Alexander McQueen for The Face Magazine (1998)

oozey mess

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❣ Chile in a Photography ❣

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Lint Roller? I Barely Know Her
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@slender-sadness
Alexander McQueen for The Face Magazine (1998)

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Fnippet Funday
thank you for the tags, @ffigwit @starspray @riding-with-the-wild-hunt ! enjoy a scrap of curufin (whom i always find so hard to write) and celebrimbor from the prayers!au finale, narrated here by celebrimbor… no pressure tags @gaydhros @zealouswerewolfcollector @tobermoriansass @isilme-among-the-stars @feyandferal ❤️
“What I still don’t understand, Celebrimbor,” sighing, my father leaned back against the easy-chair. “Is why, when you first spoke to me of your homosexuality all those years ago, was I not the first you told. Why I wasn’t even the first Fëanorian you told. Why you told your uncle before you told your father. You never even liked Maedhros much, often implied how much you hate his brand of thuggish, offensive, and outdated hypermasculinity, so it’s not even like you expected any advice on homosexuality from that end. Yet still, Celebrimbor, it was him you turned to first. Why, hm? Have I given you cause to assume I am prejudiced?”
I laughed, hoping he wouldn’t catch on to how the airy, dismissive hand I waved was in fact an anxiously clenched fist. “Well, there is the KK Express. Maybe that engine still whistles through my brain.”
Baba glared at me, and frankly fair enough, because the excuse sounds weak even to me. Of course my not-telling-him had nothing to do with the KK Express, which was a bizarre joke Celegorm and Curufin had developed in their adolescence and carried on into middle age, involving the two facing the same way and thrusting against each other whilst making train noises, in a mimicry of both the Kerala-to-Karnataka express train as well as the sex lives of Maedhros and Finnu. I was not so much traumatised by the KK Express as I was perplexed by its direction, confused as to why the fuck anyone would do that. I thought it was almost funny!
My not-telling-him wasn’t because I feared he would be unkind, disown me, or thrash me. He wouldn’t, and he didn’t. When I told him at last, he was kind, hadn’t even expressed surprise, never once treated me any differently. Hell, he even decommissioned the KK Express. He was nothing like Finnu’s father, nothing like his own. If I were not the son of Curufin Fëanorian, I would have assumed that he was fine with it. That he was understanding, and that I was incredibly lucky, because what Indian father would ever swallow such a pill so smoothly? But I am the son of Curufin Fëanorian, and Curufin Fëanorian proved that his son was indeed right to instinctively withhold this truth from him for years.
He was kind, like I said. He told me he was happy with my decision, nodding along politely, albeit gingerly, whenever I spoke about my boyfriends. He seemed the paragon of acceptance, a father first and foremost, a dusty spinning wheel saluting the birth of a progressive new millennium. Never have I found even a shred of disgust in his eyes. He did right by me. But ever since the day I told him I was gay, Curufin Fëanorian never once turned up for Eid at the cliff-house, never once stepped foot in the house his father built. He would often invite his brothers to come stay at our place instead, three at a time. He would send presents for the twins’ birthdays, but make Maglor hand them over. He would go on disastrously exciting extended holidays with Celegorm at least twice a year. He never spoke to Maedhros-uncle again.
who wants to snack on some orcs
Fëanaro and his ammë, Míriel Þerindë
lol. lmao even.
Wilson adds: “Nolan’s Odyssey lacks many of the elements that make the poem great. It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbours. It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.”

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who up wasting their only shot at life through complete and utter inaction
The rarest type of silvergifting. 🩶⚒️🩶
from munamoth
Verdi’s Don Carlo (Teatro di San Carlo, 2022)
Rosethorn Arm Harness designed by @yioo_oou for fashion brand Extro Code

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Light Splintered and Sewn, Epilogue.
It is out. I have at long last slain my white whale.
Chapter 33: After life - death, after death - life again
The Timeless Halls were nowhere located. Rather than a site, they were an outsideness. When Fëanáro, then, thither found himself, and for how the Eldarin soul was so vitally connected to Arda, he might have not known where he was but he knew with keen, irradicable precision where he was not: anywhere in creation.
Ñolofinwë and Fëanáro are dead.
In Beleriand, the world rearranges itself around their absence. Their kin, their realms, their ventures - all must go on. In Aman, tidings of both victory and death bring further tension to balances already frail.
And in the dread Halls of Mandos, where awaits durance and judgment, Fëanáro's soul argues a case not for himself, but something far larger. Who owns death? Who divinity? Who decrees the rules of healing? How is kindled the cruel miracle of life? And, ultimately, is it even worth it at all?
Credits to the keenly talented @angamaite-der-ritter for the art.
Sean Young as Rachael
BLADE RUNNER (1982) dir. Ridley Scott
Source details and larger version.
They’ve had many lives and many ages: cats I’ve met in my time travels.
no one could help you, dear sister.
ai fatigue
ai books, fanfics, ai google assist, ai short form content, ai summaries, ai memes, ai artists
I cant even go and see some street food trucks without their damn menus having AI images on it. you have a camera. take photos of your goddamn food. I would rather see a photo of the most weirdly lit burger than the fake monstrosity you're showing me.

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✴︎ BETRAYED STRAYS ✴︎
Little gift for dear @queerofthedagger