he/him, if you need me i'll be spending all my time playing videogames or going on insane deep dives into queer-coded cartoons. sometimes I also write fanfiction.
I went to a library book sale this weekend and I found a very old book called “Electronic Life: How to Think About Computers,” which was published in I think 1975? I’ve been reading it kind of like how I would read a historical document, and it’s lowkey fascinating
There’s a whole paragraph that’s like “okay, find the keyboard. Don’t panic if it has more keys than a typewriter, that’s normal. Really, it’s fine. The extra keys don’t make things harder. It’s FINE”
Thought this section was particularly interesting:
Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting “on its own.”
But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand—and usually already has been done. Second, the apparent ability of the computer to “act on its own” is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.
You can start an automobile engine and it will run by itself, too, but that doesn’t mean it’s being creative. It’s just running.
Somebody in 1975 had a better understanding of why artificial intelligence is not in any way “intelligence” than the majority of today’s intellectual minds.
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Look, they're both really bad people, but you have to admit that Shadow Weaver's sacrifice and Hordak's "I DEFY YOUR WILL" are both some truly fantastic and goosebumps inducing moments.
I'll be real honest I kind of love Shadow Weavers death SO much, like I love how it makes the relationship between her and the girls unresolved, they never talk it out, they never get to forgive or choose to never forgive her. She dies before it happens. She especially dies in a way that we have no clue what her intention was.
Did she actually want to save adore and Catra or did she just want Adora to activate the weapon so that Micah would be safe
Did Shadow Weaver actually think she was going to die when she sacrificed herself? she's definitely gotten out of worse things
Like I remember people complaining about how shadow Weaver got off scotch free, and that it's stupid that the girls forgive her after she sacrifices herself
But that's like not what happens, the girls express deep sadness because their mother figure just died, and they know she probably had bad intentions but now they'll never know
Adora and Catra will mourn shadow Weaver and the relationships they could have had with her for the rest of their lives
Shadow Weaver will always have power over them just like she wanted
And I think that's like kick ass tragic character writing
i step out onto stage clad in full corpse paint and death metal regalia and start playing the most middle-of-the-road soft rock you've heard since 1974
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theres a billion funny things about sophie and nates relationship but the best one is literally the first scene they share
because nate is SO REPRESSED that for the entire first season his entire background is Dead Son, Bitter Alcoholic, and Worked At IYS. you dont even find out about his wife until the season finale. this man is not giving ANYTHING away. you learn more about *elliot goddamn spencer* than nate in season 1, and elliot is a fucking government black ops spook
but then in the first episode hes like "we need a new face, we need somebody the mark doesnt know... omg lets go get sophie <3 shes so wonderful and amazing shes the best criminal youve ever seen" just bragging about his Not-Wife to anybody who will listen
and sophies like No No I'm Honest Now
and nate says I'm Not
and sophie has this little headtilt of like. holy shit he wants to break the law i HAVE to fuck him now. and the conversation goes on and nate asks if shes in and sophies head fucking VIBRATES from how hard shes nodding her agreement
and meanwhile parker hardison and elliot have to pretend theyre not watching their boss have weird grifter mindgame sex in a dirty alleyway
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
i read this post and was like "huh i have to see this for myself" so i went and just clicked around through some random chapters
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
op said that and was entirely accurate, this is the most fascinating bit of "the world of the comic is fundamentally uninterested in the fanservice happening on the page" that i have ever encountered.
images uh. below the cut. because yikes don't look at them if anyone else might see it.
why are her breasts that size?
op was not joking about the frog boiling tiddy expansion because i think these are two panels of the same character? i didn't put much effort into confirming.
How is it that you can a music library of like 1,200+ absolute bangers but as soon as you put it on shuffle in a group setting it's like. anime opening you added in 2010. homestuck parody song. musical artist who was cancelled last year for kidnapping and eating children in his basement. Hamilton
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functionally suicidal character saying “I would die for you” to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me he’d sell hot dogs for me, I wouldn’t feel very moved now would I
I love how Zohran Mamdani is wearing a suit everywhere. And if he has anything else he puts it ON TOP of the suit. A basketball jersey. A high-vis vest. All worn over the suit. He’s like the mayor character in a cartoon who’s always dressed as The Mayor. If I didn’t know who he was and he biked past me in NYC I’d be like holy shit was that the mayor
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