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2025 on Tumblr: Trends That Defined the Year

Andulka
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One Nice Bug Per Day

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roma★

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@sister-harbinger
Ladies of Taste and Refinement
Watercolor On Cotton Paper
2022, 22"x 30"
White Calla Lilies, Zantedeschia
Jadeite and Serpentine
Available for $450 $900 (Etsy price $3600) with Tumblr discount. DM to claim.

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Thinking about that one Wendy Carlos video where she's boymoding and has the big fake glued on sideburns and the suit, but with beautifully shaped eyebrows and that t-girl voice, and shes completely and utterly unconvincing trying to pass as a man, but also shes just so excitedly infodumping about moog synthesizers and batting her eyelashes its hard not to fall in love with her.
This was one of Wendy's last television appearances for a very long time. She came out publicly nine years later in an interview with Playboy magazine and talked about how miserable she was at this point in her life. She'd released Switched-On Bach as Walter Carlos in October of 1968, less than a year after she'd begun HRT, when the physical changes were becoming more noticeable. Wendy had been living as a woman in her private and social life, but the public appearances and interviews she had to do in the wake of its commercial success and critical acclaim were a source of profound anxiety and dysphoria. Wendy used to cry in her hotel room as she applied the press-on sideburns, put on a wig to hide her long hair, and used an eyeliner to fake a five-o' clock shadow before going on television shows (and before her meeting with Stanley Kubrick to compose the soundtrack to A Clockwork Orange); few people bothered to hide their speculation and open disgust.
Over the next decade, she continued with the treatments and was able to afford gender affirming surgeries but released two more albums as “Walter”—fears for her safety and pressure from her record label made it unthinkable to do otherwise. That’s ten years of both public and creative isolation in a field she pioneered:
The fact that I couldn’t perform publicly stifled me. I lost a decade as an artist.I was unable to communicate with other musicians. There was no feedback. I would have loved to have gone onstage playing electronic-music concerts, as well as writing for more conventional media, such as the orchestra.
This is Wendy Carlos almost twenty years later. She was always beautiful, but right here? She’s fucking luminous.
It's really hard to get ahold of these days, but if you can find a copy of Secrets of Synthesis, I highly recommend it. We go over it a little bit in this episode of the radio show from 2019, but YouTube flagged it before it even went live, so it's just on dublab.
Turns out, she kind of hates modular synthesizers, the thing she's most well known for.
she’s still with us and she maintains her own website, for those who didn’t know
And here’s a quote from her I always think about.
sometimes it's less like there's masculine and feminine things and gender neutral things, it's more like. there's gendered things and there's ungendered things. masculine things are ungendered feminine things are gendered. masculinity is the default and femininity is the abberation, the Gendered Experience. pants are for everyone skirts are for girls. suits are for everyone dresses are for women. you know
and can we maybe think of why a lot of historical feminist pushes to make masculine things gender neutral worked and now in the current modern day nobody bats an eye if women wear pants, but men wearing feminine things is still a hot topic of debate at best and grounds for violent assault at worst? is there maybe a word for this phenomenon?
it's almost like there's. a male default. activities deemed masculine have a value considered self-evident. and also considered default experiences. a desire to participate in those is considered natural. and everything outside of that is considered "gendered" and therefore Marked, as like, lesser, unworthy,
there's a really fun balance when you know someone has a crush on you where you can tease them for having a crush on you without letting them know you know they have a crush on you. this only works because people who have crushes will analyze everything you say but not very well. anyway, i love playing with my food.
Gosh, that's so perfect. Your friend is actually the only one who is engaging with this post correctly. Supersedes my original intent, even. Sorry, I bow to her wisdom here. Tell your friend I hope she's having fun!

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If this were occurring abroad, to an ethnic minority, we would call it ethnic cleansing.
To put this in perspective, the last time an American subgroup migrated at these rates was the Great Migration, in which roughly 6 million Southern Black people fled Jim Crow violence and repression. This occurred over a period of decades, in the face of political repression, systematic violence, and legal apartheid.
In its fastest decade, the 1940s, 1.5 million left the South—against a Southern Black population of roughly 10 million. Black America fled Jim Crow at about 1.5% a year, at a time when baseline inter-state mobility was higher than it was today.
Trans America is fleeing red-state persecution at ten to twenty times that. In short, trans people are being internally displaced within America's shores.
I would still use my turn signals in the Mad Max Wasteland. They'd call me "Signal" because I'd hit my blinker before ramming the enemy hot rods into the side of a desert ravine. I'd use my turn signal every time. They would respect me for this.
can anyone on this gay ass website give me an opinion on which translation of the epic of gilgamesh i should read? ive been wanting to read it for ages but theres a number of common translations and i know translations can make or break a story; i dont want to start with the wrong one
I've read a few so I can offer recommendations! I started with the Sandars translation, which is a good starting point but a pretty early translation. Benjamin Foster's translation is one of my favourites, and the version I read (Second Norton Critical Edition) includes some really interesting discussion essays with it. Andrew George's translation received an update a couple of years ago so is up to date with Foster's translation, though I prefer how the language flows in Foster's.
I would also recommend Gilgamesh Retold by Jenny Lewis for a translation with a more modern poetic take.
GILGAMESH TRANSLATION MASTERPOST:
Benjamin Foster’s Gilgamesh condenses all the different tablets we’ve found together to make one cohesive narrative which is way less intimidating and therefore my go-to if you want something that feels cohesive while also sticking very close to the language of the original. 10/10
Andrew George is the most thorough and up-to-date, and sticks as close to the text as you can get. It does, however, separate out all the different tablets, and feels very unedited in its style. Definitely not a “pretty” version. 10/10 cuz he’s a legend and this is the most definitive scholarly edition but don’t start with it.
Maureen Kovacs has a lovely translation with some very interesting footnotes on word choices. Her Ninsun is absolutely incredible and if you want to cry your eyes out over Gilgamesh’s fate that’s the one for you. It’s one step up from Foster’s in terms of poetic-ness but still pretty close to the original. 8/10
Sophus Helle is more poetic than Kovacs but BRILLIANT, one of my favourite Enkidus and his Shamhat is wonderful. Top favourite of all time. This is a very good starting point. 9/10
I wouldn’t recommend Sandars simply because it’s prose, and also condenses the twelfth tablet into a nice tidy ending that doesn’t really work with the Standard Babylonian narrative. 6/10
Lewis’ Gilgamesh Retold is more of a poetic retelling than a translation; it’s beautiful but definitely not a starting point. Sweet and gentle Enkidu though, very charming. 7/10
Stephen Mitchell I’m not a fan of. He smooths the poem out into something tame and very expected. This is my personal bias but I really dislike his Shamhat. His Enkidu and Gilgamesh are also explicitly more like brothers, which is a valid interpretation but also again not one I lean towards. 5/10
Herbert Mason’s Gilgamesh has some stunning moments in it (Enkidu! They do not know you like I know you!) However it is nowhere near the real text BUT closer than Lewis’. Changes the ending of the poem so it’s about Gilgamesh mourning Enkidu rather than mourning his own mortality; a much sadder conclusion with less resolution than in the Standard Babylonian. 7/10
BONUS ROUND:
Derek Hines’ play GILGAMESH is fucking DERANGED guys. Ten Gilgillion out of ten.
Foster's is my favorite that I've read
[ID: a screenshot of a comic speech bubble. The black text in it reads "No matter how open-minded, socially conscious, anti-racist I think I am, I still have old learned hidden biases that I need to examine. It is my responsibility to check myself daily for my stereotypes, prejudices and, ultimately, discrimination." /ID end]
antiracism is a constant process. i was raised in a racist village and it's not easy to get rid of it. i moved away over 10 years ago but those ideas are still haunting me.
also keep in mind that shame + guilt are not conducive to growing as a person. when it comes to "checking yourself" it should be a non-judgemental process. it's not about flagellating yourself for every bad thought or trying to purify your mind of all corruption. it's only when acknowledging your own racist thoughts doesn't fill you with dread that you can really progress past the white guilt of it all.
radical self-acceptance & genuine self-critique are not opposites. they need each other. do not let obsessive-compulsive behaviors colonize your desire to grow as a person.

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'A popular fanfic author stopped updating her fic because she said that the stress of being constantly falsely accused of using AI was a witch hunt and it was destroying her mental health to the extent that she needed to take a break from writing, leading to multiple online discussions defending her and debates about AI accusations and how You Can't Really Tell So Leave Her Alone, and then someone realised that there were Claude coding artefacts in her fics and that it was a super pervasive problem in that particular fandom, proven definitively by looking at the source coding of each work on AO3, and she denied it for a bit but then ultimately admitted that oopsie, she had been using genAI all along, and then she deleted all of her fics off AO3 and people got mad because they were being denied access to their favourite fics, even though they now knew definitively that they were genAI slop, and then it turned out that she'd actually stopped updating the fic on AO3 in the first place because she'd been shopping it around to agents and editors as an original work with the serial numbers filed off, and she'd been in conversations with a publisher which ultimately got dropped because she'd lied to them about her AI use' oh cool, so we're in Hell, then
Can't wait to watch a 3 hour youtube video on whatever the fuck happened here in a year or so
at the euthanasia party everyone gets a sip of the forbidden lean
Yeah, same
genAI companies are now buying up rare and antique books so they can scan them and use them to train their AI. then they're destroying the books afterward.
AI companies are quietly obtaining rare books, ingesting their contents, and then destroying them -- even if they're exceedingly rare.
they've had to face settlements against stealing from current authors, so they'll just go for the old books now. they're also doing this so they have the only copies of rare books.
they're taking water, power, natural resources for their data centers. they steal. they're book burning, essentially. i'm just so angry, i'm at a loss right now.
Oh this is very bad. Oh this a disaster historical and civilizational in scale.
never thought this day would come but i’m currently having a customer service experience so bad right now that i’m defecting from the employee regiment and joining the customers in their next battle. i don’t know who i am anymore.
experience that makes me research local customer service supervisors for a global corporation and tag them in a LinkedIn post, to fall upon their mercy.
long story short i have worked for a call center in customer service before and i knew something was not working out. i've had to call about this issue 5 times in 4 weeks because it's still not resolved, and each time the conversation has ended i've asked for an email confirmation of our conversation and a ticket number so i can call back and reference it with a new representative.
well every time i've called, the new representative has been like "i'm so sorry, but there's no ticket by that number. i have no record of you ever calling about this. i'll start a ticket for you."
finally, the fifth time i nearly burst into tears of frustration and i said "i don't want you to start a ticket for me, because it will be the sixth ticket created for this same issue. every week, one of your colleagues tells me they'll create a a new ticket for me, and then nothing happens."
they said, "i'm sorry but i have no record of those tickets existing." and i was like i KNOW. but they doooooo what is happening.
finally i got transferred to a supervisor's supervisor.
if you've ever worked in online customer service, you know that when a customer calls with a problem, you create a "ticket" that puts that issue into the system. if you can't resolve it, it goes into a ticket queue, where other people with the ability to resolve it select it, put it into their personal working queue, and resolve it.
well after 30 minutes of searching, this supervisor tells me, dumbfounded, that she's discovered a completely unique queue she's never seen before, where my tickets have been going somehow. a pocket universe queue that no one has access to or can edit or select from, not even her. she has no idea what's happening. she's like "yes, here are all your tickets, and no one can open them or comment on them or resolve them.....this is crazy......" and it's JUST my tickets in there. no one else's. of tens of thousands of customers.
all professionalism fell by the wayside. i told her i've worked with those queues before and also found that totally wild. she was like "what the hell is going on...." and talked me through everything she was seeing and how gobsmacked she was. we were both like "this is one for the books truly"
tells me she's going to have to bring this up above herself because this is a really big error on like, a coding level, that she has no idea how to resolve. tells me she will personally call me back tomorrow to update me.
four days pass with no word.
i call customer service again. random agent. explain the entire situation, including that last bit.
agent says "i'm sorry but i have no record of those tickets existing. i'll have to start a ticket for you. rest assured, it will be resolved."
i said, "no it won't be. it never will be. because they're in the special queue."
clearly not believing me, they said, "i've heard nothing about that. i'll start a new ticket for you."
Vor dem Gesetz - Franz Kafka, 1915

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How the fuck does one run out of missiles when they have literally a trillion dollars to spend on them
The problem is not the fact that they can't produce more missiles; they can. It's the fact that it takes a very long time to replenish equipment and munitions and sustain vital operations without disruption. Iran is producing missiles and drones at a rapid speed and at a low cost with the purpose of putting pressure on US bases and their air-defense/interceptor systems all over SWANA. However, it costs a fortune for the US to produce one missile: it is estimated that one Tomahawk missile costs 2.5 million dollars, while a Patriot anti-missile costs 4 millions dollars. Contrast this with the Shaheed drones that cost like 50.000 - 100.000 usd each. On top of that, much of the US air defense systems have already been destroyed, which means that they have to be replaced. This is why they had to pull a THAAD interceptor from South Korea and deploy it in SWANA. Second, they're also using much of their air defense and interceptor system in Ukraine, which is rapidly facing shortages.
Iran is simply waging a war of attrition, and the US can't keep up with the pressure, since these bases are far away from the imperial metropole. However, with Bibi visiting the WH tomorrow, it is likely that Trump will endorse a military campaign in coordination with the settler state.
the medieval peasant is a sort of mythological archetype that mostly exists to win arguments about the problems with modern society
a very, very rough sketch but you see my general point