thinking about anastasia trusova paintings again
CAN ANYONE HEAR ME

shark vs the universe
"I'm Dorothy Gale from Kansas"

blake kathryn
Misplaced Lens Cap

NASA

#extradirty

Love Begins
Noah Kahan
🪼
cherry valley forever
Sweet Seals For You, Always
macklin celebrini has autism

Andulka
YOU ARE THE REASON


izzy's playlists!
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
seen from Canada

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@snowynightmare
thinking about anastasia trusova paintings again
CAN ANYONE HEAR ME

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can we please be feminists again.
unfortunately i dont think its queerbaiting if the creator is just so terminally heterosexual that they never remotely considered the same gender relationship their show is centered around could be read as romantic. it is deeply painful however.
Maybe accidental queer baiting? The way someone may not mean to say something rude, but it may come off rude, so it's rude. Frustrating either way.
Not being a dick, just a friendly clarification.
By definition you can't accidentally queerbait. Queerbaiting is specifically using a same sex pair from the show to market the show to queer audiences with no intention of ever following through on a romantic relationship.
There is officially licensed Destiel merch signed off on by Kripke. Teen Wolf had a commercial with the actors for Derek and Stiles draped over each other talking about being "on a ship." Both shows actively used scenes between them as marketing while actively mocking fans for wanting them together. Sherlock has multiple characters refer to Johnlock as a couple, including characters we're supposed to believe are never wrong about human behavior and pushed those scenes in marketing. Then they acted insulted when fans saw them as a couple.
That's queerbaiting.
Done on accident it would just be queer subtext. Done because they had no other choice due to censorship is queer coding.
The specific meaning of the word is really starting to get lost and it's a pretty important one to keep accurate. It describes a very specific phenomenon that was done repeatedly and maliciously for decades and is meant to examine that specifically.
Doing it on accident sucks, but it isn't a tactic of capitalism intentionally intended to suppress queer representation while making money from queer fans.
Reblogging to keep the accurate definition and examples of queerbaiting circulating in the world
Y’know, I’ve been thinking about why Jon got the archivist position as opposed to Sasha. And I know that the common idea is more of less that Elias is a sexist bastard — which I don’t disagree with — but I think that it’s more complicated than that. I think, from his point of view Jon fit the bill better. Not because he’s more competent than Sasha, but because he’s not.
See, at the end of the day, I think that Elias was afraid of Sasha. He had just got done with dealing with Gertrude, and whatever else she might have been, Gertrude was not incompetent. And Sasha was aware enough to question why the archives were a mess; had worked in archive storage enough to know that these things were real. She would have found Elias out, and she would have tried to stop him — maybe she even would have succeeded. At the very least she could have put a loop in his plans.
And there is another asset Sasha had: her coworkers liked her. Tim was really close to her, Martin trusted her, and even Jon grudgingly likes her. She would have been incredibly difficult to isolate from the others.
Jon, on the other had, was less competent than Sasha, but he still had the burning curiosity that wouldn’t let him drop a mystery. (Let’s face it, Jon is like a dog with a bone when he’s faced with a mystery, even when the mystery bites him.) In addition to that, Jon has a nice safety blanket that is denial. A few statements might be true, most of them aren’t. And that keeps him from investgating the institute from the beginning. But he believes just enough to try and stay alive.
And Jon is isolated. He’s not really close to any of the assistants, and he’s off putting enough for them to avoid reaching out to him. Martin is the only one that might of tried, but he doesn’t have the confidence in s1, and Sasha and Tim are mad at Jon for getting a position that they rightly think should have belonged to Sasha.
So Jon gets the Archivist position — ironically because Sasha is the one better suited to it.
This is the most common fandom interpretation: that Sasha is superior to Jon, more qualified, and more connected, and that Jonah selected Jon instead of her because he was afraid of her and knew his plans wouldn’t work without her. It’s what you’ll come across more in fanworks, so I don’t blame you for coming to those conclusions.
However, it is 100% contradicted by canon.
Jonah flat-out says the reason he chose Jon in TMA 160; we don’t even need to guess:
I’ll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as some sort of implicit blessing on the whole project, and, do you know what, I think it was.
Jonah was looking for a trauma punch card, and Jon came pre-marked with the most difficult one to get. It’s really just as simple as that. Sasha didn’t have any marks that we’re aware of pre-season 1, though given that she had collected THREE before she died, it’s not a stretch to say she would have collected more just as fast as Jon did–or, given that she’s even more reckless than him (see: her running into the worms to tackle Tim in TMA 39), even faster.
But I also want to address this idea that Sasha was superior to Jon in every way, and the tragedy of the story would have been avoided if she had been chosen as the trauma punch card instead. People take Gertrude’s attempt at predicting Sasha as who Jonah will choose next as some sort of “picking her successor” or endorsement. She didn’t have any say! She was expecting Jonah to kill her, and was trying to guess his next move for who he would pick next. So instead of guessing who the trauma punch card would be, she guessed based off of who already had experience with knowing the fears were real: someone with experience in Artefact Storage. Gertrude and Sasha barely met, so all the deep insight and mentor/protégé interpretations that are popular don’t really fall into this. Gertrude was also barely aware of who Jon was.
So, there really isn’t a “Why didn’t Jonah pick Sasha?” because Sasha wasn’t even on Jonah’s radar for consideration, and there isn’t a “why didn’t Gertrude guess Jon?” because Jon wasn’t even on Gertrude’s radar for predicting Jonah’s next move. The whole Sasha vs. Jon thing is 100% fandom-made.
(It’s also 100% not due to sexism; that was supposed to be dramatic irony for our sakes, when we already knew Jonah’s reason since the end of season 4. Tim was just being Overly Aggressive Ally, but more than a bit misguided, given that Sasha was almost as unqualified as Jon was–none of the assistants had degrees in Library Science, Sasha included.)
For your speculation on how close she was to everyone, I would disagree there as well. In the Q&A’s, they talked about how all of the Archives employees are isolated and don’t have close connections with others–it’s one of Jonah’s prerequisites to transferring people there. Dozens of Season 1 Archives Found Family Sleepover Parties has kind of replaced this in fandom memory, but we don’t have any evidence that Sasha would have been impossible to isolate:
She knew Martin was lying on his CV, but not from him. She hacked into his files for the fun of it and then gossiped about it to Tim. If they had a very close and trusting relationship, I wouldn’t see why she’d resort to subterfuge, and I think she’d know how desperate he was to keep it secret.
We don’t see them interact in season 1, and Sasha seems to have a low opinion of Martin’s competence: she thought both Martin and Jon were overreacting to the danger of Prentiss AFTER Martin started living in the Archives. She thought it was silly that Jon was taking Martin so seriously, because if Prentiss was really a threat, there’s no way someone like Martin could have survived her, right? Frankly, even though she’s less snappish with Martin than Jon was, it’s very fair to say she had a lower opinion of him than even s1 Jon did.
She was friends with Tim, but I think even that gets exaggerated in fandom. She loves to gather people’s secrets, but shares none of her own: for instance, Tim told her about Danny, but when Sasha started having encounters with Michael, she kept it all secret from Tim. She said she didn’t want to tell Jon without more evidence, but what was keeping her from giving Tim a call before she ran off to meet a monster by herself in a graveyard? I feel that if she were Archivist, this would have been even more intensified: she would care about him, sure, but that’s nothing new: Jon cared deeply about Sasha and was devastated by her death, but that didn’t prevent him from being isolated.
And I don’t need to put too much here for why she’s just as bad as Jon, if not worse, for needing to solve mysteries and rush into danger for information. Just listen to her statement. Jon spent all of season 1 hiding from the truth, while Sasha met with a creature she knew wasn’t human multiple times, by herself, without telling any of the others, all out of curiosity. Jon started invading people’s privacy in season 2 because he was being driven to paranoia by the presence of the Not!Them, but Sasha was already invading all her coworker’s privacy in season 1…just for fun. She was VERY suited to the Beholding, arguably more than Jon was, and would have been very easy to manipulate throwing herself into mysteries to get more marks.
Frankly, because she only appears in 5 episodes, fandom Sasha ends up being about 99% OC and a bit of a wish fulfillment character; most examples people give for why she’d be better at Jon at everything, find out all of Jonah’s secrets, avoid losing any assistants, and save the world is just….based off of headcanons, vs. the scraps of information we get from the actual episodes.
The reason why I dig so deeply into all of this and care so much about this interpretation is it changes the entire nature of the show if oversimplified. If Sasha really is this ultra-superior being who would have fixed everything with her mere presence, the tragedy gets whittled down to a pretty uncomplicated “everything would have been fine if this Hypercompetent Woman was in place instead of this loser man.” But that’s not the story being told. The tragedy we have is that whoever was doomed with the Archivist position would have been lied to, manipulated, tormented, afraid, isolated, hurt and hurt and hurt again. If Sasha had been chosen, she would have been the one suffering through all that instead of Jon, and that’s the narrow miss that we’re left to realize from Gertrude’s tape.

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"spiderman brand new day has a good plot"
looks inside plot
''there is no righteousness in suffering alone and isolating yourself from everything is never the answer because you'll eventually start to lose sense of who you are as you spiral further into depression and suicidal ideation this is why you need to let people help you and allow yourself to believe in a better future even if it feels impossible at times''
well shit. it does have a good plot
xena gave us trans drag lesbianism as a treat
I'm nostalgic for the fandoms of my childhood
A very common misconception within the south asian community. So glad she addressed that. (x)
Her name is Gazal Dhaliwal and she’s a screenwriter. She talk about her life here and here.
She’s the writer for Ek Ladki Ko Dekha Toh Aisa Laga, an upcoming Indian coming-of-age romantic comedy-drama with a lesbian couple. She was also the dialogue writer for Lipstick Under My Burkha, which depicts the secret world, including the sex lives, of four small-town Indian women. She contributed to the screenplay for Wazir and Qarib Qarib Single.

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Blackout poetry exists on a dual axis from "banal" to "insightful" on the input side and "kind of deep" to "incredibly fucking dumb" on the output side, and while taking something banal and producing something kind of deep is well and fine, for my money taking something insightful and rendering it incredibly fucking dumb is where the real art is.
#i stuck the word 'banal' in there twice specifically so that 'anal' would be low hanging fruit#but i genuinely did not anticipate 'banana' --@prokopetz
Hebden Bridge, Calderdale, West Yorkshire (England)
in fair verona, we lay our scene
I love rebloging. It’s the adult equivalent of showing everyone the cool rock I just found.
kind of harmonically beautiful
Another entry into the category of "conceptually cool game design decisions that are in practice completely insane but in the early days you could just do it anyway", aka my favourite type of game design.
Game that makes you go outside

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they're called "bootlickers" because when there's a boot stomping on their neck they lean forward to kiss it
as soon as i clicked post i realized damn that's such an evocatively erotic description, i should be using this sort of language about noble kinksters, not wasting it on class traitors
How could you leave this in the tags!!!
that's the beta testing stage
thinking about how Mew Mew Kissy Cutie in Undertale/Deltarune's universe is a copyrighted anime property. we've never met the "real" Mew Mew because there isn't one. she's a branded fictional character from an in-universe anime. both Mad Mew Mew from Undertale and Pink from Deltarune are NOT Mew Mew, they are at best abstractions or imitations of Mew Mew as interpreted by Maddie/Pink. even the darkner that spawns from Pink's body is not *actually* Mew Mew, it's just the flower shop dark world's interpretation of how a Mew Mew doll would act once given consciousness. I feel like it connects to Deltarune's deeper themes of narratives deriving from other narratives. Deltarune the game IS the legend IS Lord of the Hammer IS Dragon Blazers, and meanwhile they're all very different. A copy of a copy of a copy of a copy. Pink both IS and IS NOT Mew Mew. Mew Mew doesn't technically exist within Deltarune's world, we only vaguely know about the "real" Mew Mew as an in-universe character because these derivatives of her exist. we never watch Mew Mew Kissy Cutie, we just hear Alphys talk about it. a story told about a story we never get to see. every retelling slightly different. play with me in this space.
fuuuuck that's a great point why didn't I think of that