me: *tries to focus on one thing, any one thing, for like five minutes*
my brain:
RMH
Cosimo Galluzzi

pixel skylines

Kaledo Art

Discoholic 🪩
ojovivo

⁂
sheepfilms

Product Placement
NASA
i don't do bad sauce passes
Game of Thrones Daily
I'd rather be in outer space 🛸
Stranger Things
TVSTRANGERTHINGS
todays bird
cherry valley forever
Peter Solarz

seen from United Kingdom

seen from Ukraine

seen from Iraq
seen from Finland
seen from United Kingdom

seen from Denmark
seen from Israel

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from United States

seen from United States
seen from United States
seen from Sweden
seen from Netherlands
seen from United States
@artemispanthar
me: *tries to focus on one thing, any one thing, for like five minutes*
my brain:

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#when in doubt, go get garnet
STEVEN UNIVERSE 3x06 "Steven Floats"
ditto and tyrantrum!
this piece needed a glow up BAD. had to give it a few edits :D
The neighborhood hero~
Ridley Sketch+Cintiq+Photoshop. TUMBLR: http://oliviersilven.tumblr.com/ All Artwork Copyright Olivier SILVEN.

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And bein’ polite.
SINNERS (2025) dir. RYAN COOGLER
Words hold weight..
A lot of people on twitter wanted me to explain how I draw expressions, so here you go
Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.
Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.
Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!
I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!
Also, bonus: even without the lines, the planes alone still show a LOT of emotion.
🏳️⚧️ TRANSGENDER DAY OF VISIBILITY 🏳️⚧️
DON'T LET THE BASTARDS GET YOU DOWN
A New Best Friend (S02E13) ST DENIS MEDICAL (2024—)

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Anon suggested Mudbray/Mudsdale, couldn't let go of a cute idea I had
Initial sketch here
as you get older, you start realizing that you are not always right and there’s a lot of things you could have handled better and many situations where you could have been kinder and all you can really do is forgive yourself and let your mistakes make you a better person.
I’ve been everywhere, man!
BEAUTY AND THE BEAST (1991) dir. Gary Trousdale and Kirk Wise
This might seem familiar, but it's actually a drawing I've posted here before, but I hated the “colours” I did for it so much… So I gave it a second shot.

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Entering The Park ‘Jurassic Park’ Arcade
LIKE THE OCEAN??? OR DEVOTION????
(IDK I REMEMBER SOMETHING....)