"Hi. Uh, hey. So here's the thing. I understand why you did what you did. Why you had — thought you had to. The great big cosmic cost/benefit analysis, and all. And that's a terrible thing to have been put on your shoulders. Like pretty much the absolute maximum that could be asked of a person, barring — uhh, y'know. And I get that, right, like I do get it, like I might be the only other living person — well, human person — who understands the magnitude of everything you were going through to any degree at all. And because of that I really wish I could tell you that it's all, like. Cool. You know? Like whatever. And I know I should.

yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."

oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.

This is not a particularly original thought (I've probably made this exact post before myself) but one of the bleaker vast cultural gulfs out there is and likely shall remain the one between 'material children can understand and engage with' and 'material guardians and gatekeepers are comfortable thinking about their children engaging with'.

yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."

I love people using music notes and symbols to indicate words spoken in Eridian, but everytime the notation is wrong it makes me FERAL