don’t make a promise you can’t keep

That's it. That's my answer. Endor.

How did- what the fuck how did they-

who-?

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.

A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.

This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.

And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!

Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.

And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.

Oh, I believe in cooperation. As long as it benefits me.

Stray cat breaks into Lynx’s enclosure at zoo

these two felines were introduced at 6 weeks old in order to give more enrichment for the lynx and for education purposes, however they got along fantastically from the start and were eventually moved to permanently live with one another.

a much less exciting story, but a much cuter one as well.

When I turned 17, we ordered a cake at the grocery store for my party, as we’d done many times before. If you wanted something written on the cake you’d write it into a section of the order form. We requested, very simply, “Happy Birthday Courtney”. When we went to pick it up the day of the party, this is what we got.

The bakery employees had absolutely no explanation for this. The order form, attached to the box, very clearly did not contain any of those extra names. Whomever had done the writing was no longer in, so there was no one to ask how this had happened. The fact that the name ‘Juan’ is misspelled bewilders me to this day. (I’ve never seen ‘Miley’ without the E, either, but it’s believable that someone might spell it that way.) Did this cake slip in from an alternate universe where I’m one quarter of a set of Hispanic quadruplets? Dyslexic Hispanic quadruplets, maybe?

This cake became the focal point of my party. At least two of my friends regularly called me ‘Courtney Mily Jaun Pablo’ for years to come. My siblings and I still reference it sometimes, eleven years later. It is probably the funniest thing ever to occur at any birthday celebration of my life, and may well remain so for the rest of my days.

No One Like You

now, it took us a while to realise it meant "(there is) no one like you". at first, we all parsed it as a botched "no one like(s) you"

Untitled , 1045 Divisadero St. * - Eileen David , 1978.

American , b. 1952 -

Watercolour monoprint on paper , 12 x 16 in.