If he be Mr. Hyde, I shall be Mr. Seek

revamped design with all of my disabled keith haring style dancin' guys all together, updated to include the yellow power chair user ~

Above: Fastosarion brazieri, commonly known as the chameleon semi-slug, and an unidentified species of semi-slug from the genus Sheldonia

The term "semi-slug" is used to describe an intermediate stage of evolution that occurs as snails evolve into slugs. Nearly 1,000 different species of semi-slug are currently known to exist, and these bizarre little creatures can be found on at least four continents.

Above: Fastosarion brazieri and Varadia amboliensis

Each species of semi-slug is technically still classified as a snail, but its shell is noticeably reduced, becoming smaller and more internalized as the species evolves. A semi-slug officially becomes a regular-slug once its shell is no longer visible at all.

As this article explains:

If life were simple, there would be snails and slugs. Snails carry their homes on their backs; slugs are naked and embarrassed. But life isn’t simple, so of course there’s secret option #3 – the semi-slug, a bizarre creature that sits exactly between the snail and the slug.

Above: genus Satiella and genus Euaustenia

This article describes the distinction between a snail, a slug, and a semi-slug:

In contrast to snails, which have an external shell large enough to accommodate the body, or slugs, in which the shell is completely internal or absent, semi-slugs have an external shell, but the shell is too small to accommodate the animal’s entire body.

Above: Megaustenia siamensis

The evolutionary process that causes the shell to recede is known as limacization, and it's especially common in moist, low-calcium environments where a snail's shell may be more of a burden than a benefit:

Terrestrial slugs are not a monophyletic group, but a case of convergent evolution in which the slug form evolved from different lineages of land snails that gradually lost their shell through a process called limacization. Limacization resulted in adaptive radiation in land snail lineages, as slugs became adapted to diverse moist and protected spaces, such as crevices in rocks and wood debris. The loss of the shell also allowed for more movement and less calcium dependence, making slugs more successful as pests.

Above: Gaeotis nigrolineata, also known as the Puerto Rican semi-slug, has a neon green shell that is almost completely internalized, but the shell is clearly visible through the semi-slug's translucent body

Some semi-slugs have shells that are still opaque and largely visible, with a patch of flesh covering only the outer edges of the shell, while others have shells that are more significantly reduced, transparent, and/or concealed.

Above: Ibycus rachelae, commonly known as the green-shelled semi-slug, and a species of semi-slug from the genus Durgella

This topic was mentioned in my previous post about Ibycus rachelae, but I wanted to write a more detailed post about semi-slugs, because they're just so fascinating and weird.

Above: a black-and-white semi-slug from subfamily Sheldoniinae

Above: Fastosarion brazieri again, but this one is especially spiky for some reason

Sources & More Info:

Australian Geographic: Meet the Semi-Slug, a Snail without a Home

Carnegie Museum of Natural History: What's So Good about Being a Slug?

Frontiers: Terrestrial Slugs in Neotropical Agroecosystems (PDF)

iNaturalist: Photos 1, 2, 3, 4, 5, 6, 7, 8, 9, 11, & 12

The Shell-Makers: Introducing Molluscs: On Becoming Sluggish

Land Snails and Slugs of Sabah and Labuan, Malaysia: Semi-Slugs

Obviously, this has already been pointed out by Black people in the fandom, but I wanted to bring it up because I’ve had a few asks about that song specifically that I’m not comfortable with answering. I am extremely happy that Jax is canonically transfem because even though I’ve never watched the show, I’ve witnessed people’s excitement about it, and I’m not trying to rain on anyone’s parade, but I’m also not going to pretend like the racism doesn’t exist because that’s not the kind of blog I’m running here. Any other song could’ve been used, and perhaps there wasn’t much thought put into its choice; I’m sure it wasn’t a deliberate act of malice, because from an outsider perspective that song seems to fit perfectly, but that ultimately doesn’t make it any less harmful, especially given the context surrounding the production.

I feel similarly about how United In Grief by Kendrick Lamar became a popular TikTok sound for people to make funny jokes about something going wrong when the original lyrics are specifically about Black grief. Or about the new trend of “the saxaphones are getting louder” taken from Boyz N The Hood, which is a movie about Black-American experiences that a lot of (white) people using this sound likely haven’t even seen.

Uber is a fucking shell game of a company designed to leech investor capital and output bootleg cabs.

Nvidia posted a profit in 2023 of $4.37 billion. This is like someone stealing less than a penny from me.

And they lock this kid in a prison hospital for LIFE?

Tenna art by @9Aaaalt29 on twt

Adams third child, Seth: What is that?

Seth:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.