Their poorly defined terms, confused principles, and sloppy thinking vs. our come on, don't be obtuse, you know perfectly well what I mean

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@sufficient-tenacity
Their poorly defined terms, confused principles, and sloppy thinking vs. our come on, don't be obtuse, you know perfectly well what I mean

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crush totally wasn't impressed by my miraculous flying machine fml
oh my god i just saw her get onto an airship with a woman whose tophat has at least twice as many sprockets as mine. i will be killing myself with an elaborate pneumatic pistol tonight
you, reading this. you're a creature now. reblog to creature your followers
this creature is you
ive said this before but it was on my old blog so I'm saying it again
dehumanizing abusers is not effective at doing anything other than make people think they're ontologically incapable of violence
it's also creating a class of people who you can abuse while telling yourself that you're Good and Moral and Not an Abuser.
if you dehumanize the caught abusers then the uncaught abusers will use their humanity as proof of innocence
if you dehumanize the hypothetical abusers you create incentives for false accusations as a means of dehumanization whenever dehumanization is desired for other reasons
“There’s a cure?!” asked the girl that kills everything she touches. “Hey shut up we’re perf” replied the girl that makes clouds.Â
For real though. Storm has stopped an entire tsunami before. “Makes clouds my ass” she can conjure lightning and tornadoes and is revered as a god in her tribe. She literally changes atmospheric pressure and that’s how she flies. So fuck you. Storm is flawless.
I think you missed the part where the GIRL WHO KILLS EVERYTHING SHE TOUCHES wants to NOT KILL EVERYTHING SHE TOUCHES and everyone dismisses her incredible misfortune just because the lady who is the AVATAR OF THE STORM won the fucking SUPERPOWER LOTTERY
And here we see X-Men perfectly illustrating the disparity between the larger disability community (Storm) and the chronic illness community (Rogue). One wants society to accept & respect them & their various different needs, which is surely a noble cause, while the other would like to NOT BE IN PAIN EVERY FUCKING DAY, which is just as important but often gets shouted down by non-ill disabled people who only want to talk about disability as a social construct.
Why both the social model and medical model are useless on their own, both are needed to fully understand disability justice.

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I’m watching Matt describe Julien producing a wine bottle from nowhere and drinking from it as he talks heavily about how the young are sacrificed for politics, and I can fucking *FEEL* Miss “I wield the might of giants, I can fix him!” losing her mind. Jokes aside, I do hope Ingrid gets to hook up with Julien once or twice. He would make a terrible partner, but he’s a wonderful mistake to make in your 20s.
this website is so funny because every couple years we repeat the discourse of "which marginalised group is it morally okay for us to shit on?" and somehow nobody ever learns from it. we just look back and go, "hey, remember that time when everyone was joking about how ace people should all be put in meat grinders? that was so messed up. we should not have done that. anyway, here's my topical joke about how polyamorous people should all be put in meat grinders."
this post is still getting me anon hate pretty much on the daily btw. in case you were curious about the state of things
State officials in New York say the Salmon River district's special education program confined young children with disabilities in wooden bo
CW for seclusion, abuse.
A school in New York confined disabled Native children in wooden boxes. Indigenous children and disabled children have a long history of experiencing mistreatment and harm in schools. Everyone deserves an education free from seclusion and restraint.
For more information on the harms of seclusion, check out the Alliance Against Seclusion and Restraint.
wake up babe new batshit insane conspiracy theory just dropped

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little miss anxiety disorder is walking back and forth and looking around at all the little details of the room and trying to figure out what exactly is a little wrong with everything and maybe she knows it's all in her cute little head and maybe she doesn't but either way if you tell her to calm down she's going to have to fucking kill you sorry not sorry.
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happy pride month for it/its users, polyamorous people, xenogenders, non-transitioning trans people, and other "weird" identities. btw
shoutout to slow growers, late bloomers, people whose plans got derailed by circumstances beyond their control or their own choices, people who never had a plan to begin with, people who have had to start over when theyre too old to feel like theyre supposed to be where they are, people who cant pretend theyre built for the environment theyre in, and everyone who's not living the life they thought they would. im proud of you for making it this far and i hope you keep going until youre happy ♡

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TOKYO STORY | 東京物語 (1953)
— directed by Yasujiro Ozu.
“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborateÂ