I'd rather be in outer space 🛸
oozey mess
PR's Tumblrdome
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Xuebing Du
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ojovivo
@theartofmadeline
trying on a metaphor
Cosimo Galluzzi
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YOU ARE THE REASON
shark vs the universe
tumblr dot com
Sade Olutola
d e v o n
#extradirty
Noah Kahan
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@the-last-heartrender
I love u angry female characters. I love u deeply misunderstood and problematic female characters. I love u cold hearted and sharp female characters. I love you prideful and reckless female characters. I love u unbeautifly destructive female characters. I love u prickly and snarky female characters. not everyone understands u but I do and I'm listening
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youll be able to find books and movies and music that change your life until the day you die. that's pretty good
“The entire British museum is an active crime scene” - John Oliver
[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.
image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it
/end id]
For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.
Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“
Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.
Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.
There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.
By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.
One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.
I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.
“We need to be mad at the right people” is the crux of SO MANY THINGS
Thank you Lottie, as always.
So the problem isn’t even the people who run the museum, who are after all museum people and want museum things to be done well and respectfully, but the government, who want the museum to remind everyone of the time before they made their entire country a laughingstock.
Holy shit that's so cool
Finally “do you love the colour of the sky” got compressed for our convenience
This is now my favorite photo
Rick Riordan was SO galaxy brained for making Aphrodite be beautiful according to each person's personal ideal of beauty. Had it been Sarah J. Maas or any new age YA author they would have been like "she's a lilywhite blonde with blue/green eyes who is unanimously the most beautiful of her age teehee" and called it a day, whereas true beauty is subjective, according to each person or society's different tastes and the differing standards cannot be reduced to a one size fits all.
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Obsessed with how Annabeth isn't spacial, she isn't a chosen one, she has no demigod magic powers, she is for all intents and purposes, a fairly normal girl.
But she poured her blood, sweat and tears into becoming the best warrior she could be. She trained hard for years because she knew she had disadvantages and she didn't want to be seen as weak.
She's literally known in Camp and by monsters like Alecto as the most powerful demigod alive and she doesn't have powers. It's almost as of girls don't need to be magical to be a hero!
reblog and make a wish! this was removed from tumbrl due to “violating one or more of Tumblr’s Community Guidelines”, but since my wish came true the first time, I’m putting it back. :)
Please don’t fail me now. 11:11
11:11
the lord did not put me on this glistening earth to be afraid of sincerity
Yet sincerity is scary
cultivate courage as often as you can
big fan of characters with abandonment + attachment issues so profound that they leave claw marks in everything they touch but would sooner gnaw off their own leg than admit they just want someone to stay for once. in a totally normal well adjusted and not at all projecting way of course.
big fan of characters who are always leaving. who constantly have a suitcase in their hand. characters who start planning their exit the moment they arrive and get nervous when the people in their lives start to Know them. in a totally normal well adjusted and not at all projecting way of course
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“i want something casual” cool well i want someone who will burn cities and start wars just to see my true smile
Alex Dimitrov, from “Living in Time” [ID in ALT]
for the low low price of reading a single poem you too can feel entirely alienated from everyone within your physical reach & yet completely connected to the unchangable truth of shared human experience
Treasure Planet was so right. About everything, but specifically I mean about the whole spaceships and technology blended with 18th century aesthetic.
Look at you! Glowing like a solar fire. You’re something special, Jim. You’re gonna rattle the stars, you are!
TREASURE PLANET (2002)
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You’re gonna rattle the stars!! 🏴☠️✨
I just remembered this drawing of Will exists
