somebody not too bright but sweet and kind @dykentery - Tumblr Blog

seeing someone comment landfillcore under a holiday decor haul a few years back permanently changed my consumption habits. what an evocative word. I think about her all the time

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realcoolberries

My first filet crochet piece! Its boarders aren't as neat as i'd like but i hid them under the frame lol. This was my first time working with thin string and i love how far a little ball takes you

The pattern is on Antique Pattern Library in the book Le Filet Ancien au Point de Reprise (1913)

anonymusbosch

the post going around about how you can't automate various fabric processing/sewing tasks is largely not correct and i think suffers substantially from treating technology as separate from economy/policy/research funding/capital. & have a half-thought-out response but wanted to plant a small flag first. you can cut fabric to a pattern in a variety of more or less automated ways. & furthermore the extent to which automation is or is not happening is partially to do with legitimate difficulty of robotic manipulation of flexible materials & textiles AND partially to do with the cost of automation vs cost of sweatshop labor. i think it rly devalues the role of globalization of the supply chain & exploitation of labor in the global south to just hand-wave textile & clothing automation as impossible when it is not so

miapcain

LET'S FUCKEN GOOOOOOOOOOOOOOOOOOOO

BUY THE ONLY GAME PROVEN BY STATS AND FIGURES TO BE LITERALLY UNFLAWED HERE FOR 25% OFF (while the steam sale lasts lol)

memories-of-ancients

Red lacquer octagonal box, China, 16th century

from Christies

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pmamtraveller

Alberto Regueira (Cuban, 1994) - Reborn (2022)

dreamstars

Beaded chainmail tapestry made by Wretched Flowers

thedman0310

ymutate

Tù.úk'z v2

realm of absurd hope

cyberglittter

yalitza aparicio and her mother margarita by enrique leyva for badhombre magazine

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occidentalist

I learned a very long time ago that I could post in English on the Anglo internet about my experience as a sexual minority in the #middleeastandnorthafrica region. I could vent about every slight or slur, every indiscretion, all the doors that might not have closed in my face had I not been who I am. But that all it would do is earn me a seat at a table half the world away, a seat that I would lose the second I said “but my people are still human. But we are Arab women before we are queer women. But we are muslim before we are trans women. But we are imperialised subjects of the periphery before we are bisexuals. But we are ‘combat-aged males’ before we are gay men and boys.” A seat that I could only keep if I show a willingness to betray my people. And I will not. I do not want it. The price is too steep and the value too low.

I have come to know now that this western voraciousness for our stories was never an impulse born out of empathy; it has always been little more than a gathering of intel, of reasons to hate us and to justify the destruction of our bodies and the pillaging of our lands and the looting of our resources. So I no longer see the utility in being one more primary source for the proverbial NYT opinion editorial manufacturing consent for the latest campaign of imperial slaughter in my backyard on account of our inherent backwardness.

swagophile

me in a heist movie scenario: [right about to execute the big plan] i hope you guys kbow if this plan goes south i'm killing myself

driver: what

me: alright team. we kbow our roles. lets get to it

demolitions expert: wait can we go back to that thing earlier

grifter: yeah what was that about

me: charlie, i want you to take point. you're the most important for the early phase so you gotta make sure to nail this. remember we only have a limited time to pull this off, so the sooner the better

safecracker: youre not really gonna kill yourself if we fuck this up right

me: [putting on my badass sunglasses as smooth bossa nova music plays] i'm definitely going to kill myself if we get this wrong

lesbianartandartists

Kitty Tsui photographed by Jill Posener for On Our Backs 7, no. 2 (Winter 1990).

plasmometer

LOVE LETTER TO THE ELECTRICAL GRID

plexiglas etching

subscriptions | tip jar

dvrknessabides

Both sides of the Sandia mountains during the super blue moon.

Abq NM, 2024

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femmeinvelvet2-moved