Brb im projecting the Gender Feelings into the latest blorbo
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let's talk about Bridgerton tea, my ask is open

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NASA
Sade Olutola
Misplaced Lens Cap
Stranger Things
Three Goblin Art

❣ Chile in a Photography ❣

Product Placement
I'd rather be in outer space 🛸
YOU ARE THE REASON
Claire Keane
occasionally subtle
h

Janaina Medeiros
we're not kids anymore.
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@shortforphill
Brb im projecting the Gender Feelings into the latest blorbo

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i would die for this thing
he's called Rise (like earth rise, the best fucking space picture ever) and he's the ZGI (zero gravity indicator) for this launch
which basically means they have a plushie free floating in the shuttle and when it starts floating around they know they're in zero gravity :3
WHEEEE!!!!!! YIPPEEEE!!!!!!! SPAAAAAAACE!!!!!!!!!
I think one of the big strengths of fanfiction as a medium is that it can, on average, assume the reader has a way higher degree of familiarity with canon than like…canon can. If you’re in the Star Wars AO3 tag you probably like Star Wars enough to remember more things about it than the average Star Wars-enjoying-ten-year-old. Which makes it way easier for fanwriter a to get to the juicy stuff and really engage with the worldbuilding or minor characters without having to spell out like. Who Wedge Antilles is for everyone who forgot or never noticed him in the first place. You could write a book about Wedge in the old EU because EU readers could also be assumed to be serious fans, but you can’t make a new canon Disney+ show about him. Those cost money to make and are intended for a broader audience.
And all this means that like. A good fic writer can and often will surpass canon when it comes to like. Thematic resonance and stuff, because they can really dig into something. Star Trek 2009 gave Kirk a new, more generic tragic backstory because it couldn’t expect the average moviegoer to be familiar with Kirk’s old, way more interesting tragic backstory. (Frankly, I’m not sure jj abrams knew about TOS Kirk’s backstory) whereas I have read a LOT of well-written, interesting, deeply resonant fanfic examinations of Tarsus IV, and what it means for Kirk’s character that he’s a genocide survivor. Star Trek 2009 answers the question “why did Kirk cheat on the kobayashi maru?” With “‘cause his dad crashed a spaceship when he was a baby.” A close examination of TOS canon implies the answer is “because he lived through a real-life Kobayashi that did have a win option, but which wasn’t taken.” BUT—and this is significant—even the TOS canon movies can’t really assume knowledge of the full TOS tv show, so that implication is never examined or made explicit. Instead it’s fanfic (and maybe spin off novels? Idk I’ve only read 2 trek books, if there’s one out there that covers this that would be really cool) where we get dives into that thread, where Kirk gets a commendation for original thinking because he can look a testing board in the eye and say “I’ve seen what happens when someone is entrenched in this kind of thinking, and I cannot let it happen to me. I understand the lesson, but it’s not hypothetical anymore and it never will be. I did what I had to do.” And that’s interesting! That’s meaningful! That can’t happen in a summer blockbuster. But it can happen in fic, easily, and that’s a strength of fic, I think.
I hope you don't mind me adding to this very good post, but in general i think the financial supremecy of movies and (more recently) tv has lead a lot of people to assume that the best stories can be interchanged between mediums. That every book can be adapted into a movie, every light novel into an anime, every movie into a video game etc etc
and that's the same attitude that underlies all the 'the goal of fanfic is to file of the serial numbers and publish it' or 'fanfic isn't real writing because real writing is novels and fanfic is usually structurally so different from a novel' type of takes come from.
this assumption that the medium is largely coincidental to the story being told
when that's just not true.
the very best adaptations always change things, because mediums are not interchangeable, and they fundamentally shape the stories told in them.
there are things you can do in fanfic that are simply not possible in a traditional novel, because you're starting from that possition of love and knowledge, and because you aren't bound by the need to be canon compliant, so you can ask questions like 'if these characters met in other lives, under different circumstances, what would they be like? how different would they be? how much of what makes them them is tied to the circumstances they found themselves in?' or 'what was it like to not be the heroes, to not be actively involved in the cool exciting bits? what was it like to be a minor character, left behind to deal with the consequences' because your audience is already invested, they'll show up for questions like that in a way a movie or novel or tv audience wouldn't.
there are things you can do in a podcast or radio play that are not possible in visual mediums like film or tv, because you're relying on the audiences imagination. there's a reason the best radio comedy tends to be surreal, and the best podcasts tend to be horror, those are both genres that thrive when the audience's imagination is allowed to fill in blanks.
there are things you can do on TV that are not possible in a novel or a movie. the way WandaVision completely changed its visual style with each episode is something that would not work in any other genre, but it's essential to the story. TV usually exists in very defined seasons, but cannot traditionally be consumed all in one go, which is not true of almost any other medium, and that dictates a specific type of pacing. combine that with the fact that it's a visual medium, and you get something like the overarching stories of the 9th Doctor's season of Doctor Who. No other medium could have delivered the resolution to that storyline as effectively.
Video games can force the audience to consider their own part in events. No movie could do what Spec Ops did, when it gives you a button prompt to commit a war crime, and then turns around and asks you why? why did you do that? was it too easy? do you think it felt like this when the US government committed the exact same war crime within living memory? Was it easy then too? A novel or a movie could show you walker doing this terrible thing, but it could never convey the point with the same effective simplicity, and it could never make you the audience feel culpable. only the author is responsible for the actions of the characters in a novel, but in a game, it's the audience who bears that responsibility, and that allows for moral questions other mediums struggle to effectively convey.
Comics can tell stories that take three decades and ten different writers to tell. Movies can use silence more effectively than any other medium because cinemas give you a captive audience and close-ups means you can reliably assume they can see everything that's happening (unlike theatre, which can use silence, but can't assume everyone has a good view). Theatre provides real time audience interactivity and a very special and unique kind of suspension of disbelief. Professional wrestling can tell ongoing stories in real time over years or decades, and walk the line between fiction and reality. Novels can immerse you more fully in one person's view of the world than any other medium (which also allows for information to be hidden from the reader without it feeling cheap the way it can when a movie does the same thing). Live oral storytelling allows the story to be adapted on the fly to fit audience reactions, allows for infinite variations of the same story, because no two tellings will ever be identical.
Fanfic isn't a genre, not really. Fanfic has genres, but it isn't a genre in and of itself. Fanfic is a medium, and like all mediums, it offers storytelling tools that are unique to it, that it does better than any other medium. and as OP pointed out, one of the big ones is that it can assume both familiarity and love from the audience to the characters depicted. We can stray far further afield from where we started in fanfic than the original creator ever could, because our anchors are not the narrative, but the characters.
obligatory Obi-wan Kenobi 2003 clone wars akira drift redraw

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I think it would be really fucking funny to write a piece of fiction set entirely in real life but using lazy fantasy worldbuilding talk. I gather coin* for the road west** - I will need it to enter the Capital.***
* two quarters and two dimes
** Interstate 64
*** Richmond, Virginia
I must traverse the treacherous way north* to visit my lover at their place of learning. This city is a crossroads, positioned near the boundary point of a dark land we try not to visit.** It is an ancient place, riddled with the memory of the War.***
* Interstate 95
** Northern Virginia
*** American Civil
The road north is blocked by enemy forces.* I fear we will be overpowered if we continue,** and never reach our destination.*** Let us abandon the road and take the ancient mountain pass.**** We will mind the cruel structures of bygone years***** as you go.
* northern virginians
** get vehicular manslaughtered by a tesla driver just outside the mixing bowl
*** west maryland
**** cut through loudon county
***** mcmansions
Ding ding order up, one Alphobi brought to you by @englandsgirl18181234
Me when I wanted to draw some Boys in blue with Obi-wan before I realised what a BITCH ASS HELMET DESIGN fives had
Commander Cody my beloved! He’s about to get so many degrees…here comes Dr Dr Dr Dr Dr Dr Cody

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I needed to draw some happy Codywan
Cody is taunting the arc troopers watching over them
POV Cody at least once every battle
stress sketching my fav guy(s)
I sometimes think about the letter KA Applegate posted for her fans who were disappointed by the ending of her series, and while I understand simply not liking how a story ends, I really respect her reasoning.
Like you can dislike the ending, that's fine.
But her reasoning is very interesting to read. And I really enjoy the framing of the anti war message.
You don't like that one war simply led to another? Fine. Pretty soon you'll all be of voting age, and of draft age. So when someone proposes a war, remember that even the most necessary wars, even the rare wars where the lines of good and evil are clear and clean, end with a lot of people dead, a lot of people crippled, and a lot of orphans, widows and grieving parents.
K. A. Applegate, May 2001, 6 months before the start of the US-Afghanistan War.
following people who are into wrestling is just like "holy shit johnny appleseed just hit burner hurtzog (evil artfilm director-themed wrestler) with the Prostate Puncher 5000! can't fucking stand that guy!" like all day long

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The World War II-era "Simple Sabotage Field Manual" is full of steps that office workers can take to resist leadership.
A declassified World War II-era government guide to “simple sabotage” is currently one of the most popular open source books on the internet. The book, called “Simple Sabotage Field Manual,” was declassified in 2008 by the CIA and “describes ways to train normal people to be purposefully annoying telephone operators, dysfunctional train conductors, befuddling middle managers, blundering factory workers, unruly movie theater patrons, and so on. In other words, teaching people to do their jobs badly.” Over the last week, the guide has surged to become the 5th-most-accessed book on Project Gutenberg, an open source repository of free and public domain ebooks. It is also the fifth most popular ebook on the site over the last 30 days, having been accessed nearly 60,000 times over the last month (just behind Romeo and Juliet).
Link to the Guide at Project Gutenberg can be found here
A Wikisource entry can be found here.
Mirrors can be found here, here, here, here and here.
Gosh it would be a shame if this got even MORE visibility.
Whoops my cursor slipped.