letting them pillage and rape. Is it a fantasy? Yep. But it's one that Tolkien laid the groundwork for very carefully.
ETA: I'm adding this up at the top: I just realized how cranky I am for unrelated reasons, so while I'm not gonna delete this, I am owning my upfront exasperation. I will also note that in this one I'm also actually refraining from going into all the ways that GRRM's portrayal (I don't know the second one so cannot comment much) has so many structural problems that boil down to "okay sure civil wars are bad, brutal and horrifying but also not EXACTLY like that and also your worldbuilding is TERRIBLE and BROKEN and you don't understand ANYTHING" that do in fact affect an attempt to compare his war portrayals to anyone else's for "realistic" effect, because this post is already too long.
Also blame @lireavue as she EXPLICITLY point this post out to me. XP
:facehands: Y'all.
There seems to be a very sanitized vision of the effects of invasion and the actions of invaders in WWI going on here.
I notice the whole "well we need to stop imagining that the middle ages were just a wall to wall violence and rape fest!" has just gone thrown out the wall, hasn't it?
Y'all have failed to notice the difference between a badly run civil war comprised of conscripts and mercenaries and professionals, and a war of defense on your own territory based on armies drawn from the fucking locals.
These are not small or fussy details, including the last one. So let's start with that one.
Armies are comprised of people. You know. Human beings. People with individual stories and backstories, and everything else, just like you.
One of the biggest factors of soldier misbehaviour in these situations is whether they are at home, or somewhere else. Universally, in The Lord of the Rings, combat for "the Good Guys" happens in two (2) contexts:
FIRST: They are literally defending their home. Their own home. Their personal home. The people they live with, have peacetime social contracts with, in the place they fuckin' live. In Rohan, that's really immediate scale: the context of army they have, everyone but the king's personal warband (his "knights", call it twenty people or so) is, even if they are the elite and the feudal overlords, still dealing with their homes. Or their neighbours. They want to have homes and neighbours when this is over. Any non-knight-type soldiers they call up will again be defending their home and their neighbours and want to have homes to come back to afterwards.
OR,
SECOND: They are helping to support a bigger and more powerful ally (and yes, Gondor is bigger and more powerful than Rohan even when it's in the shitter), in an immediate combat situation, when - and I cannot stress this enough - all of the civilians are gone, and all of the civilian homes and farms that used to be on the battlefield have already been destroyed and despoiled.
Subsequent to this, they march again over the homes of a good half of them, which are again empty of people because this area has been evacuated, into enemy territory, where there are no homes or civilians.
Like literally, guys: there isn't, actually, a point where a huge feudal army marches through inhabited fucking countryside in this story except for when they're the army of the dead who are absolutely at Aragorn's command. The only times armies fuckin' march here is either a) through their own personal territory, or b) through EMPTY land.
It's actually heavily implied that historically, when these kinds of limited conditions did not apply (cough cough Numenor, cough cough Sea Kings Gondor, cough cough Arnor's civil war) that this was not, in fact, necessarily the case; that in those cases wars did get QUITE ugly. These are also alluded to in the traditional ways of mediaeval chronicles, which is to say briefly and glancingly.
I also realize that it's really popular to think of the historical elite as Horrific Monsters Who Care Nothing For Human Life and it's not even wrong all the time, but the reality is that especially at the levels described in, say, Rohan, there is a hard limit to how much of a shit you can be to your underlings that is predicated on a) the need for labour in agriculture and pastoral work (you literally can't be so shitty to your peasants that they leave you, because you DON'T have a big labour surplus), and b) the fact that you live there.
As agricultural surplus got bigger, and so did cities and society and so on, bluntly the elite in feudal societies got more and more alienated from the people who actually lived on the land they controlled. That's not how Rohan is set up; and Gondor's model is actually completely different and only recently/peripherally "feudal" - the existence of feudal lords controlling a significant chunk of the army in Gondor is a sign of its decline, not its natural state, and Denethor rules very much as a city-state, which is a very different setup.
("Feudal" actually means things, my guys. It refers to a specific relationship of vassal to liege that is predicated on land grants for military service and is not hugely easy to integrate with cities.)
So. That's ONE of the biggest predictors of soldierly misconduct: whether they've got someone they don't view as Properly a Person to commit misconduct on.
The second one is discipline, and that's going to heavily be a factor of morale and the things that support morale: food, water, rest, lack of deeply punishing casualties, a charismatic leader to believe in and, critically, competent people in the roles we assign the titles of "junior officer" and "NCOs" (which may be whatever the hell you want to call them - at SOME point, people who fulfill these roles will show up).
Believe it or not, there have in fact been times when local support for large and even feudal armies was quite high in a warfare context! These times share very consistent features: they were almost always local armies defending against external incursion; they were almost always well-supported and themselves felt a sense of investment and protection for the area and people they were deployed in; and finally, they appear to have been well-run by effective commanders and subcommanders in whom the soldiers had a lot of faith.
(Do incidents of specific, individual misconduct still happen? Sure, the same as crimes get committed by your neighbour. When you have people around each other in large groups, you eventually get Crimes, at least if any given person thinks they can get away with it. But in terms of systemic widespread misconduct as a facet of people existing in the space, not so much.)
So what are the things that fuck this up?
Mercenaries, professionals not drawn from the local area/not trained to feel attachment to the local area, and conscript troops pulled from places far away.
Mercenaries are there to get paid. Some can be quite professional, but most people who want to get paid for killing other people Just Because are gonna be really close to that edge of the human psyche that finds ways to justify anything it wants. That means they're going to have to have immediately compelling reasons not to mistreat the local population who are, after all, strangers and to whom they have no attachment.
(Want to have some fun, there's some interesting stuff we're piecing together through a lot of archeology and study about the transition of some of the larger vikingr armies that then deliberately made the transition to local landowners. Some of them were horrifying; some of them appear to have picked it up well and transitioned pretty easily; but it's still a TRANSITION, because now instead of stealing what they want and leaving, they have an opportunity for significant wealth and prestige . . . . but it requires. staying here. and having the farmers not try to run away, or poison their food. It requires making social alliances and integrating, because they don't have ENOUGH people to just come in, colonize, and wipe out the natives.)
Professional soldiers disconnected from the populace.
A professional army isn't doomed to be an abusive mess, but if you don't make sure that the soldiers still feel a part of the local landscape, society and population, don't feel integrated and ownership of it, you're taking a much bigger risk.
Conscripts dragged from a long distance.
There are of course varying degrees of conscription, and not ALL of them produce intense and hateful alienation towards anyone except the people that directly protect you/etc, but an awful lot of them do, especially if something like a civil war has been going on a long time.
That kind of conscript is already hurting and traumatized and scared out of their mind; they don't want to be here, and they don't want to do this, and they are highly likely to decide Fuck This I'm Out For Myself and just go with whatever follows that creed.
However, all of these still need, you know, the presence of a civilian population for the soldiers to do anything to a civilian population.
Which is lacking from anywhere armies went in the armies part of LotR.
Now! You know what kind of WAR highly predisposes soldierly misconduct on all sides*? That's right! Civil war!
Civil war here is slightly broad as well: I absolutely am counting, for instance, the 100 Years War in France as that, because that war is honestly a war between formerly-French nobility and French nobility for continental territory. That war forged concepts of Frenchness and Englishness that were very opposed to one another on a large scale, over the ensuing centuries, but that's what we call a retcon.
(*take it as read that "invasion" encourages misconduct on the invading side.)
Civil war is particularly ugly because of the sense of betrayal. And the longer it goes on, the more ugly and complex and strung out loyalties can get, and the more vengeful retaliation for perceived betrayals can get.
Another thing civil war tends to do is fuck up the economics of the country, by which I mean the ability for everyone to get their basic needs met. That's when you get a hard line competition between civilians and soldiers for food and water and so on, which is another thing likely to lead to soldierly misconduct.
These conditions apply heavily to what GRRM is trying to invoke in ASoIaF. All of these wars are civil wars, and they're civil wars happening less than a full lifetime since the last civil war, and they're happening when the country can't afford a civil war and when, in theory, the nobility do have a choice about the matter.
He also specifically chose a "time period" (that is, model of aristocracy etc) to copy, very imperfectly, when a huge number of OTHER social factors (including a change in agriculture, in real history) had increasingly led to the alienation of the wealthy from the land they actually owned, even at an immediate level - a period where it was deeply possible you'd never even SEEN your overlord in your life, as opposed to him living in that castle up the hill there. This alienation works both ways: it makes the powerful more willing to spend lives, and it makes the powerless less willing to give any real loyalty, which leads to the powerless acting in their own interests more, which leads to the powerful trusting them less, which leads to the powerful being more coercive . . . .and we get readily down to soldierly misconduct because nobody's bothering to stop it.
By the time there's a clear external enemy the landscape is completely different and also the writers are off the edge of the map for the show.
Finally: y'all have some oddly rose-coloured glasses about WWI. It was really, really not just a war of trenches and soldiers.
The German occupation of Northern France and that general area was brutal and horrific, and there is zero reason to expect that this would have been restricted to that area; it was in fact a war of invasion between Germany and France, and while a certain thread of history likes to act like everyone bumbled into the war and All Are Guilty, nah, actually, Germany was the one that invaded, and invaded with the intent to occupy.
They also repeatedly committed mass civilian killings during the initial invasion. There was a turn against the overuse of this as propaganda, which took what was already bad enough and turned it into cartoonish absurdity (babies on bayonets, that kind of thing) but they still killed Belgian and French civilians in mass executions for essentially the temerity of resisting the invasion. And the Eastern Front was such a horror show of mutual atrocities that you can't even pin it down to one side or the other, because it actually moved across territories, back and forth, so that everyone was at some point invading someone else, at least briefly.
For Tolkien this was not history; this was current affairs, as was his active resistance of the pro-patria-mori ethos of the time. When he did finally get sent to the front he didn't want to be there.
The subtext of Lord of the Rings isn't that war is sometimes good - it is that sometimes your choice is war or annihilation. The closest you get to "sometimes war is moral and good" comes from the Rohirrim and from Boromir - and in both cases it is explicitly represented as a way in which they are morally immature, culturally immature, a way in which Boromir is actually a lesser man than his younger brother, and a way in which the culture of the Rohirrim is more "primitive"* than that of Gondor or potentially even that of the Shire.
(*now you can sure as heck query the hell out of some aspects of that attitude in the text! But it's still what's there.)
But the text also engages in the context and reality which is that cultures that are continually faced with war or danger or threat that requires response of arms? Those cultures will start valuing and valourizing the ability to make war, and perceive that ability as the profoundest part of strength. That stories of great battles and struggles and strife and so on are stirring and uplifting and even while that is the case it does not mean you actually want a war, that anything about this is actually fun or okay. (But it might help you get through the one you have no choice about. Which is still not necessarily the greatest thing but here we are in Arda Marred, the Fallen World, and we do what we can.)
People often skip "The Scouring of the Shire" because it can feel very pasted on yaye. But there is a fundamental core argument that happens in it between Frodo and Meriadoc: Frodo is absolutely, emphatically insistent that he does not want anyone killed. He doesn't want even any of the invading "ruffians" killed and he is absolutely emphatically sure that the worst fucking thing that could ever, ever happen would be a hobbit killing a hobbit, even if that hobbit is aligned to the ruffians. But also he doesn't even want to kill the ruffians. That doing this will stain the Shire, will cross a line that is a kind of horror.
And Meriadoc points out that acting shocked and sad will not in fact get rid of the ruffians. Sure, fine, we'll try to scare them off if possible but the likelihood is that we're going to hit a point where they turn and fight and then our option is going to be kill or let them win.
And the war ends - really ends - with a murder and an execution on his doorstep, things he tried desperately in both cases to stop, and is it a surprise that Frodo can't actually stay there anymore?
Also here let's have a quote:
Frodo had been in the battle, but he had not drawn sword and his chief part had been to prevent the hobbits in their wrath at their losses, from slaying those of their enemies who threw down their weapons.
That is: Frodo's task in the Battle of Bywater was to prevent his neighbours - hobbits, the peaceloving agrarian hippy children - from committing war crimes on unarmed prisoners.
It's almost like Tolkien knew exactly what happens, even to "good guys", when shit gets bad.
It is true that Tolkien and the later writers are writing about different kinds of war. But that different "kind" is actually literally what caused the war and thus what the wars circumstances were, rather than merely an ethos towards war. GRRM also explicitly chose a civil war context, and he also chose a specific time-period model (as he understood it, which is not well) to imitate - and he chose it not because it was "accurate" but because he wanted to tell a certain kind of Dark Story. Fair play to him; but that doesn't make his portrayal of war across the board accurate, nor does it mean all contexts of war and armies and their interactions are the same.
It is also true, as always seems to be, that people often mistake their memory of what they felt when they read The Lord of the Rings for what is actually on the page.
Panther in the rain.
Happy Wet Beast Wednesday to all those that participate

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Stop letting your heart and your pussy choose your men.
I’m confused, what is left…
Oh nvm lmao my brain. You right sis lol you is right
You really forgot your whole brain.
she read this post with her pussy
*at the door to the selkie convention* good evening, ladies—allow me to take your coats
QUICK UPDATE: i am paying 182 alimony checks
hey jsyk while hellofresh is dummy expensive and i wouldn’t recommend it if you already know how to cook (if you’re a beginner like i was when i had it for 3 months, then it’s worth it), you should know that ALL OF THEIR RECIPES are free on their website and they all fuck hard
i will say that all the cooking instructions for veggies are pretty much the same (season with salt + pepper and roast on the top oven rack at 425F), but if it ain’t broke don’t fix it.
that being said, it also introduced me to methods i wasn’t at all expecting. i would have never thought to use cream cheese in my meat sauce, and now all my friends are constantly asking me to make my special rigatoni.
happy cheffin! :)
Aries boba! Strawberry and grapefruit fruit tea with crystal boba.
Aka coloring practice :)
A choice circles back
(Aka I tried to practice like five things at once and was surprised when the result didn’t look like what I expected lolol)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Orin
Me and whOooOoOO¿??¿?¿¿? 😭😭😭
the miracle of flight
Awww.