14h
5000 sheets of paper
2004
Zhou Wendou
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5000 sheets of paper
2004
Zhou Wendou
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Measure of a Lifetime 2022
Zhou Wendou
As we get older, we feel that time goes by faster and faster, and it is said that a 50 year old may perceive the length of a year only one fifth as well as a 10 year old. Based on this ratio, I created this life scale, where each space represents a year of life.
The history of the two Germanys, the Federal and the socialist German Democratic Republic, is the raw material of Andrea Pichl’s artistic practice: born in the GDR in 1964, Pichl grew up in the self-proclaimed „workers’ and farmers’ state“ and explores the manifold linkages between the two states. In her current exhibition „deutsch deutsch“ at Kunsthalle Vogelmann the inconspicuous facades of small standard houses hide criminal and downright inhumane stories embedded in the states’ network of relationships.
The houses themselves already allude to history’s continuing influence as they are in many ways related to German history: one is a replica of a shelter designed by Ernst Neufert for the NS regime, the second a reconstruction of a GDR hut West-Germans could order for their relatives in the GDR from GENEX, a company set up to funnel foreign exchange into the socialist state, and the third is a popular garden shed offered by the market leading DIY company OBI in reunited Germany. On the inside they reveal even more complex links: Pichl’s installations unfold the economic entanglements of West and East Germany, capitalist foreign countries and the GDR and show that e.g. the Hoheneck Women’s Prison forced its inmates to produce sofas for Ikea. The West-German mail order companies Quelle and Neckermann in turn had dolls produced in the GDR in exchange for valuta, a lucrative trade that was hidden from customers.
Alongside the exhibition Snoeck published the present catalogue that, beyond containing a visual documentation of the exhibition, enlarges upon her work and the artistic research underpinning it: while Doreen Mende describes Pichl’s metabolic research that finds expression in her works, Carsten Probst emphasizes Pichl’s ability to uncover the hidden strands of history that open up new perspectives on the history and entanglements of the two German states.
The latter also is the major takeaway from both exhibition and catalogue: Andrea Pichl dissects German-German history, shows that neither state had a moral high ground and ultimately translates these finding into fascinating, multidimensional installations that trigger a profound reflection process.
Eye of Horus
2022
Zhou Wendou
Remaining Boundary 2015 Materials: Neon lights, wooden board Size: 130x130x12cm
On our geographical planet, there are four tense borders: the US-Mexico border, the Israeli-Palestinian border, the North-South Korean border, and the Russian-European border. I combine these four borders into a closed space.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
All Lights Are 12V 2017
Zhou Wendou
Free the donkey at galerie drusius!
Who Stole My Time?
2022
Zhou Wendou