Felins, c.1927 by Ludovic Alleaume (French, 1859-1941)

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PUT YOUR BEARD IN MY MOUTH

h
noise dept.
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@squellosunshine
Felins, c.1927 by Ludovic Alleaume (French, 1859-1941)

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I've realized recently that every time I'm asked for socials my response is sorta "oh i don't have twitter" "I'm not on Instagram much" "i uninstalled TikTok a few months ago" and this has led people into believing I'm just someone who doesn't do social media but in reality you can find me in here lets get it on cunts monday through shawty like a melody sunday, 9am to 12am, posting blorbo.
I was going to be like "well that certainly was not true cause you deactivated" and then I looked at the blog and. that's literally my old blog.
by Aliriza CAKIR
My garden, with the innumerable herbs and alliums I let flower instead of pulling out, has suddenly acquired a myriad of wasps. They’re mostly solitary species and fairly chill so of course I had to stick a camera in their faces.
So far I’m really happy with these!
These will eventually make their way to the @animalphotorefs repository, once I sort the uh…. Six thousand and seven hundred something bug photos I just took.
Oh man I am so pleased with today’s attempt.
#jfc 4000 iso...#<- im a beginner. i've never seen iso that high#or shutter speed that fast prev tags from @time-teller
What you'll find - for prev but also anyone interested - is that the faster the moving animal you're trying to photograph the higher the shutter speed gets. I normally shoot birds at 2000-3000 frames per second in order to get sharp feathers in flight, and after a bunch of trial and error anything under about 8000 was just not enough for these little wasps while in flight if I wanted to see detail. They're so fast that even getting these shots required setting my focus distance when they were sitting on the flower, shooting burst, and hoping they took off during the burst.
The reason the ISO is so high is because that lets me use a higher aperture (how wide open the lens is). The narrower the aperture - the higher the F number on the screen - the less light gets in, but the deeper the depth of field is. If you have a shallow depth of field, you get photos like a lot of my early macro attempts... where the nose of an animal facing the camera is in focus but the eyes and ears are not! When you're shooting with a high ISO your images can get really noisy, especially in low light, but I was working in really strong direct sunlight so I had room to mess around with settings. (You can push this too far. I accidentally took a bunch of baby elephant pool wrestling photos on 12000 ISO because I was exhausted and forgot to reset after messing with settings in a really dark reptile house. There's a reason those aren't online.)
I also just want to point out that I am also fairly new at photography overall - I've only really been doing animal photography seriously for the last three years - and that a lot of what will help you get better is trial and error. I have two photography mentors who are both super technical guys and they repeatedly tried to explain the exposure triangle theory to me (the relationship between ISO, aperture, and shutter speed). It never stuck. Y'know what did? Taking a truly astounding number of photos and just messing around with my settings until it started making sense. I shoot with all my settings on manual now, but I absolutely did not start there.
So even as a beginner you too can learn to use ridiculous settings! Find a thing you want to photograph, put the settings where you think they need to be to get what you want. Get enough photos to make you happy, and then change one setting a little bit and try again. I suggest using auto settings where you only have to pick a value for one setting manually and then the camera automatically adjusts the other two for the best photo. Play with a couple adjustments to the same setting on the same subject so you can compare the photos. Over time, it really will start to make sense and come more naturally. And then you can join me in the "your shutter speed was what?" club!
If you want to take higher aperture macro photos without hitting ISO numbers like that, I cannot recommend enough using a flash unit. Even(and honestly especially!) in sunlight. The flash even gives you room to knock the shutterspeed down-- I've gotten beautiful "freeze-frame" shots working at 250.
(ISO 100, F11, 1/250)
(ISO 100, F11, 1/250) (dont be fooled, this guy was not actually sitting still)
(okay this ones mainly just here because its funny) (ISO 200, F13(ish, manual aperture ring so some fudgy inbetween value), 1/250)
I only say this because high ISO plus a high aperture is a surefire recipe for fuzzed out photos-- As you raise your aperture value, once you hit the diffraction point, your resolution begins to go down, which when combined with the noise can be a huge pain.
(Though that also depends on your lens. I could get up to F32 on my nikkor without the resolution getting too bad, but F16 and above on my laowa are a pain. Such is life)
The increased clarity of lower ISO can be worth it in my opinion cause you can get stuff like this
At the post office today:
Man with beautiful silver undercut and a coach bag: can I get a sheet of stamps please
Clerk: does it matter what kind?
Man, with homosexual despair: EVerything matters to me, unFORtunately.

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ok then why didnt you
In honor of this post getting way too many notes i made this
Shes dedicated to all the people who missed the point
some people really aren't getting it so i need to clear something up, let me hold your hand through this
^^^THE SAME COMIC. THESE ARE ALL THE SAME.
YOU ARE A REGULAR GUY. YOU CAN HANDLE CRITIQUE. YOU ARE A REGULAR GUY. YOU CAN EMBRACE BEING TOLD YOU WERE WRONG. YOU ARE A REGULAR GUY. YOU CAN ACCOMPLISH UNPLEASANT TASKS. YOU ARE A REGULAR GUY. YOU CAN DELIVER DISAPPOINTING NEWS. YOU ARE A REGULAR GUY. YOU KNOW HOW TO BE DISAGREED WITH. YOU ARE A REGULAR GUY. YOU CAN BE CORRECTED. YOU ARE A REGULAR GUY. YOU CAN BE TOLD YOU MESSED UP. YOU ARE A REGULAR GUY. YOU ARE ABLE TO DO HARD THINGS.
This one started as a drawing in my sketchbook, and then she blossomed into a digital painting 🌸 Still on my lifelong quest to paint the roundest, chunkiest, most squishable roses.
This may be the best Pride merch I've seen from a major corporation.
Levi's said yes, actually. Assless chaps and a biker vest. Happy Pride.
And the assless chaps sold out on June 1.
They also specifically contacted members of the leather community, used them as models iirc, and donated $100k to Outright International. They talked the talk and walked the walk and put their money on it too. I don't really care that I can't afford and don't want this merch, I love to see my community getting the respect it deserves. Levi's said, "We make jeans which gays wear lots of jeans? Oh leather daddies? Let's call them."
I think Levi's donates to Outreach International every year too, as well as sponsoring pride events and other community support. They were offering Same Sex domestic partner benefits to employees in the 90s, and have been very public about their support for pro-lgbt legislation all through the 2000s.
So, you know, a giant corporation that walks the walk pretty consistently.
So like an hour ago I just lear🪨︵︵ned that— what the fuck was that. Someone just skipped a rock across my post did you see that

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My little darn(ing) betta fish. Pretty happy with it. I go back and forth between keeping it like this or outlining the fins and tail. Input welcome :>
My morning glory doesn’t like the wind chime
SHUT
Taras Shevchenko and Ira Aldridge by Heorhiy Melikhov, 1963
Famous Ukrainian poet and artist Taras Shevchenko befriended the African-American Shakespearean actor Ira Aldridge, while the latter was on tour to the Russian Empire in 1858. Shevchenko did his portrait in pastel. It is recounted that the two men got along very well. While posing for the portrait, Aldridge sang African-American songs to Shevchenko and in return, the artist taught him Ukrainian songs.Â
The portrait in question:Â
Portrait of Ira Aldridge by Taras Shevchenko, 1858. Pastel on paper.
[LATE NARUMITSU WEEK]
Prompt #3 - Free day!
Wanted to draw the Ace Attorney X Professor Layton designs...I haven't drawn them enough. 👀

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Julian Hooper 1. Introduction, 2016 2. Inevitable conclusion, 2016 (Acrylic on linen)
certified door post