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@thebrutaliste
hi i'm going to be dumping a lot of feelings and hopefully some decent GIFs here, open to asks and discussions about the movie. will gladly cheerlead for fic, etc, too
btw this is a sideblog so you won't see a follow from this account
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When I eventually post the chapters that require the words-that-are-not-in-the-bible tags, I need people to know that they were written exclusively to a loop of select songs off the Twin Peaks soundtrack
Posting this latest chapter instead of working on freelanceâŚ.is this how LĂĄszlĂł felt when he was doing drafts for Harrison while working on that bowling alley??
Call my morning bus rides Balto for how itâs getting me thru this final mile
diphtheria will be eradicated from Nome soonâŚ..
Herkenrode was founded at the end of the 12th century and became a Cistercian abbey in the 13th century, soon becoming one of the richest in
âHerkenrode was founded at the end of the 12th century and became a Cistercian abbey in the 13th century, soon becoming one of the richest in the Low Countries. The spatial and spiritual heart of the abbey consisted of the cloister, a unified ensemble of various buildings. Anchored by the 16th-century Gothic church, it included a convent building, an infirmary, sisters' quarters, and other outbuildings, all organized around two large cloister gardens and surrounded by long galleries.
Throughout its history, Herkenrode experienced several periods of deterioration and destruction, with the lowest point being the church fire in 1826. The historic core of the former abbey will ultimately be entirely demolished. Today, only the chapel and remnants of the sisters' quarters and the old infirmary remain of the original cloister. Once the beating heart of the abbey, the place now only exudes emptiness.
Gijs Van Vaerenbergh was commissioned to conceptualize an artistic vision for the vanished heart of Herkenrode. Their installation, CLAUSURA, brings the vanished buildings back to their true scale and original location. It is an artistic and spatial intervention that evokes the memory of the lost ensemble without resorting to an exact reconstruction. A structure of thin steel rods is used to outline the vanished buildings of the cloister, as if they were drawn into the space. The new volumes are transparent, allowing their silhouettes to blend seamlessly with the landscape in the background. From some viewpoints, the lines disappear, and from others, they remain clearly visible. The intervention balances between reconstruction and abstraction, as the original structures are evoked through a refined play of suggestion. Iconic details such as windows, vaults, and towers enhance the sense of recognisability, although at times, these elements dissolve back into a chaos of lines.
The existing ruins of the sisters' quarters, the infirmary, and the arcade, made of brick and wood, are preserved from further decay and completed by means of a steel framework. As such, a composition of old and new elements emerges. The steel structure replicates the existing roof structure, which is still partly visible in the sisters' quarters and partially covered in the infirmary. In this way, sheltered areas for temporary use are created.â
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The Brutalist (2024)
Directed by Brady Corbet
There is absolutely a platonic explanation for that
But I will also entertain the non platonic for my own edification do u understand
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what iâm saying here is basically âa lot of the fun of doing character analysis is doing character analysisâ but letâs be real a lot of fandom character analysis is pretty heavily vibes-based. and i think thatâs where i really chafe up against the traditional thought-terminating fandom attitude of like, everyoneâs opinions hold equal weight and any interrogation of that is inherently hostile. because i think itâs fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the pieceâs in-fiction and real world contexts?
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Call my morning bus rides Balto for how itâs getting me thru this final mile
getting fixated on something is funny because the first like week i have an insatiable need to tell everyone i know about it and spread the good word but by weeks 2 and 3 it becomes so intense and personal that even hearing it mentioned in public makes me sweat as if a dark secret was alluded to
never stop being obnoxious about fictional character online. you will find like-minded people and it will literally save you
not now kitten. daddy's realizing that the scene he invested 1000 words into could be significantly improved but only if he started over from scratch
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Happy one year anniversary of me working on this fic lmao â ď¸
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If anyone ever wanted lush PDFs of Ver Sacrum, a magazine published by the Vienna Secession from 1898-1903, here you go!
