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@smoakingskye
lie to me

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https://archiveofourown.org/works/25738123/chapters/222571291
It's been 4 years, but have 2 chapters of my Wayhaught Axe throwing fic. I'm sorry it's been so long. Hope you enjoy!
BROOKLYN NINE-NINE (2013 - 2021) Season 1 | Episode 5 "The Vulture"
+
The Twin Suns.
Jaina and Jacen, because I started reading about the Solo kids c:
✨🌙 ART LOG -> @404ama
Who's gonna hold you? Me Who's gonna know you? Me
#first crime of the sequels: Rey not being Kenobi#second crime of the sequels: whatever they did to Han and Leia

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The rest of the thread is here.
tl;dr: Don’t monetize AO3, kids. You won’t like what happens next.
read this thread. this is by far the most concise explanation of a lot of different issues that i’ve seen in fandom spaces in a while. cosigning both the linked thread and the thread about aus/uk/can law that’s linked in-thread.
AHDHXHEBSG TWITTER WRITERS DID WHAT NOW???? AND PEOPLE PAID THEM????
If someone has never taken a class that includes copyright law, they may not know this stuff, so I don’t necessarily blame random people for not knowing what copyright is, but like… maybe just maybe it’s something that should be taught????
Just another reminder, because this always drives me crazy, but even if monetizing your fic was 100% unambiguously legal and protected, AO3 would still not let you do it because AO3 was founded and is supported by people like me who want a fandom community that is completely divested from making money off of fic.
Yes, this. Lots of fanworks on AO3 are unambiguously legal. Fics based on Shakespeare plays and fairy tales and Greek mythology and The Great Gatsby and your original character from your D&D game are not violations of copyright, because no copyright applies to those things.
AO3 still doesn’t let you monetize those things on the site, because we don’t want the site to be commercial! Because that’s not what it’s for!
It’s not there for you (generic you) to make money off the efforts of the people who build and maintain the site for free! We aren’t getting paid for the work we do to give you a nice site to use, just like you aren’t getting paid for the work you do to create whatever art you share there. Because fandom is supposed to be a community where we share with each other, and therefore we all benefit.
The deal is, we give you a free, stable, safe platform to host your works. In exchange, you get a site that isn’t covered in ads and tip jars and links to gofundme and “read the next chapter at my patreon”. You get one goddamn place on the internet that isn’t trying to make money off you. And we will defend that space and keep it non-commercial.
Women in Shakespeare
Also like to point out that when her mother says “I was your mother much upon these years that you are now a maid,” (translation: I had you when I was your age) you have to remember her father’s words: “earth hath swallowed all my hopes but she,” (translation: all the other children died.) The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeare’s day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And that’s the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and it’s important to remember that people back in her day mostly agreed with it. You’re supposed to think it’s fucked up! When girls were married that young (and it didn’t happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the “couple” don’t consummate their marriage for years. And it’s not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didn’t even meet until the girl was older! They had this thing called “proxy marriage” where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didn’t actually meet her “husband” in person until she was 17 and they didn’t start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people don’t notice, is dynastic. See, marriage wasn’t generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. It’s about “our family has these resources, and we want that to continue.” It’s about continuity across generations. It’s about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the family’s resources depend on the married couple having children. If the couple doesn’t have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you can’t have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Juliet’s mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who can’t divorce her, it’s not allowed except in extremely rare circumstances), and her husband’s family. So even the people who didn’t have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Juliet’s mother having been married too young and only having one child.
Shakespeare is telling us “yeah, this is fucked up. but even if you’re the kind of awful person who doesn’t think girls marrying too young is morally wrong, it’s also a problem for practical and dynastic reasons, don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
Interesting
It bears repeating:
don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
begging y'all to take my new quiz where you identify which plots from the abc masterpiece once upon a time (2011-2017) actually happened and which ones i made up and tag your score
sending this around again because it came up in the gc
@peggynet | PEGGY CARTER APPRECIATION WEEK 25’ day four: agent, captain or director? - color peggy of the year (insp.)

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speaking of content warnings, the other day i saw someone on ao3 saying they don't typically tag 'trans character' on their fics bcos they don't think they should have to provide a content warning for trans people existing which baffled me bcos it never occurred to me to think of that as a content warning as opposed to like, advertisement??
“the millenium falcon would wipe out the enterprise in seconds” lmao the enterprise is just an innocent science class floating thru space…. all they wanna do is look at some rocks… kiss an alien…. find some space plants….. why would you fight that its not a battleship theyre just nerds…… leave them olone
A friend of mine saw this and brought up some interesting arguments
so, in other words,
Pretty much.
here have some size comparison
Who wins in a fight, a fully staffed Navy research vessel or your local weed man and his best friend in their souped up VW Bus?
tags via @procrastinatorproject
So while it’s true that the Enterprise is not as big as people think, that goes double for the Falcon!
A good way of thinking about the relative size is by using a bridge comparison:
The Enterprise bridge has space for 11 people to work, as well as a significant amount of space between stations to move around comfortably:
[Bridge illustration by Tobias Weinmann via here]
And the whole thing fits in the nipple thing up on top of the saucer:
Meanwhile the Falcon (beloved weed bus) has a cockpit that seats 4, with only 2 main operational stations, and zero floor space:
And since Serenity was mentioned too…
Serenity has a bridge more comparable to La Sirena - with 2 stations at the front and quite a bit of floor space.
And for those interested in a visual comparison:
(Boeing 747 for scale as well as the Delta Flyer because Why Not)
TLDR: The Millennium Falcon is pretty dinky, so I propose *true weed bus status* goes to the excellent smuggling ships of Serenity and La Sirena. The Falcon is herby demoted to man on his weed bicycle with his pet monkey and a gun (to be clear the monkey is Solo)
This is the analysis I am here for
let’s go back to where you call the bridge module a nipple.
like orpheus, I am not strong enough to not look at what I want. (x, x)

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Beatrice felt comfortable here, despite the noise, the sultry warmth of the cafe. It was too close for her, lively and vibrant to the point of distraction but Ava liked it. “Pecado Alegre” had become ‘their spot’ when they returned to Madrid. Ava had stared at the cafe’s name, bemused, grabbed Beatrice’s wrist with a suddeness that nearly sent her off balance and dragged them both through the smoky afternoon gloom within.
Today is that ‘special’ day when grief & the familiar are hesitant lovers. The sweet sting of longing in her chest swirled and danced with the bitterness of espresso on her tongue. Beatrice tried not to stare past happy couples, tried to drown out bright, sparkling laughter, love everywhere taunting. The missing part of a pair who suffered it all…together…and yet.
If only, if only…
Book open, dog eared pages damp, well worn…and continues to wait.
Art: Simon LeClerc - https://www.instagram.com/bonjoursimonleclerc?igsh=cDZlMTY0OWV6cjk1