
tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

Janaina Medeiros
Alisa U Zemlji Chuda
DEAR READER

titsay
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
Mike Driver
Monterey Bay Aquarium
taylor price
Peter Solarz


if i look back, i am lost

Kaledo Art

oozey mess

pixel skylines
d e v o n

Discoholic 🪩

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@letterful

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really obsessed with this comment under a simon and garfunkel edit. who up revelling in melancholia and hints of the homo erotic
this morning i read this poem with a girl i tutor (who’s not a big fan of poetry) and she loved it. thank you paula bohince.
Octavia Saint Laurent in Paris is Burning (1990)

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"I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture. ... Dancing is very like poetry. It's like poetic lyricism, sometimes, it's like the rawness of dramatic poetry, it's like the terror — or it can be like a terrible revelation of meaning. ...To me, the body says what words cannot. I believe that dance was the first art ... because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people. Dance is the hidden language of the soul, of the body. And it's partly the language that we don't want to show."
from a 1985 NYT interview with Martha Graham
Don’t you have to read good books to be a good writer?
You need a balanced diet of Peak, Dogshit, indulgent tripe, top 40 shit, almost-peak, niche peak, and experimental avante garde shit.
Der Sumpf/The Swamp
Manchen der Freunde sah ich, und den geliebtesten Hilflos versinken im Sumpfe, an dem ich Taglich vorbeigeh. Und es geschah nicht an einem Einzigen Vormittag. Viele Wochen nahm es oft; dies machte es schrecklicher. Und das Gedenken an die gemeinsamen Langen Gespräche über den Sumpf, der So viele schon birgt. Hilflos nun sah ich ihn zurückgelehnt Bedeckt mit den Blutegeln In dem schimmernden Sanft bewegten Schlamm. Auf dem versinkenden Antlitz das gräßliche Wonnige Lächeln. I beheld many friends, and the friend I loved the most, helplessly sink into the swamp I pass by daily. And a drowning was not over in a single morning. Often it took many weeks; this made it more terrible. And the memory of our long agreeing talks about the swamp, which already held so many. Powerless now I saw him leaning back covered with leeches in the shimmering softly moving slime. Upon the sinking face the ghastly blissful smile.
Bertolt Brecht (1898-1956) trans. Naomi Replansky in Poetry Magazine, December 1947 (original German)
Pair of rare W. Nick Redford Labeled Virginia Tooled Leather Key Baskets
Brunk

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this is not a place of honour
Oviloo Tunnillie, Synchronized Swimmer
no one is stupid in quite the same way as a tumblr user

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if i see one more concubine bring her straight eunuch to pride
The Lady of Elche, sometimes interpreted as an Atlantean priestess, is also believed to be related to the Carthaginian goddess Tanit. Greco-Iberian bust from Alicante (αρχαία Ελίκη), Spain, c.400-350 BC.