Honk Honk No It's Just The Sounds Of The City

(dw hes not dead just being silly)

call it a pattern more than a hard rule - but often, whatever's desperate enough to be expressed finds its way into the hands. thought, coalescing into action. affection, pooling into touch. fear, stalling into hesitation.

which may well be why i'm so fascinated by the way ralsei stows hers at the back

kept like that, they're removed from the situation - too far back to reach or interfere, merely ever cinching around what was antecedently given

ralsei is the ultimate embodiment of hands tied. 

the prophecy's "prince" from the dark, meant only to assist and interpret, never to do. then comes chapter 5, and - SPOILERS UNDER THE CUT! -

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

It was only legalized in 8 US states (the 8th only a few months before), and wouldn’t be legalized nation-wide until 2015.

It was only legal in TEN COUNTRIES in 2011. We wouldn’t hit 20 countries until 2017. (Australia was 23rd)

As of today (April 14, 2026), I believe only 38 countries have fully legalized same-sex marriage. Out of somewhere around 200 countries in the world. That’s only ~19% of countries.