Be The Gay You Want to See in the World

Bro just say you had sexqueer, multigender/genderfluid, and intersex folk. LIKE JUST SAY THAT! 😭

“And of your infliction,” cried Elizabeth, with energy; “You have reduced him to his present state of poverty—comparative poverty. You have withheld the advantages which you must know to have been designed for him. You have deprived the best years of his life of that independence which was no less his due than his desert. You have done all this! and yet you can treat the mention of his misfortunes with contempt and ridicule.”

Why did Austen choose to make the issue between Wickham and Darcy an inheritance? I think for the same reason that character and morals are emphasized so much in her novels. A woman is putting her life in the hands of her husband, she needs to know that he will properly take care of her. She needs to know that he won't circumvent the legal documents designed to protect her. And especially in this match, where Mr. Darcy holds so much more influence and wealth than Elizabeth's father, his reputation, character, and past dealings are everything.

“Lizzy,” said her father, “I have given him my consent. He is the kind of man, indeed, to whom I should never dare refuse anything, which he condescended to ask." (Mr. Bennet is endlessly sarcastic, but he's pretty sincere in this scene so I believe him here)

come at the problem from a different angle

Since the beginning of this project, I have made a point not to discuss my own life in depth. You have no way of knowing my gender, whether I am cisgender, transgender, genderfluid, or nonbinary. You also know almost nothing about the gender of Dean, the editor of this project. This assumption that both of us are cisgender is not harmless.

Remember Becky Abertalli? She is the author of Simon VS. The Homo sapiens Agenda, well I want to quote something she wrote:

"Having your book adapted to a film brings a lot of notoriety and attention, especially online, and it’s not always the fun kind. Unsurprisingly, there was quite a bit of discourse about my identity — how could there not be? Love, Simon was the first gay teen rom com to be released widely by a major film studio, and it was based on a book written by an allocishet woman. Yes, the film’s director was openly gay. No, not everyone cared (frankly, a lot of people still don’t know Love, Simon was based on a book). But in many online spaces, my straightness was a springboard for some — legitimately important — conversations about representation, authenticity, and ownership of stories. And for some people, my straightness was enough to boycott the film entirely.

Then Leah on the Offbeat came out about a month later, and the discourse exploded all over again. There were thinkpieces based on the premise that I, a straight woman, clearly knew nothing about being a bi girl. There were tweets and threads and blog posts, and just about every single one I came across mentioned my straightness. And when Leah debuted on the NYT list, authors I admired and respected tweeted their disappointment that this “first” had been taken by a straight woman. Of course, Leah wasn’t the first f/f YA book to hit the New York Times list. And maybe people were wrong about the other stuff too. But the attention and scrutiny were so overwhelming, and it all hurt so badly, I slammed the lid down on that box and forgot I’d ever cracked it open.

At least I didn’t remember I remembered.

I deleted the sexuality labels from my website. I declined to answer certain questions in interviews. I’d get quietly, passionately indignant when people made assumptions about other authors’ gender identities and sexualities. And I’d feel uncomfortable, anxious, almost sick with nerves every time they discussed mine.

And holy shit, did people discuss. To me, it felt like there was never a break in the discourse, and it was often searingly personal. I was frequently mentioned by name, held up again and again as the quintessential example of allocishet inauthenticity. I was a straight woman writing shitty queer books for the straights, profiting off of communities I had no connection to.

Because the thing is, I called myself straight in a bunch of early interviews.

But labels change sometimes. That’s what everyone always says, right? It’s okay if you’re not out. It’s okay if you’re not ready. It’s okay if you don’t fully understand your identity yet. There’s no time limit, no age limit, no one right way to be queer.

And yet a whole lot of these very same people seemed to know with absolute certainty that I was allocishet. And the less certain I was, the more emphatically strangers felt the need to declare it. Apparently it was obvious from my writing. Simon’s fine, but it was clearly written by a het. You can just tell. Her books aren’t really for queer people.

You know what’s a mindfuck? Questioning your sexual identity in your thirties when every self-appointed literary expert on Twitter has to share their hot take on the matter. Imagine hundreds of people claiming to know every nuance of your sexuality just from reading your novels. Imagine trying to make space for your own uncertainty. Imagine if you had a Greek chorus of internet strangers propping up your imposter syndrome at every stage of the process.

The thing is, I really do believe in the value of critically discussing books, particularly when it comes to issues of representation. And I believe in the vital importance of Ownvoices stories. Most of the identities represented in my books are Ownvoices. But I don’t think we, as a community, have ever given these discussions the care and nuance they deserve.

Consider the origin of the Ownvoices hashtag. It was created in 2015 by author Corinne Duyvis, with the purpose of highlighting stories written by authors who share the same marginalized identities as their characters. But Corinne has always emphasized caution when it comes to using Ownvoices to determine which authors can tell which stories. And she’s been incredibly clear and emphatic about not weaponizing the term to pressure authors to disclose private aspects of their identities.

So why do we keep doing this? Why do we, again and again, cross the line between critiquing books and making assumptions about author identities? How are we so aware of invisible marginalization as a hypothetical concept, but so utterly incapable of making space for it in our community?

Let me be perfectly clear: this isn’t how I wanted to come out. This doesn’t feel good or empowering, or even particularly safe. Honestly, I’m doing this because I’ve been scrutinized, subtweeted, mocked, lectured, and invalidated just about every single day for years, and I’m exhausted. And if you think I’m the only closeted or semi-closeted queer author feeling this pressure, you haven’t been paying attention.

And I’m one of the lucky ones! I’m a financially independent adult. I can’t be disowned. I come from a liberal family, I have an enormous network of queer friends and acquaintances, and my livelihood isn’t even remotely at risk. I’m hugely privileged in more ways than I can count. And this was still brutally hard for me. I can’t even imagine what it’s like for other closeted writers, and how unwelcome they must feel in this community.

Even as I write this, I’m bracing for the inevitable discourse — I could draft the twitter threads myself if I wanted to. But I’d rather just make a few things really clear. First, this isn’t an attempt to neutralize criticism of my books, and you’re certainly entitled to any reactions you might have had to their content. Second, I’m not asking you to validate my decision to write Simon (or What If It’s Us, or mlm books in general).

But if I can ask for something, it’s this: will you sit for a minute with the discomfort of knowing you may have been wrong about me? And if your immediate impulse is to scrutinize my personal life, my marriage, or my romantic history, can you try to check yourself?

Or how about this: can we all be a bit more careful when we engage in queer Ownvoices discourse? Can we remember that our carelessness in these discussions has caused real harm? And that the people we’re hurting rarely have my degree of privilege or industry power? Can we make space for those of us who are still discovering ourselves? Can we be a little more compassionate? Can we make this a little less awful for the next person?"

Hello, I am the next person. I am the author who isn't lucky enough to disclose every single one of their marginalizations on social media, and I deserve better than this.

(in Chapter 30: "From the smells that filtered through at times, she concluded he must be conducting chemical experiments - or counterfeiting money. Valancy supposed there must be smelly processes in making counterfeit money.")

It's iron gall ink. The ingredients include ferrous sulfate, which smells awful: https://www.instructables.com/Making-Iron-Gall-Ink/

This is a "today I learned" situation. Modern "make your ink at home for fun" recipes usually don't use anything smelly, but our predecessors were made of stronger stuff.

Because when trans women dare to speak up for themselves, Tumblr nukes their blogs.

We need to be fucking loud about this, daily, because Tumblr staff is specifically targeting and deleting trans women who are not breaking ToS and who often have fundraisers up FOR THEIR SURVIVAL.

By deleting these blogs repeatedly, Tumblr staff is saying loud and clear what they hope happens to these girls.

Are y'all okay with that? Because if not we need to be posting about it more because we have seen by now it's incredibly fucking unlikely this sites moderation will delete our blogs for it because we are not trans women

But early 20th century is full of the kind of Brideshead Revisited intense male friendships that toe the line between romantic and platonic in a way that’s kind of fascinating to me- and I do think that liminal weirdness really fits with Barney and his position in society and how he feels, especially, about his position in society. Like… He can’t even have a friend? He feels that there’s something weird and clingy and inherently wrong with him that forbids him from making sincere friendships even? Even though what he wants is perhaps a little bit different from what everyone around him would call friendship - but he doesn’t have the vocabulary or our kind of contemporary knowledge of sexuality to understand what he wants specifically let alone why he wants it.

"The Trump administration is abandoning its most aggressive attempt to end gender-affirming care for youth nationally, according to an official document obtained by NPR.

The document shows that the Department of Health and Human Services will not be finalizing a proposed rule that would have blocked all Medicaid and Medicare funding for hospitals that provide pediatric gender-affirming care."

WONDERFUL NEWS!!