“To keep the cedars safe from harm,
Enlil has made him the terror of men.
Despair strikes all who step into his forest.”
—Gilgamesh, Tablet II, Standard Babylonian Version line 217, trans. Sophus Helle

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@perrenlore
“To keep the cedars safe from harm,
Enlil has made him the terror of men.
Despair strikes all who step into his forest.”
—Gilgamesh, Tablet II, Standard Babylonian Version line 217, trans. Sophus Helle

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it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.
and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.
Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:
(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: 𒅤𒀜 𒎏 - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)
In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipal—where we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:
This is a necklace Layard had made for his wife. It uses real cylinder seals.
To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.
Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.
Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.
All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!
So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.
pov u are gilgamesh king of kings waking up in the cedar forest
for the last time: if there's a sexy naked lady with long flowing hair and MAYBE a diaphanous sheet or flower crown; lots of swirlies and ribbon like curving LUSCIOUS shapes; very lush foliage (acanthus leaves, elegant flowers) and all kinds of fauna — both especially waterside (lily pads, lotuses, reeds, cranes, dragonflies); lots of green; everything is a lot of iron, stone, stained glass, mosaic, and carved wood; the windows or their frames are very Shaped; the lights are soft yellow; or it's a font with lots of line weight variation; feather tips are rounded; everything reminds you of france, vienna, or japan and something vaguely mediterranean; OR it's literally a Parisian metro station
— then it's art nouveau
and if the sexy lady has a bob cut or a hair cap and is wearing a column or flapper dress; there's a lot of geometry like rectangles, arches, rays, and diamonds; angels have super sharp wings and a lot of muscles; everything is steel, concrete, marble, gold, and red velvet seats; everything is VERY angular; and all the foliage is basically papyrus fronds; things feel vaguely Egyptian or Turkish or Mesopotamian; the fonts play with being very skinny or very thick and are sans serif with extra lines; or Gatsby would be found floating dead in that pool
— then it's art deco
And if looks kinda like art nouveau
— with lots of lush flora, tiny insects (like dragonflies) or graceful birds, stained glass, iron, warm golden lighting, lots of wood and wood carving (but now it's more wood paneling), a stylistic fondness for Japan, line weight variation in the font, and tile (but this time it's carved or sculpted on, not tiny mosaic)
but you're worried it's art deco
— because the forms (especially foliage) are very symmetrical and slightly more angular or blocky and graphic looking, things are more rectangular than circular or curvy in architecture, the patterns repeat more often, and more of the lamps are pyramids or rectangular, and there are nods to Egyptian or Ottoman style, and they used the color red (probably in an accent chair or carpet rug)
BUT there's no steel, concrete, gold plating or gilding, marble, big muscles, spiky or radiating diamond shapes, angular people, or flappers,
AND the vibes are jacobean, gothic, or spanish mission revival; they love some brick and stone; the wallpaper is an explosion of colorful pattern that could give you arsenic poisoning or help depict a descent into postpartum psychosis in a famous short story; but there are NO people to be seen, not even sexy ladies,
— then THAT is the arts & crafts movement.
oh lads it sure is gilga-time today

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KING OF URUK! SAY HIS NAME! THREE SYLLABLES LIKE A GUNSHOT! NINE LETTERS LIKE A CONSTELLATION! GIL GA MESH!
Unfortunately, Gilgamesh was too cool. He oppressed the people of Uruk, taking their lunch money and getting real friendly with all their moms. And so the people cried out to the gods for deliverance. "Save us," they said. "Gilgamesh is much bigger and hotter than us and we cannot stop him."
The gods heard their pleas and sent Bigfoot to kick Gilgamesh's ass. However, the gods overlooked one very important fact, which is that they were both bisexual.
That's definitely one way to summarise it.
That's how it happened, I was there
Hey! I was wondering -- are you the person who made that incredible BG3 love interest uquiz? If so, did you write this? “He is a treacherous man, and you may well find yourself betrayed. Or perhaps that is part of the allure. […] yet there is a shiver of goodness there, under all his arrogance, that seeks you out. Hold that goodness tight. Do not let it go.” I want to quote it in something and want to make sure I have the credit right! <3
hey man! yeah that was me <333 whatever you quote it in do drop it in my inbox i would looooove to read it i am so here for all bg3 content
how to solve a rubik’s cube a gay valentine’s/anniversary comic about trying to impress a boy (my now boyfriend) [rbs&follows>likes]
ngl I keep forgetting that Hobby Lobby is a real store that people go to. That people actually think of it as a craft store and not as a crazy Christian mass artifact smuggler. I google "Hobby Lobby" and get a page full of results that make me go "wtf is this craft supplies and operating hours shit, I thought we all knew this place for smuggling looted cuneiform tablets out of Iraq"
#sorry what??? #I knew them as the store with the Christian right wing owners that refused to pay for employee birth control as part of health insurance #what is this about cuneiform tablet looting
They are also that! And it comes from the same place.
Since 2009, the billionaire owners of Hobby Lobby started taking advantage of the wars in Iraq to buy stolen and looted cuneiform tablets and clay artifacts from ancient Mesopotamia. A lot of them were suspected to have been stolen from the National Museum of Iraq in Baghdad in the chaos of the US invasion in 2003. The Hobby Lobby owners used HL profits to smuggle these artifacts into the US (taking them out of Iraq is illegal so they listed them as tile samples from Turkey and Israel, more friendly nations to the US). Eventually the customs officials seized them, and the US Department of Justice filed a lawsuit in 2017 when the news really broke about just how many ancient Middle Eastern artifacts were smuggled into the country. They were doing this to stock their "Museum of the Bible" that purports to prove the literal truth of the Bible... using stolen Mesopotamian cuneiform tablets, somehow. Idk.
They also had sixteen Dead Sea Scrolls that turned out to be forgeries but that's only tangentially related.
Hobby Lobby and its owners were fined and ordered to return, again, thousands of artifacts back to Iraq. For years they KEPT finding more artifacts of Hobby Lobby's that turned out to be stolen, looted, and smuggled. It's one of the biggest artifact smuggling scandals in recent history. And it separated artifacts from their context and permanently damaged the ability to learn new things from them, even though archaeologists subsequently have been trying.
The court case was called "United States v. Approximately Four Hundred and Fifty Cuneiform Tablets."

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"immortality sucks because all your friends die" all your friends die anyway. those we do not mourn are those who mourn us.
"immortality sucks because you forget who you are" we always forget who we are. do you remember who you were at four years of age? who you were at fourteen? "who i am" is a shadow cast on the wall.
"immortality sucks because" skill issue. skill issue. skill issue. give me your liver
I honestly absolutely get where Gilgamesh was coming from and it was an absolute flop that he decided to be happy with mortality.
Gilgamesh has a realistic take on immortality because it’s meant as an example to everyone that reads it. Here’s the king who crosses the mountains of the sun, who sails the waters of the dead, who slays monsters—and even he must content himself with a mortal lifespan. It says that to be mortal is to be human. That kings should focus on creating instead—on achieving public immortality rather than private.
But also BOOOOO id have kept the plant. skill issue.
If you are interested and excited by anything to do with Mesopotamia, with the Sumerians, Akkadians, Assyrians, Babylonians, and all of the niche ancient history things, please interact with me 🙏. I love talking to people about these things and expanding my knowledge but it's so difficult to find people who are truly interested in this subject.
Maybe I should create a discord server for this.
discord server would be such a good idea. reblog reblog reblog. hello mesopotamia lover mutuals pspspspsps
GO VOTE!
FRENCH ELECTIONS. UK ELECTIONS. VOTE
my approximations on the cast of “proof that sokrates was secretly the best matchmaker in athens” (aka the last of the wine by mary renault) :’)

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a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
The idea of homer being an f1 commentator is so funny to me
AND SWIFT FOOTED ACHILLES OVERTAKES HECTOR OF THE GLEAMING HELM
OHH PATROCLUS, BEST OF THE MYRMIDONS AND BEST OF THE GREEKS, HAS CRASHED INTO THE GRANDSTANDS
IT SEEMS WILY ODYSSEUS HAS HAD AN ENGINE FAILURE. LIKE AN OLD DOG FINALLY COMING TO REST AT HIS MASTER'S FEET SO DOES HIS FERRARI SLOOOW TO A STOP. HE DOES NOT SEEM HAPPY ABOUT THAT