my summer plans consist of unclenching my jaw + forgiving myself

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@raimagnolia
my summer plans consist of unclenching my jaw + forgiving myself

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brain grace,,, grain
Pyo Guwon art
Idk who else is reading The Hounds of Sisyphus, but Guwon has me kicking my feet and giggling with how damn cute he is.
I need him biblically. I need him in a way that is concerning to feminism.

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Latest doodle from Gusao/945 on X !
bitch im SAT
Guwon fanart đ
I need to know all your theories about him cause I am confused at this point.
Check out dawnwilldraw's commissions and portfolio! | Digital artist from Hungary đ Tell me your story, and let me capture it! ...
No thoughts. Just Guwon.
Could've made him buffer but I was STRUGGLING!
what happened to hello. what happened to good morning.

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I donât mean to be rude; but I donât think Iâve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of televisionâŚI think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I canât help but think of every band thatâs ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they wantâand think they deserveâthe time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they donât want us. And they donât really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audienceâs demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they wonât usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesnât perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasnât a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didnât necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs donât want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
Youâre all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because heâs actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like âHey folks, this girlâs getting us more viewers, letâs put her in more scenes!â It just doesnât make sense to me. MEN donât make sense to me.
The 100 too. Iâll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boyâs club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, âWomen donât understand Star Trek, only smart men hur dur.â
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesnât stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron ⌠đ¤)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isnât the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, theyâre trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. Itâs not just men wanting male attention and gatekeeping. Itâs that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesnât work for some reason. Comments are now restricted so canât put it there, but I hope you see this if you were interested!
Iâd also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
ngl there could be research done on how the MCU walking back things its fandom liked coincided with the slipping reception of the franchise, because the fact Iâve seen more fanart and fandom interaction with JAMES CAMERONâS AVATAR than i have cumulatively for the MCU since Endgame should be fucking telling.
like⌠the MCUâs communal living Avengers Tower was IN THE MOVIES, it was planned, it was upcoming, people were EXCITED and there was so much fanfiction and fanart⌠and then suddenly magically all the characters hate each other and donât share screentime anymore, then they get killed off just to be safe. the fact that thereâs been no âreplacementâ for Stucky , Stony, or Thorki despite SEVERAL new groups of characters that have been shown since Ultron??? hmmmâŚ.
the only sign of life for the fandom in recent memory was the Loki show⌠which you know, Loki was a fan favorite who was killed off, and fans were desperate that heâd be alive, so of course for his revival theyâŚ
checks notes
handed the reigns of the show to a man whoâd NEVER SEEN THE THOR MOVIES, nor had any idea of who Loki is or was as a Norse God OR as a comics character, and literally repurposed a script that heâd been trying (and failing) to sell to studios, and made sure to sand down any edges that could even HINT at Loki being queer in any way, gave him a girlfriend which ended up muddying the waters of the fandom SO HARD that it acted as a deterrent for people wanting to get into the fandom.
and then they literally put Loki in the box of Forever Alone where he can never have an interaction with any character ever again so any interest you have in the characterâs future? wasted. heâs literally holding the multiverse together, guys, asking him to appear anywhere else is Rude actually :P
since then itâs been crickets. and again, iâve seen more life from the Blue Avatar fandom than the MCU, thatâs Weird.
They got so mad when they explored the culture and character interactions of Asgard in Thor: Dark World, and it brought in waves of a female audience. So mad that they just straight up butchered the character development and godhood of BOTH Thor and Loki and then killed off everyone else, then snapped Loki's neck in the first ten minutes of the avengers film for good measure. What the fuck.
happy belated bloodymary acknowledgement/iron lung digital release day
2 3
if twos a party and threes a crowd whatâs four
(ss taken from this post)
1 2
Ah, hes hit the bloodymary tower
THE SECOND BLOODYMARY TOWER HAS BEEN HIT
NOOOO THE PENTAGON
ARYGHH AND ITS THE PHM TWITTER WITH THE STEEL CHAIR?????
all for the hc that they both hate each other at the start but ONLY IF they end up like this

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1st image: "...is that a...?"
2nd image: "holy shit."
my nothing