The World Doesn’t End, Charles Simic

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The World Doesn’t End, Charles Simic

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In an ancient forest, shallow pools reflect not the trees above, but a luminous city of elsewhere.
Georgia Gerber: A Promise Kept (1999)
Statuette of Venus made from rock crystal quartz (Roman, 1st century BC)
there is not III, 2023, oil on canvas, 100 x 150 cm

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you know, i don't remember
“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.
Library Table
Maker: Herter Brothers (German, active New York, 1864–1906) Date:1879–82 Geography: Made in New York, New York, United States
luck expiration

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Teapot, Takayuki Sakiyama, 2025
« The world is my playground » for Sofía
Mollusca bag by Maison G
tg: t8i72
band of lace made from human hair, likely worn as a bracelet, 17th century, from V&A

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"La Femme-Escargot" circa 1900