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@thedarkangel74
the last but no the least alta power couple, completing the series ~
love them all đđđ§Ą

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straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allieâs roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. âThis night is for the straights,â Swindellâs character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). Itâs also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, thatâs not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They arenât the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond ârepealâ signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. Thatâs just warmed-over conservatism running around in sheepâs clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can yâall maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
Also, please do not listen to how people talk about cover letters on this site. Cover letters are important, and in many industries you can be damn sure they'll be read. And no, they're not 'fanfic about working in your office', or just re-stating the resume contents in a fancier guise. If you treat them like that, then of course they're not doing much for you. That makes you sound like a syncophantic windbag, and it's not doing anything else to help.
I was trained in the dark arts of the cover letter by my mother, who is a hiring manager. And her training has paid off: I've been consistently told my cover letters are excellent. Let me pass on the wisdom.
The job of a cover letter is to give a prospective employer strictly more information than is on the resume. This is where you take the resume contents and put them into context. You look at the job requirements (you are looking at the job requirements before applying, right?) and look at your resume and ask the question (in your head) "why would a person think this candidate would be good for this job?" and your cover letter is the answer to that question. If you don't answer that question, the hiring manager is going to have to do it themselves, and you have way more information to work with than they do.
This is especially important if you're moving from one industry to another, because then the relevant connections aren't obvious. It's also very important if you're overqualified, because then you can use the letter to say "I know it looks like this job would be too entry-level for me, but I'm interested to pursue it for reasons x, y, and z". You can also use this space to explain away something that might otherwise be disqualifying, like job-hopping or a long break in employment. The tone to strike here is always matter-of-fact and constrained to topic - don't go into detail about health stuff or personal tragedy, just tell them what they need to hear: that this period of your resume was affected by [bad thing] but that it's now in the past and you're looking forward to the next chapter. Remember, one of the things they're trying to learn is whether you'd be content in this role, or whether you'd be miserable and leave after 2 months, which would force them to do all the work of hiring again. You're trying to establish that you will fit right in and not cause problems. Knowing what drew you to this job in particular (and don't just say 'money', that's true for everyone) helps with that.
And the other mistake? Everyone writes cover letters that are too long. One page is fine. Two is the absolute maximum, and that's if you have a lot of specific things to say. It's a waste of your time and theirs to pad it out with fluff. Of my two most recent successful cover letters (i.e. jobs for which I was interviewed) one was 390 words and the other was 550. That's the length of this post. How long did it take me to write this post? About 15 minutes to write, 5 to proof and edit. That's how long you should be spending on a cover letter, maximum.
For much more information, examples, advice:
Your cover letter is where you make a case for why youâd excel at the job, aside from whatâs in your resume. A good cover letter can be the
Are we going to get a new Jon Kent every other episode because that will be pretty hilarious take on the Terminator/time protector trope
Saw the Aang movie trailer and I started to cry. I missed these guys so much

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The Last One (ko-fi request)
They have some things in common
Sakurađ¸
(Rare sight of me using lineart properly lmao)
bat opens up their little bat wallet to find they are all out of moths. A worthless $100 bill flies out for emphasis
From top-of-frame, a month flutters into the wallet. Confused, the bat looks "up" to see an equally-confused human standing "above" her, holding an open wallet containing a single $100 bill.
Camera rotates to reveal bat has been hanging upside down above a human doing the exact same visual gag and each ruined the other's bit.
Laugh track.
All so true. Why is the human Jon Arbuckle
PLEASE do yourself a favour and check out this wikipedia-styled template for google drive, made by @ Rukidut on twitter
I decided to try to sort my ideas and whats canon regarding my ocs with this and ITS PERFECT. IT ALL FEELS SO CONRETE. and i sure as hell AM Going to continue to use this with every single OC I have until google drives is set ablaze- Just!!!!!!!!
Also; link directly to the doc, just copy the file and you have your own lil template!!!!
III LOVE YOU @/RUKIDUT

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Heading to the screening of the finale of the TADC and have a few theories I want to throw out about what happens.
Jax takes over the circus because of the power of imagination and has a Caine-like power trip.
All the former abstracted characters are free from the cellar.
Jax abstracts or comes close to, but because of the power of friendship, he retains his self long enough to help Pomni and the others stop the other abstracted characters and toss them into the void.
Something happens to Zooble.
Using the power of imagination/the same power that Jax gets and, they create a new digital world where they can relax and be at peace.
Using the newfound powers, the circus gang revives Caine to some extent, but don't give him modd controls, and they have him around.
They don't break free of the circus, but new players still drop in, and Pomni and the others are more equipped to deal with them.
We never see the gangs human forms.
context (via @mellorocket)
doubly funny that I saw a compilation of all the corporate accounts like "aw thanks elmo, we're doing well" meanwhile all the flesh and blood real human people are extremely not okay
Okay but Elmo had actually the best and sweetest response to all this trauma dumping:
And then all the other Sesame Street character accounts joined in:
And now Iâm thinking maybe weâre gonna be okay⌠đ
(Comment compilation from this Twitter)
I kinda feel for the poor person running Elmo's Twitter.
"So, boss... I may have messed up."
"What did you do, Ray?"
"Well, I made a post for Elmo saying 'Hi, how's everybody doing?'"
"I mean, that's kind of what we pay you for."
"Yeah, but.... <sigh> it turns out pretty much everyone is hanging on by a thread, badly enough that they needed to tell Elmo."
"Oh."
"God help me, boss, I think Elmo needs to be there for them."
"Get the others."
this is the energy that jim henson would be proud of.
and important addition
Source: instagram
I wonder who theyâre gossiping about.đđ¤
RYLEE WATCH OUT BEHIND U
One thing that struck me about Maul episode 8 was how stilted the dialogue Savage & Maul had in Maulâs trauma visions.
A lot of people are treating it as if this happened in objective reality, that Shadow Lord retconned his backstory. But I think this is what Maul wants his backstory to be, and in typical Maul fashion, deluded himself into believing. Honestly, I donât think he remembers the truth. Anyhoo the dialogue felt oddly canned because it felt soâŚconvenient for Maul.
He wants to believe that he had companionship before Sidious, that he was something before him. Heâs a really lonely guy. He wants a benign brother figure that couldâve offered him a different path. All the evidence suggests that he & Savage werenât even raised together, but since Savage is the closest thing to family Maulâs ever had, it makes sense he would project these desires onto him. Especially the âwhat have you done with my brother?â line.
Maul (through Savage) is putting all of the agency upon Sidious. Sidious corrupted him, Sidious ruined him, Sidious is responsible for all of the cruelty Maul inflicted upon Savage. Which, in a sense, is partly true, but not in the way Maul thinks it is. Sidious abused and warped him, yes, but Maul makes the choice to emulate him by being similarly cruel. Maul doesnât want to confront this though. So instead we get Savage (a representation of companionship Maul desperately wants, the perfect life he believes he couldâve had without Sidious) standing up to man. Lets pretend that everything in the visions happened in reality Be honest. If Savage had said that in reality, do you think Palpatine wouldâve let him live? Heâs not one to take insults lightly. Do you think Savage wouldâve had the courage to stick up to a Sith Lord? Or that he would be blaming Sidious for âchanging his brotherâ rather than Maul making the decision to leave?
He didnât even remember Savageâs last words correctly. In Maulâs vision, he said âAvenge meâ but in reality he said âBrother. I'm an unworthy apprentice. I'm not like you. I never was.â
Maul doesnât want to acknowledge the cruelty he inflicted upon Savage. Savageâs dying words were about how inadequate Maul made him feel. He doesnât want to remember that. So he doesnât. Given Maulâs fate, he is doomed to repeat that abuse again. Making a pantomime of the dynamic he had with a brother that never existed, again and again, with Devon, with Ezra, failing to see the truth of it. Which is incredibly sad.
One of the ways it's suggested to be faulty memories or just wishful thinking, is that Sam Witwer, Maul's VO, I am pretty sure, did all the voices in this scene.
This is one way to reconcile with his trauma. To realise that he was a child and Sidious did this to him. I am always a fan of an unreliable narrator and this show is how Maul see's the world. Hence the grittier, harsher look to it compared to clonewars.
It's both fun and very sad.

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Iâve talked more broadly about the fatal flaw that drives Devonâs fall but I want to dig a little more deeply into the inherent subtext of gender going on with it because itâs really juicy and is a huge amount of what makes her character hit so well for me.
Devon has that streak of pride that develops into a superiority complex centering on her skill in the Forceâand what is such a consistent theme of the things Maul says to her, especially in episode 3 where he is explicitly reading her thoughts out of her mind and giving voice to them, as his discovery of her name without her giving it to him reveals to us at the end?Â
âThe Jedi were once revered protectors of the galaxy, but now they are considered traitors. Oh, how that must bite. To live as a fugitive, hand to mouth.â âTraining vigorously to achieve something that few could, only to be denied. You crave that unfulfilled destiny.â âCrushed under the heel of those who are, in truth, inferior to you.â
As a Jedi, Devonâs skill and talent gave her station and respect, but Order 66 ripped that away. The destruction of the Jedi Order forced her to hide that power and that skill and pretend to be just like any other teenage civilian Twiâlek girl to surviveâand thatâs the thing, right? The GFFA is, for the most part, a very patriarchal place to live, just like our world. (Please do not make me cite sources for âthe GFFA is misogynistic on the Watsonian levelâ, the sources cited are All Of Star Wars.) So: the egalitarian nature of the Jedi Order elevated Devonâand the Empire cast her down. Every Jedi survivor experiences this loss of status, but she has it worse than many because of who and what she is without her abilities or the prestige they once gave her: a teenage girl. She and Daki spent a year begging on the streets to survive; the humiliation of that and how she must have been treated in the process could not drive her loss of status in any deeper. Is it any wonder she is so full of resentment when we meet her? That she is so seething with wounded pride she has no outlet for that she wonât even give a false name when sheâs arrested?
Look at how stridently Devon pushes back against being considered a peer of Ryleeâs in every scene they share, how every interaction she has with him is flavored with, at best, a graciously condescending noblesse obligeâshe knows that if the galaxy she lives in considers her a peer of Ryleeâs then that means it actually considers her less than him, and she ultimately thinks he is nothing compared to her. Hell, go a level more abstract with the subtext: a different kind of narrative than this one about a Jedi girl falling to the dark side would take that useless boy/hypercompetent girl setup to ultimately reduce Devon to a reward for Rylee, who that narrative would deem a more deserving main characterâand the specter of that concept makes Devon want to kill everyone in sight.
This is why, of our darksiders in play in this era, it had to be Maul who turned her. A Dooku type would never get to her. The Palpatine wine-and-dine that Anakin got would not work on her. But when she was cast down into the gutter by Darth Sidious she met his former apprentice who he abandoned to the same fateâwho spent a decade scraping to survive in a literal trash heap and who has continued to cling stubbornly to life despite being consigned to that fate. Maul is scrappy and devastatingly honest when he needs to be and in order for someone to successfully sway Devon Izara to the dark side they needed to understand the loss of status she experienced and the resentment it festered in her long before they met. She needed someone who truly understood what was taken from herâthus, the shadow lord, the king of the gutter himself.
I must stress: this never would have been a problem for her without Order 66. Devon was a good person, Devon was happy to use her powers to help people. She would have been a great Jedi. Devon also enjoyed being praised and respected for her powers andâand is that a bad thing? Doesn't she deserve to be? Of course she does. Dark side falls in Star Wars are all about how things can be two things at once and how the line between them is so much thinner than we like to think. Sidious took that praise and respect away from her and she deserves it back, and she feels she can't get it back in her new reality by being a good person and using her powers to help people. So it is ultimately so easy for Maul to use Devonâs resentment to demolish her altruism, so that she becomes willing to reclaim her lost prestige by becoming someone who doesnât care about who she has to hurt to get what she wants.
Because it really was such a monstrous crime that was done to her.