some folks liked Shock Jock from my silly vent comic, so I drew him again 🧐
Monterey Bay Aquarium
ojovivo

Janaina Medeiros
$LAYYYTER
Cosmic Funnies

祝日 / Permanent Vacation

Andulka
PUT YOUR BEARD IN MY MOUTH

almost home

Product Placement
todays bird
hello vonnie
DEAR READER
h
🪼
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
AnasAbdin
wallacepolsom

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@spacegoat4ever
some folks liked Shock Jock from my silly vent comic, so I drew him again 🧐

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lmfao the Scots in town for the World Cup have made a pilgrimage to Boston's world-famous Cop Annihilating Slide
Update from the Scots in Boston: GWash has been Coned
My favorite and very dead diva
Vinny by @brightgoat
YEAHHH MORE DRAGONS!! THIS LOOKS SO AWESOME and something they'd totally do in the middle of a storm at sea just for the aura-
You draw the dragons so well and the background looks sick!! Love the details like Vinny's jeans being ripped and the sort of RGB split effect on the background,,
emperor kuzco was clearly gay
hes 19, with unlimited power, and he ain’t got a gf. the only time we see him interact with any women his own age is when he’s rejecting like 7 of them rapid fire. he pretends to date pacha in a gag that lasts like 10 solid minutes. listen to me god damnit
Okay, but just in case anyone is coming to tumblr dot com for my hot takes on 20+ year old kids' movies: Kuzco super WAS gay (or at least coded as such) and of course, I didn't get it until I watched it as a gay grownup.
He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.
Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.
In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.
So yes. There you have it. I will not be taking criticism at this time.
In response to the question “How did a movie like this get made at all much less by fucking Disney?” there was a recent Vulture article that outlines the whole shit show of a history behind this film according to everyone (writers, directors, VAs, Stings) involved. The gist of the story is that they fucked up making a whole, true-to-form Disney musical that never came to see the light of day SO BADLY that Disney switched directors, locked the writer’s room, and didn’t review a single script until weeks after the film was in theaters.
Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:
holy shit read the article. it’s worth it and completely batshit
This is fucking insane
I've never adequately appreciated the batshit brilliance of this joke, I've taken it for granted
World Heritage Post

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talking to people you want to get to know as if they're already your friends is a terrible terrible piece of advice that people online love giving out. but i think what people are trying to say when they suggest this is that you should talk to people you want to get to know as if they're your peers. which is a subtle but important distinction. the former is extremely overfamiliar and often because of this ends up making you seem rude, but the latter is more about conducting your conversations with someone as if it is unremarkable and low stakes for the two of you to be speaking together. which is only* rude if the person you're talking to thinks they're above having normal conversations with randos, in which case, probably not worth your time to befriend anyway.
Matilda.
Here, have some admech chudlings

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I don’t know if the Stobotnik shippers still exist but my brother put Sonic 3 on last night with Danish dub because his five years old son was watching along.
I’ve never watched the movie before so I have no idea what they say in English but during the final when Robotnik is speaking to the world on the big screen he calls Stone a spytslikker which directly translates to spit-licker, which means something like bootlicker except you’re subservient to one specific person instead of the whole system.
Robotnik tells Stone “You weren’t a spit-licker, you were a spit-friend!”
It probably won’t surprise you that spit-friend is a silly term for someone you’re in a situationship with, like “He’s not really his boyfriend, they’re just spit-friends”
So the Danish version of the movie just straight up says they’re lovers but Robotnik isn’t ready to be serious.
Happy Pride?
Bad sex scenes are fun to make fun of but I think one of the easy reasons they are frequently awful is that there's no narrative energy to them. I picked up on this by studying combat scenes and I think the problems that show up are really similar; there's this thing writers do where they treat these kinds of sequences differently than the rest of their work, the scenes feel like they exist outside the regular narrative and writers just pause the story while they happen. People are always complaining about fighting and sex in stories being "boring and a waste of time" and that's not an inherent function of these mechanics, that means writers aren't approaching them with the same thoughtfulness as the narrative, and the audience can feel it.
The sex is an interaction, and interactions should illuminate things! It's still beholden to the plot/characterization/worldbuilding rule, we should always be communicating some kind of new information or reinforcing what is already understood. You are having 2+ personalities strip down and communicate with their bodies what are they SAYING. It doesn't have to be anything profound, even just communicating to the audience "i think this person doing this thing is hot" counts; wanting the reader to get off to something is a perfectly respectable goal that can keep us on track if you're aware of it. But the writer so frequently has NO IDEA what they're actually trying to say, what the goal of the scene is beyond fucking or fighting, so we end up with bland interfacing between characters who could be replaced by any other characters doing the same thing anywhere else. It isn't hot or interesting to be directionless, pick an intention and go.
they should invent a high ponytail that doesn’t give me a headache and they should invent a low ponytail that doesn’t make me look like a miller’s apprentice going off to enlist in the continental army
using a pumice stone isn't very butch of you
i need you to know that this is already a top contender for funniest anon message of the year for me

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I’m cooking (gasoline)
Isn't it great to be alive? Pest? ... pest?