cooking with trauma

Janaina Medeiros
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blake kathryn
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Today's Document
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Jules of Nature
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oozey mess
Aqua Utopia|海の底で記憶を紡ぐ

★
YOU ARE THE REASON

titsay
d e v o n

Andulka
will byers stan first human second

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@thatsfrickenace
cooking with trauma

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“Perhaps you have forgotten. That’s one of the great problems of our modern world, you know. Forgetting. The victim never forgets. Ask an Irishman what the English did to him in 1920 and he’ll tell you the day of the month and the time and the name of every man they killed. Ask an Iranian what the English did to him in 1953 and he’ll tell you. His child will tell you. His grandchild will tell you. And when he has one, his great-grandchild will tell you too. But ask an Englishman—” He flung up his hands in mock ignorance. “If he ever knew, he has forgotten. ‘Move on!’ you tell us. ‘Move on! Forget what we’ve done to you. Tomorrow’s another day!’ But it isn’t, Mr. Brue.” He still had Brue’s hand. “Tomorrow was created yesterday, you see. That is the point I was making to you. And by the day before yesterday, too. To ignore history is to ignore the wolf at the door.”
- A Most Wanted Man, John le Carré
My favorite genre of self-portrait is cartoonists being bothered by their characters while trying to draw
Bill Watterson – Calvin and Hobbes (1986)
Hergé – Tintin (1947, Tintin Magazine)
Jeff Smith – Bone (1993, Bone Holiday Special)
Walt Kelly – Pogo (1950, Maclean's Magazine)
And a bonus:
Berkeley Breathed – Bloom County
for the reverse, take this image of Tove Jansson about to murder the moomin characters
The Rainbow Book of American Folk Tales and Legends illustration by Marc Simont 1958
—Richard Siken, from “A Primer for the Small Weird Loves,” Crush

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ive heard if its all gone wrong and is fucked beyond repair you can actually use it for banana bread
PRAYER FOR WEREWOLVES from We are Mermaids by Stephanie Burt
shorty got me looking up definitions!
in 2026 DO NOT ask yourself whether your art is GOOD
instead ask:
is it SINCERE
was it CATHARTIC
was it FUN TO MAKE
is it MADE BY ME
and don't forget to stay silly

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This time, I'm doing animation on seashells.
I couldn't look away, what a fantastic project. Also, this song syncs up so well with the animation.
Mark Rothko on the "recipe of a work of art," lecture at the Pratt Institute, 1958:
There must be a clear preoccupation with death—intimations of mortality… Tragic art, romantic art, etc. deals with the knowledge of death.
Sensuality. Our basis of being concrete about the world. It is a lustful relationship to things that exist.
Tension. Either conflict or curbed desire.
Irony. This is a modern ingredient—the self effacement and examination by which a man for an instant can go on to something else.
Wit and Play..for the human element.
The ephemeral and chance…for the human element.
Hope. 10% to make the tragic concept more endurable.
Maybe it's naive of me, but whenever I see portraits like this, with just a father and daughter, it restores my faith in humanity a little. Because people seem to love this idea that fathers never loved their daughters in the past and only saw them as bargaining chips for marriage or whatever, but look at the guy in the first portrait on the left, he loves that little girl! And the dad trying to do his work while his daughter bothers him with an Old Timey Barbie. The man teaching his daughter geography, his expression is so soft! The way the man in the last portrait holds the little girl's hand! And none of these are incidental, these aren't photographs, someone (probably the father) paid good money and sat down for hours so that they could have a painting of themselves and their daughter. Probably because they loved their daughter.
From left to right: 1795 Michał Jerzy Mniszech with his daughter Elżbieta - Marcello Bacciarelli; Christopher Anstey and his daughter Mary Ann by William Hoare 1776; A Musician and His Daughter by Thomas de Keyser 1629; The Geography Lesson (Portrait of Monsieur G. and His Daughter), 1812; Jean-baptiste Isabey And His Daughter; Portrait of a Young Girl and Older Man by William Harrison Scarborough
(this is probably somewhat related to my other favourite genre of painting, Husband With Multiple Kids Making Come Hither Eyes At His Wife)
i love you, it looks like rain, June Gehringer

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he’s just like me fr
the only way out is through but fuuuuuuuuuck fuuuuucckkkk cant i like scooch past or something