The World Doesn’t End, Charles Simic

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The World Doesn’t End, Charles Simic

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Gustav Metzger Liquid Crystal Environment, 1966/2021 7 Kodak SAV 2050 slide projectors, control units, rotating polarized filters, liquid crystals © The Estate of Gustav Metzger and The Gustav Metzger FoundationCourtesy the Estate of Gustav Metzger and Hauser & Wirth. Photo: Ken Adlard.
eden work jacket by jakischrist
Thomas Paquette, Straight Up, Tionesta, Pa., 2025, Oil on linen
Christian Broutin, from JCA Annual 9 (1990)

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Greek statue of a veiled dancer
3rd - 2nd century BCE
Metropolitan Museum of Art 1972.118.95
good morning to horror fans, fat bitches, people with psychosis, they/thems, people who can’t drive, trans women, witches, and single dads. the rest of you... you’re on your own
a poster I made based on this quote by Fernando Pessoa
Alternate timeline in which all Greek and Latin roots are swapped:
catastrophe -> contraverse cephalopod -> capitoped chlorophyll -> viridofolia democracy -> populimpery homicide -> anthropoctony homosexual -> equigamic kilometer -> millimensure interregnum -> mesarchy magnanimous -> megapsychic manuscript -> chirography motorcycle -> ergatorote microscope -> parvovisor oxygen -> acidofex polyamory -> multierasty television -> remotoscope universe -> monostrophe

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"The problem of names and their connection with social legitimacy had been forced into her [Mary Shelley’s] consciousness all her life. As the sister of illegitimate and therefore nameless Fanny Imlay, for instance, she knew what bastardy meant, and she knew it too as the mother of a premature and illegitimate baby girl who died at the age of two weeks without ever having been given a name. Of course, when Fanny dramatically excised her name from her suicide note Mary learned more about the significance even of insignificant names. And as the stepsister of Mary Jane Clairmont, who defined herself as the “creature” of Lord Byron and changed her name for a while with astonishing frequency, Mary knew about the importance of names too. Perhaps most of all, though, Mary’s sense of the fearful significance of legitimate and illegitimate names must have been formed by her awareness that her own name, Mary Wollstonecraft Godwin, was absolutely identical with the name of the mother who had died in giving birth to her."
quote from The Madwoman in the Attic by Sandra Gilbert and Susan Gubar
Stefan Johansson (Swedish, 1876–1955)
Street Lights along Klarälven River, 1941.
Watercolor and tempera on canvas, 47.5 x 37.1 cm.
Textile art featuring a school of koi fish, by artist Lin Xia.
crochet colorwork ive done lately
Imagine getting expelled from school for being an atheist and years later that school builds a monument to you but of your dead drowned corpse with your dick out.
They do it all classy though but still

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Here (1989) by Richard mcguire (raw magazine)
Oscar Nussio (Swiss, 1899-1976)
Engadiner Landschaft mit Silvaplaner und Silsersee [Engadine Landscape with Lake Silvaplana and Lake Sils], 1954
Oil on canvas
80 x 90 cm
Private collection