In the end, itâs about not worrying from the beginning!
hello vonnie
2025 on Tumblr: Trends That Defined the Year
Stranger Things
will byers stan first human second
Cosimo Galluzzi

titsay
I'd rather be in outer space đ¸
Alisa U Zemlji Chuda

if i look back, i am lost

Kaledo Art
Misplaced Lens Cap

oozey mess
RMH

blake kathryn

JVL


Janaina Medeiros

Origami Around

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@specspectacle
In the end, itâs about not worrying from the beginning!

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my personal angst vs emotional whump distinction is that whump is about pain. to some extent, whump is about recreating the visceral texture of pain in ways a reader can feel vicariously, can sink their teeth into. and it doesn't just include pain, it's about pain. angst can include pain but be about grief or a person or a relationship or loss or regret or... etc. whump is About the Pain.
i do consider recovery whump and the comfort in hurt/comfort to be whump; that's not an exception, it's that stories about relieving and/or recovering from pain are still, indirectly, About Pain.
are there any "how to make fanvids" resources that people have liked or used?
paging @olderthannetfic , who knows from fanvids
DaVinci Resolve is the obvious choice for software these days. The learning curve is... steep. To put it mildly. But it's the industry standard for color grading that's trying to steal market share for editing, and it's available for free. The big advantage here is that you can just keep using the same program as your skills grow. There is nothing you'll ever do for a fanvid, including effects, that can't be done in the free version of Resolve. Some people say to start with an easy program, but I find that many of them suck nowadays. YMMV.
Any of the big programs will have a million youtube tutorials on the technical aspects. We no longer need to rely on fandom tutorials for that.
As for aesthetics... That gets tricky since there are a lot of different fannish communities that have diametrically opposed views on what makes a good vid. If you want to go oldschool, there's a vidding discord with a bunch of fans from the LJ era. Some of the extant fancons have vidshows and vidding panels or even run vidding courses. Escapade, DC Slash, etc.
Some parts of vidding aesthetics are just film aesthetics. When I got interested, I wandered over to the local university bookstore and got myself a copy of In the Blink of an Eye, which is just about the only thing film schools ever manage to assign unless you're specializing in editing. I also think The Eye is Quicker and The Visual Story are worth a look. You certainly don't need to know film nerd shit, but those kinds of books can give you some vocabulary should you want it.
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The thing is, you already know aesthetics.
Forty years ago, Media Fandom vidders were learning from vids. You see meta from long after this was true still saying that you have to watch good vids to make good vids.
But in fact, any person in the 2020s (and, frankly, long before) has watched a lifetime of short-form video with vid-like aesthetics long before they ever think of doing any kind of fannish remix video.
Trailers, commercials, music videos, short films, plenty of youtube content: it's all relevant to one type of vidding or another.
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If you want to do very oldschool Media Fandom vidding that is highly narrative but doesn't use any show audio, your best bet is to look at the visual grammar of film. The character with the closeup is the important one, the person looking near the camera's emotions are more accessible than the emotions of the character we see in profile, etc. etc.
I've made a couple of videos about visual grammar aimed at fans.
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In general, I would ignore any vidding meta about music choice. Everyone is a coward with bad taste, whether that's an entire community that only edits to Linkin Park or an entire community that only vids to Sarah McLachlan. Down with 4/4! Down with only top 40s pop! Unless you like it, of course.
Just pick something you're willing to listen to eight billion times if you're doing a song without show audio. If you're doing a more trailer-y vid, pick something that works well as a short, punchy backdrop to dialogue. Don't play dialogue and song lyrics at the same time. Again, this is basic shit from every commercial trailer and ad ever.
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That linked guide seems fine. It's full of things that will vary by person, of course. "(compared to phone) Itâs not portable unless you have a beast of a laptop." is cracking me up. For ages, I did all my editing on a macbook pro, which is indeed a beast.
Don't use After Effects. That guide is right that it's super popular, but unless you are primarily interested in heavy effects, it's a worse choice than a program aimed at editing, IMO. Vegas is insanely popular with vidders who use Windows. I'm not as familiar with it, but it seems to be popular at least in part because a lot of vidders have released presets and effects packs and such that work with it.
You can use any program, really. I know a Linux vidder who used Blender because it was what was available. I once was an idiot and could not figure out how I'd fucked up Premiere right before a big deadline, so I made my vid in Avid. (Don't use Avid. Nobody vids on Avid and for good reason.)
That guide's comments about the Ken Burns effect are... sort of right, but I think they're glossing over the fact that it really depends on the type of footage. If you're vidding a sitcom or most anime, you may well want to add motion. If you're vidding a single film that is shot well, it probably already has a lot of beautiful camera motion, and adding different motion requires a deft hand. Ditto Pixar, which spends huge amounts of time and money on imitating live action camera styles.
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I use 4K Video Downloader+ to get footage, music, etc. It works on many sites and is good at keeping up with Youtube's constant attempts to thwart it.
Generally, I think you should just grab some footage and some music and go play around.
Most of the other details will depend on your aesthetic aims, which are going to be a lot more specific than "A vid, any vid".
Biggest fuck-up ever is that people have to pay to become doctors
Like unironically we should be subsidising at least 50% of their educations. What do you mean we have a shortage of doctors we should have surplus. What do you mean theyâre being overworked they should be treated like royalty, they can fix human bodies
I donât care if some of them are only doing it for the money. I donât care if all of them are only doing it for the money. Intentions donât matter to the stitches in my nanaâs leg or the ten billion other lifesaving treatments we all get at a detriment to their finances and mental wellbeing. Entire cities are kept alive by just a couple thousand of them what are we DOINGGGGG

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Mars Black aka Steve Smith aka UK Paint Whisperer (British, b. 1975, Macclesfield, England) - Oh God, the Cat's Thrown Up Another Sunset, 2020, Paintings: Oil on Canvas
tgis is so fucking funny to me. they accidentally Rock Lee'd a retired racehorse
imagine youre a fat horse and your new neighbour is a personal trainer
horse that reads Marcus Aurelius
I was wrong. they didnt rock lee him. this horse is literally Gai. and i wish he was my dad
it is my experience that people with dermal implants and eyeball tattoos and 34 visible piercings are the sweetest people you'll ever meet and will cry if they see a pigeon with a broken wing. it is also my experience that clean-cut people in polo shirts with perfect smiles will vote against your rights and say the most disgusting things imaginable once they think you're out of earshot.
So I 100% agree with the sentiment here but... there's a principle behind it that I think is more important than any specific Subculture Signifier. Making it about the Subculture Signifiers can wind up twigging people out when they don't need to be twigged out.
There's nothing wrong with wearing polos. Or keeping your house clean. Or shaving, or 'politeness', or whatever. But.
... A very important test of someone's character is how they deal with things that Society (TM) in general, and their social circle in particular, thinks are Not Okay. If society says it's Not Okay to be gay, are you capable of being decent to gay people? If society says you Have to like drinking, and you can't stand the taste or effects of alcohol, are you gonna let people pressure you into drinking anyway, to get along with others? If your social circle says that it's Not Okay to listen to certain music, are you going to listen to that music anyway? If your social circle says that people with Political View A are all evil bastards, are you able to be decent to someone with Political View A? (Or someone with Political View C or Religion Q that vaguely looks like Political View A, if you squint?) Things like that.
If you see someone who has stripped their life of anything that society disapproves of, that's not a great sign. If you see someone who has stripped their life of anything their social circle disapproves of, even if they're alt and anti-government, that's also a bad sign.
You need to have something in your life that is yours, that is not dictated by someone outside you, that no one is going to take away from you. You need to have some part of your life that you will defend and hold onto, even if everyone else is telling you that it's wrong. Even if everyone you know thinks you're dangerously bad and stupid for it.
Because if you don't have that, if there is nothing that you will face god and walk backwards into hell for, if there is nothing that you know is right and good regardless of what anyone else says... that is when you turn into Polo Guy from the OP. It has nothing to do with whether you like normie bullshit and fold your underwear- there's plenty of punks and goths and metalheads who don't have it, and there's plenty of people who look like your mom who do.
Can I be honest with yall I don't want to hear SHIT against cishets at pride this year
"But it's not FOR them!!!" The biggest military power in the world belongs to a christofascist nation overseen by a felon found guilty of 34 federal crimes and has greenlit a gestapo with more direct funding than the entire military of Canada for the purpose of ethnic cleansing. Let Hetero Jessica throw some biodegradable glitter at a municipal parade
At this point if anyone is trying to exclude anyone benignly pro-queer from a pro-queer space I'm just going to assume you're a fed or something idk like something something destabilize the movement from within or whatever
finally reading the fma manga and ed is the protagonist of all time. heâs the softest lil guy. heâs a rabid raccoon. he is the scourge of the military. everyone wants to adopt him. heâs a pacifist. he bites. he gets giddily happy at the birth of a child. his speech is punctuated with sarcastic hearts. heâs a generational talent. he will walk directly into a trap eyes open head empty. he is a foul mouthed little rat. he makes friends everywhere he goes. heâll dig up any grave and turn over any stone and kick anyoneâs ass to get his brother back. he refuses to believe his brother cares about him the same way. he makes this face:

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âLife after menopause is exceptionally rare in animals. It can evolve only in creatures where grannies help younger family members survive. Only human, killer whale, and short-finned pilot whale females routinely live for substantial periods after they stop breeding. Like humans, killer and pilot whales have roughly twenty-five to thirty childbearing years, then can live another thirty or so. And as Kenâs just explained, some live a lot longer. Up to a quarter of the females in a group are postreproductive. These whales are not waiting to die; they are helping their children survive. As human children often benefit from their grandmothersâ attention, killer whale grandmothers boost their grandkidsâ survival. A rather bizarre twist of killer whale society is that killer whale mothers remain crucial to the survival of their adult children. When older killer whale females die, their adult children start dying at high rates, especially males. Male killer whales who are under thirty years old when their mothers die suffer a tripling of the annual mortality rate compared to males in their age group whose mothers are still alive. Male killer whales who are more than thirty years old when their mothers die face death rates more than eight times as high as males in their age group whose mothers are still living. Daughters under thirty show no mortality increase after their mothersâ death. But daughters older than thirty when their mothers die have more than two and a half times the death rate of same-age females whose mothers are alive. Malesâ handicaps of the extra drag of their huge dorsal and pectoral fins and the extra food required for their immense size (at around 20,000 pounds, males can be one-third more massive than females) seem to make them reliant on their working mothers for food. Females donât have the malesâ impediments, but while raising young, females may rely on food shared by their no-longer-breeding mothers. Adult females share essentially all the fish they catch, and more than half goes to their children. Adult males share their catch only about 15 percent of the timeâusually with their mothers. While no one fully understands their strange death pattern following the loss of a mother, extreme parental care is likely at the root. Toothed whales are the worldâs champion nursers. Short-finned pilot whales continue to produce milk for up to fifteen years after the birth of their last calf, likely nursing other femalesâ young. In bottlenose and Atlantic spotted dolphins (further study might reveal others), some females never give birth. Denise Herzing dubbed them âcareer females,â because their role in society does not include motherhood. They might be infertile. They might be gay. But their contribution is crucial: they do a lot of babysitting. When Herzing entered the ocean with a visiting nine-year-old girl, âWhite Patches, the eternal babysitter herself, had never seen me babysitting a young human before. Her excitement vocalizations were audible and electric and she continued to swim around us, eyeing the human youngster attached to me.â (Researchers sometimes call babysitters âaunts.â Thatâs precisely who they often are.)â
â Beyond Words, by Carl Safina
Little Wens
Jonathan Joss was an Indigenous, gay man who was murdered on the first day of Pride month as well as Indigenous History Month. He died protecting his trans husband. Homophobia and racism arenât marks of the past, and this is a heart breaking reminder of that.
Praying for a safe journey back to the spirit world, Uncle â¤ď¸âđŠšđŚ
Today is the anniversary of the death of Jonathan Joss (King of the Hill, Parks and Rec). Jonathan Joss was an Indigenous, gay man who died protecting his transgender husband, on the first day of Pride month. Today we remember him and how he protected his family.
The Grandmaster of Corporate Operations
please god let chatgpt die out like nfts did. With a fast and graceless fall into irrelevancy
Like to charge, reblog to cast.
This spell has a very low hit ratio, so we need a lot of us to do it.

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pom pom crabs are some of the most unethical animals in the ocean
this man is a serial abuser
His pom poms are two sessile invertebrates he holds in his hands and starves so he can punch stuff with anemones who are so desperate to eat that theyâll use maximum sting on anything that gets close to him. When they starve to death he just finds more
ACTUALLY, IT IS WORSE
The crabs will force the anemones to clone themselves if one dies OR steal othersâ anemones if both die
They havenât found these anemones in their free-living form, so, as far as we know, this anemone species is these crabsâ slave speciesâitâs only known in association with pom pom crabs
Cool paper on this: Schnytzer, Y., Giman, Y., Karplus, I., & Achituv, Y. (2017). Boxer crabs induce asexual reproduction of their associated sea anemones by splitting and intraspecific theft. PeerJ, 5, e2954. https://doi.org/10.7717/peerj.2954
Crabs of the genus Lybia have the remarkable habit of holding a sea anemone in each of their claws. This partnership appears to be obligate,
So if I understand this right, "slave species" is a biology term only used for this ONE SPECIFIC CREATURE OF ALL THE COUNTLESS LIVING ORGANISMS ON THIS ENTIRE PLANET?!
Oh, the slave species thing is outdated information from the original study in the 90âs. To be fair, that study is still very very respected, it was just wrong about this specific thing.
Their anemones arenât a unique species, they are only visually distinct because the crab farms them in a very specific way - making a fragment of a larger hawaiian anemone, or finding a newly spawned one. When they carry it around, they force the anemone to adapt to an entire new lifestyle. The crabâs nocturnal behavior slowly kills the anemoneâs photosynthetic symbionts, from which it gets its color. After that, the crab can control how much food the anemone actually gets by using it to mop up food off the sea floor, and take excess out of its mouth. Since it doesnt have to reach for sunlight, or reach to catch food, this encourages dense, but short tentacles.
The shortcoming of this study was just that its very hard to get the anemone away from the crab without killing both, and its equally hard to get an anemone to bounce back from this state.
Due to their introduction into home aquaria, we now know any anemone they take will end up in this state, (bubble tips, aipistasia, haitian anemones, the list goes on) and we also know they are not bound to carrying anemoneâs specifically. Theyâve been seen collecting zoanthids, palythoa, and euphyllia (though euphyllians usually donât survive).
a gathering, a murder