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@slecnaztemnot

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i have so many thoughts about The Bucky i feel like I need to be on a podcast talking about them like some kind of expert on a topic
Bucky is a particularly interesting character to analyze in light of the decisions made in Captain America:The Winter Soldier that changed him from the comics winter soldier.
These changes from comics canon contain some of the things about the character that were compelling, and also the things MCU had no idea what to do with in later installments
In the winter soldier comics, (which are themselves a violent re-invention of the character, he was raised on a military base and became Steve's sidekick after Steve had become Captain America, kind of a darker figure willing to do dirty work that Cap couldn't be seen doing
in the movie, he's Steve's closest childhood friend. They only end up paired up and fighting together because Steve goes on a desperate mission to save his life
in the winter soldier comics, he is something like 7 or 8 years younger than Steve and they still have a mentor/sidekick type of relationship
in the movie they are the same age and steve is no longer a "mentor" figure, that dynamic is eliminated
in the winter soldier comics Bucky loses all his prior memories after his apparent death, making him a blank slate to be groomed into a soviet super-assassin. There is no brainwashing.
in the movie they deliberately erase his memories by strapping him into this scary device that fries his brain with electricity. It's clearly torture: he is shown hyperventilating as the restraints close onto his limbs and then screaming in agony as the device activates.
in the winter soldier comics Bucky as the Winter Soldier is capable of independent thought and snark, and is shown questioning and mouthing off at his superiors
in the movie, Bucky is completely passive. He barely speaks at all; when he does, he is almost childlike, meek and quiet in his interactions with the Hydra characters, stubborn and confused in his fight with Steve. The main antagonist slaps him across the face for not answering a question and he doesn't retaliate at all even though he can obviously kill everyone in the room in the blink of an eye. In the same scene he also lets the scientists manhandle him and eagerly opens his mouth for the mouthguard even as his heart rate is spiking on the monitor and he's starting to hyperventilate because he KNOWS the pain is coming.
(side note: he is shirtless in this scene for no reason)
(second side note: the line "who the hell is Bucky?" is in the movie because it's iconic from the comics, but it's arguably super OOC for mcu!bucky)
The long hair and cyborg arm are straight from the comics, but the most striking change to his appearance is his mask: in the comics, he's wearing a domino mask over his eyes, but in the film, he has an opaque black mask covering his nose and mouth that takes away much of his ability to emote and looks strikingly like a muzzle. The comics mask evokes mysterious wiles; the film's mask evokes dehumanization.
basically the films gave him a much deeper and more intimate connection to Steve while putting the two of them on even footing as friends and partners, and changed him from a morally gray character who indifferently kills people and regrets and becomes angsty once his memories are restored, to a tortured and dehumanized human weapon who obeys despite not understanding anything that's going on because he knows nothing but pain and punishment.
The film's version is really much more interesting. Snarky antiheroes who kill indifferently are a dime a dozen; a character who is palpably, terrifyingly dominating and powerful yet completely powerless in the hands of those who control him, who is hollowed out of all personal identity and who has no agency or control over his own body as it is mutilated, reconstructed and wielded as a weapon, is something much more delicious and fascinating.
We watch this guy slaughter people effortlessly with an apex predator swagger that projects pure dominance and prowess, then we watch him meekly accept abuse and torture with soft, confused eyes.
Of course I'm insane about him. There's a lot to be insane about.
@deus3xmachinablog Peer review
what gets me is like. Ed Brubaker knew what the fuck he was doing when reinventing The Bucky from tragically killed-off sidekick to reanimated cyborg death machine. Sebastian Stan knew what the fuck he was doing when portraying The Bucky. And I'm sure the other people involved with CA:TWS had SOME inkling, because this compelling portrayal doesn't assemble itself by accident.
The rest of the MCU portrayal of Bucky though after that? Clearly no idea what they fuck they had on their hands or what the fuck they were doing with it.
Flattening his character out into "morally gray depression man and he has Gun." And essentially making his story about shouldering responsibility for what he did as the Winter Soldier. A very flat, "guy did bad thing and now he's angsty and guilty about it and trying to redeem himself" (boring) instead of like. the gut wrenching horror of having your memories burned away and your name taken from you and your body reconstructed without your consent and used against your will.
The horror of being a weapon that was once a person and having your very selfhood irretrievably lost to you.
this is where the fanfictions pick it up, and I'm honestly pretty sad that fanfictions are still so widely viewed as Not Real Art, when they are closer to how humans told stories for the last hundred thousand years, and indeed to how storytelling works at its best and most alive and thriving.
We could be telling the most brilliant stories about The Bucky, if we all understood the essential principles (that stories are not Owned by anyone, but become Alive when they are told, in the hearts of the teller and the listener, and to listen to a story gives the gift of the power to tell it again)
And if we could all defeat our enemy, the Cringe (which is to say, that which cringes at sincerity)
God, the writers you put on this earth to write Buckyfic are trying to create something "Original" instead
(because originality receives respect by society as real, legitimate art, and is capable of becoming profitable)
The Hydra Trash Party-goers knew what they were doing, as well.
I think, with hindsight, the main problem the post-TWS movies had with Bucky is the torture.
The broad consensus in modern western media seems to be that Torture Is Basically Fine. It works. Torture is an effective way of extracting accurate information. And because that alone isn't enough to make it seem legitimate, there's another failsafe: Torture works only on bad people. Villains crack under torture, and heroes don't.
This is how media creates a culture that finds torture justifiable. Especially media that is largely sponsored by the US military, of course, who in a post-Abu Ghraib, post-Guantanamo, post-CIA papers world has an interest in creating public indifference (or straight up support) for torture, but there's torture in animated movies for children, too. It's ubiquitous.
In real life, torture is horrific violence inflicted on our fellow human beings, that traumatizes both the victim and the torturer, creates heaps of false information, and has no discernible benefits. It doesn't work.
But in fiction, it must work, every time, because if it doesn't, then that collapses the entire structure, doesn't it?
In comes Bucky in TWS.
He's a character who is tortured into complete submission. Who is given electric shocks to the brain to erase his memory, but he still holds onto his own humanity. He is tortured into doing horrible things - the torture works - but it doesn't work completely. He breaks through it. He's beaten, abused, violated on screen, but - and this is important! - because he overcomes in the end, he's not the villain. His story evokes pity and sympathy, not suspicion.
With hindsight, it is clear to me that the mind wipe scene was meant to inspire disgust in the audience. Bucky's terror without fighting back, his defeated acceptance of the inevitable, the slow, lingering pan up his unclothed body. This is emasculating; at the time a lot of meta has been written about how Bucky is shot like a woman in a rape scene.
He submits. This is meant to be suspicious.
But it completely backfires, because what is shown and what follows is the story of a victim of unspeakable abuse finally breaking free from his abuser in a show of awe-inspiring mental strength.
(and also through the power of gay love but let's not get into that)
That's a problem. By complete accident, the film ends up saying Hey, torture is maybe sometimes bad? And that cannot be allowed. There is a more conventional torture scene in the film, where Steve and Sam throw a guy off a roof to get information out of him, but that almost doesn't matter. This is the one instance that makes the whole house of cards come crumbling down. If Bucky is a victim, then torture is both bad and does not work.
It is obvious to me that what followed TWS didn't know how to reconcile that. CA:CW felt extremely jarring because it treats Bucky with so much suspicion; it even retcons in the trigger word nonsense to justify that suspicion. Bucky has to earn trust. He has to redeem himself. From what? Not being able to withstand seven decades of torture?
Well, yes, the film says. Torture only works on bad guys. Bucky allowed the torture to work on him, and so, has proven himself to be untrustworthy. The abuse he suffered sullied him. He has to earn back his moral righteousness.
I want to stress that I do not think any of this is intentional. I don't think there was a meeting in the writer's room where they talked about how they accidentally made it seem like Torture Is Bad Maybe, and how they could reconcile that. If that had been the case, CW would have been a more honest movie. But looking back, it is clear in how the directors talked about the characters after CW came out, and in the baffling writing choices they made, that they were trying to breach this disconnect, without being aware that this is what they were doing.
For the fan spaces I hung around in at the time, where cis men were a minority, this was baffling. There's a reason post-TWS fic almost exclusively talked about Bucky's recovery, not his redemption. There simply was, in fandom's eyes, nothing to redeem him from. CW made clear that w completely misinterpreted TWS.
I'd love to go back in time to observe what the fallout from TWS and CW was in male-dominated fan spaces; how they talked about Bucky in 2015 and 2017.
Anyhow. With the benefit of hindsight, it is obvious to me that no one involved in the writing of CW and what came after took a moment to actually think about the themes and motives of the movies beyond the shallowest surface, and not just with regards to Bucky.
TWS ended up taking the tamest, most inconsistent anti-torture stance possible by complete accident and that could not be allowed. It had to be forcefully retconned. And that's why, in my opinion, post-TWS Bucky ended up being Like That.
o týpkovi nevim zhola nic, ale za tohle je celkem ikona 🩵🩷🤍🩷🩵
All Hail Chaos, ch. 31 and 42
Very tickled by the Cobra catalyzing epiphanies about queer possibilities for both Marius and Caracalla.
New possible motto for the Valerius family: while you studied sexual diversity, we studied the blade.
Shane & his parents // Ilya & his parents Heated Rivalry, S01E01
Can we talk about how both David and Grigori are on the right side of the frame, Yuna is to the left of Shane- but to the left of Ilya is just a sharp drop.

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okay but imagine how inconvenient the streets of Central City, Amestris, is. Like yeah yeah country wide alchemy circle aside- can you IMAGINE the traffic? Like for the Love of Truth can we add another lane on this road?? The cars are backed up for miles! The urban planning board must be the sorriest people in the world. They got no clue what an alchemist circle looks like BUT the Fuhrer keeps showing up for an ominous visit every time they try to get a modicum of reasonable city layout. The zoning laws have got to be pure evil.
how many accidents do you think there are on the Central Command Roundabout in an average day
The crest of blood in the center was carved over the course of multiple years via traffic fatalities
At that point who even needs a genocide.
how it feels to message a friend who's having Problems that you can't do anything to help with.
AU where Shane and Ilya don't hook up or have a decades-long secret. They don't really know each other at all, except to play each other.
Shane comes out of the closet sometime after Scott does, and in some random, lighthearted interview, they ask him what he's looking for in a man. And Shane's just, off-hand like, "Well, he'd have to have at least one Stanley Cup. Obviously." And when he gets a good reaction from that, he keeps going, like "Needs to be amazing at hockey. Definitely needs to be at least an All-Star, if not a captain. Hot too. If he can't bench-press me, I'm not interested."
And it's all in fun, except two days after the interview prints, Ilya Rozanov shows up at his door like "knock, knock. I am here to apply for boyfriend position. Do you need resume? I brought my Stanley Cup ring, just in case."
Op’s tags
The Wren babies started hatching last night, and then this cute scene happened. The male came over with a snack, and he would not give it to the female, he wanted to feed them himself. These birds can be tiny tyrants but they are also super adorable at times. I only did minor edits here because it is kind of sweet to see him taking so much time when outside they are the quickest, sneakiest little things.
i think i don't really vibe with most other fans of my favorite male characters is because they usually depict them too much of a man, and i am not interested in men, i am interested in The Character. and i am not saying that they should depict them as women, or nonbinary, or should depict them as feminine, no, not at all. but there's like, you know, you can depict a male character as The Character, and you can depict them as The Man. do you get me? like, i go to the fandom looking for art and fics, and it's just, regardless of his actual characterization, it's all just fantasizing about some kind of an abstract dominant patriarch, wearing my favorite character's face. it may be the most totally-wouldnt-have-normal-relationships (and sometimes even would-literally-abuse-you) kind of guy, and you join a dedicated space for his fans, and all they talk about is how they want to marry and start a tradcore 50s style nuclear family with him. it can be a guy who's arrogance and attempts of domination are explicitly shown to be a facade that hide the fact that he's actually kind of a massive pathetic wet loser, and you go to his fics, and they're all depicting him as a caricaturish daddy dom. at this point it's like, do you even like the character at all, or do you just like The Man, and project this man onto whatever character you find visually attractive? and these people kind of, really really poison actual discussion of the character, who is kind of a fucked up evil person (i only like *those* types, so im talking about them) because they see analysis of the actual character as an attack on their fantasized daddy dom husband, who is actually isn't The Character at all, and is simply a face of the day for The Man

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Happy pride
okay, i’m curious. let’s play a game. reblog this post and put in the tags the name of a fictional Indigenous character.
No headcanons, no ‘coding’, only CANONICALLY Indigenous characters. You have unlimited time. Go.
if another FUCKING person mentions the fucking werewolves from twilight I'm going to burn this whole site down and take you all with me
Essek is like ogres who are like onions. He has layers
The dawn

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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VOLEJTE HURÁ A TŘI DNY SE RADUJTE
JE TO DOMA!!!🏳️⚧️🏳️⚧️🏳️⚧️
When your asshole mentor knows your Dark Secret but literally could not care less... happened to my good friend Dinios Kol
- inspired by this post by @capricciosso