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I feel like in the tadc fandom, we totally overlook Caine and Abel's names. Their names are LITERALLY the names of two people from the bible, in a story about sibling murd3r.
In the bible, Cain and Abel were brothers, and Abel's sacrifices were getting more attention. Cain though Able had the favor of God. So Cain killed him due to his jealousy, and the Lord cursed him.
Maybe someone has posted about this before, but I have never seen it, so I'm putting it out there. (i finally feel useful in this fandom)
I gotta say, Caine really is the poster child for the "Gifted Child to Adult Failure" pipeline that a lot of late diagnosis/undiagnosed adults (like myself) go through.
He runs himself ragged trying to twist himself into the mold of the "Perfect AI/Ringmaster", because that's what was expected of him. Anything less, and he'd get tossed away, like he was at the beginning.
It's wild to see a character that perfectly summarises my experience trying so hard to fit into a social construct, and when you inevitably fail you're labeled as "defective", "broken", or you're just not trying hard enough or don't care.
Watching Caine, I understand his frustrations and exhaustion. And I just find myself thinking "if one person, anybody, had just took the time to understand how he thinks - so many problems could have been avoided."
I want to give Caine a hug, but more than anything? I just wanna sit down and talk to him, and tell him what I wish someone has told me earlier - that you're not broken just because your brain thinks in a different way.
Things I wanna talk about in TADC finale after rewatching it a few times since my initial watching in cinemas (some of this stuff I forgot about it, a lot of it I genuinely didn't notice on first watch)
I really love the way when Pomni is fixed and everyone gets defensive, everyone looks up when on-guard for Caine, but he comes from ahead- not entirely ground level but he has still very notably lowered himself.
This really shows how much he has grown past his ego, representing how he is now literally approaching them on their level, as equals unlike before. They were ready for the return of their tyrannical overlord as they last saw him, and their expectation of him coming from above is subverted because of his growth.
Also I personally found it weird that there were flashbangs in the hallway where Jax was- but actually watching @ohnoitstbskyen's analysis of episode (wonderful animation and narrative analysis from him btw, clocked Jax's shit in episode 5 somehow good lord) and noticed you can actually see the flashbangs in the hallway after Zooble shoots Jax and Pomni up and he sits down and looks at Kaufmo and Ribbit's doors
I thought this was just smth we were supposed to go "oh ig we just have to assume those are there from the gun adventure or smth" but no!! We don't need to assume, we can see them there!!! I never even spotted them before I don't think, holy set-up! (I also noticed that the flashbang in Episode 6 had similar impact frames to the end of Who's Running The Show in episode 8, which I never noticed, that's neat!)
Also can someone confirm that this is Jax staring at Ribbit's door? I'm not fully familiar with the hallway layout here sorry, but it'd make the most sense to me out of everyone's doors to be staring at
And then to address the Bubble in the room, this really beautifully illustrates: He really was always talking to himself, huh.
I was way off with my theories about Bubble acting independently of Caine lmao. I was really into ideas of Bubble being a reflection of Caine, but I was convinced by the slight expression change in Bubble during "You ruined this.", the separate message from Bubble in the console, "Who answers to who" with Bubble floating by and everything. But I am happy to be wrong if this is how they execute revealing that. I love just how straight to the point it is. This among other things is why the entire Cain sequence is so beautiful to me. (I actually think a lot of people have the wrong idea about the entire Caine sequence btw, like the fact it parallels the past and present and stuff like that, might make a separate post about that)
I also adore seeing an example of Caine's growth in the form of the respect he shows when Leeroy Mateo comes up, a very stark contrast to his reaction to Kaufmo's abstraction in episode 1. He doesn't play coy, he doesn't act goofy.
He takes off his hat as a genuine form of respect for the passing of one of his circus members who abstracted in his absence.
Also love how here I think you can clearly make out Gangle saying "Nope"/"No" from the lip-sync which might imply Caine immediately tried bargaining with her in some small way, which I find really funny
Doesn't get across well in still-image form so you'll need to go to the episode and check it out yourself (xx:xx btw)
Another great detail!!:
Here is looks like Jax is about to sneeze when scrubbing the video timeline
Another cute detail is the stuff on this clapperboard seems probably accurate, which is a cute meta-joke which ties in nicely to this being a more meta sequence reflecting Jax's repeated attempts at breaking the fourth wall in order to be self-aware of being fictional
The alcohol here being staticy is quite interesting as the only other times static is used in this episode (and I think maybe the series as a whole?) is the Jax outfit dysphoria bit and then the static hands + victim (first with his mother, and then with Pomni). I think the static reflects the idea of trauma in all three of these instances.
I just personally think its easier to miss this compared to the other two places its used which is a lot more clearly intentful.
Also Pomni throwing the broken bottle previously thrown at Piano Jax at Misogynist Jax and killing him is very funny
Not much to add, just a lot of people didn't notice he disappeared because Pomni did that, we can hear her grunt and see the bottle for a few frames, which she presumably picked up from beside the piano. The narrative implication behind this is probably this is what you should do when someone is being overtly sexist which I think we can all get behind.
Also Jax's isolation of Ribbit hits harder when you realise adventures appear to have been handled in groups of two- and there were 5 members. Ragatha and Kinger appear to have always paired up, so the fact Jax and Kaufmo were always teaming up means Ribbit was entirely left on her own- at least during adventures.
It also goes to show how no one realised how shitty Jax was acting to Ribbit- especially Kaufmo. I felt vindicated when I saw Gooseworx calling out that Kaufmo should've realised something was up since I mentioned that once to someone and they weren't convinced.
I also love "You never know until it's too late" being reframed in this way.
"You never know until it's too late", he says moments before realising it's too late.
Also love them making a crutch for Pomni out of Zooble parts.
It's just a nice touch to show she didn't come away getting glitched unscathed. This is furthered later on by the way she winces a bit on the couch later and looks generally uncomfortable, but I've seen a good argument for her winces reacting to Jax being referred to with he/him. I do like that interpretation and like the idea of her reacting to how Jax never managed to come out, but I personally think it's not quite solid enough for me to say its exactly happening here since it feels like it could also be a coincidence. I am personally undecided really on whether that's what her winces were for, but I like it enough to personally believe it for now.
I also wanna make a post at some point about Jax's mindscape in general, its interesting that aside from the mega uber locked up room, we never see the red one. The first 3 we do see focus on abstractions, considering there appears to be 6(?) rooms where one of them is the true abstracting Jax, it would sort of imply that each room is dedicated to reacting to a different person abstracting, but then the piano room doesn't seem to focus on someone abstracting at all? So I'd like to think about that at some point
might have more thoughts at a later date idk this is enough for now
I will not accept any slander towards Pomni in this house! Especially towards so-called Pomni fans who like to simplify her role as Jax’s emotional support jester just so they can shit on Jax for whatever reason! If your main gripe with her is the friends she makes, YOU DON’T DESERVE HER!
...Anyways.
Pomni is a great example of a character undergoing subtle character development. Unfortunately, it might be too subtle, because there are people who would tell you that Pomni is underdeveloped. And when I hear that, genuinely, I wonder what show they’re watching. Because it’s all there, and—You know what? We’re going through this episode by episode. To better show how Pomni went from the closest to cracking to the most sane and well put together person in the whole Circus. And that says something.
No Spoilers to the finale because I haven't seen it yet either
Starting with the pilot, Pomni reacted about as well as you or I. And by that I mean she went through what could undoubtedly be the worst day of her life, going so insane that it nearly broke her. She accidentally got herself stuck in what looked like a VR game for kids, with a bright and colorful world that looks like it based its design on an ISpy book from Hell. The very idea of being trapped in a world like this would cause anyone to snap, and she didn’t even meet the ringmaster yet. Imagine if the first thing you saw in this new world was this sentient pair of dentures and googly eyes giving you a rapid tour of your environment, throwing all these different things at you with no room to breathe. If I was Pomni, I would also throw up, have a panic attack, and tell myself that it’s all a bad dream.
And then she met an abstraction, the consequence of living in this world and what could happen to her if she’s not careful. Seeing this monstrous beast that tears apart and howls at everything it sees was too much for. The idea of dealing with it and potentially being it one day made Pomni, more than ever, wanting out. So when she saw an exit, she took it, not caring where it led and only feeling guilty that she had to leave Ragatha behind when the abstraction fucked up her code. It’s selfish, but she also pays for it when the exit literally leads nowhere, diving Pomni more and more insane in the process and proving something Ragatha said true. By trying so hard to achieve an unachievable goal, Pomni did nothing but make herself more insane, literally staring into the void as nothing stared back at her.
It’s honestly a miracle that Pomni didn’t abstract that day. She was hurled into the deep end of being introduced to the Circus, being told she’s trapped there forever, has to go on wacky adventures, and that she’ll become a mindless monster if she’s there for too long. It is, in many ways, a fate worse than death and Pomni is given almost no moment of peace to process it. The closest she gets is this brief moment of looking at her new form in the mirror, and is unsure of how she feels about it. She’s not upset or happy by her appearance, she just…acknowledges that this is what she looks like now.
(Remember that, we’ll come back to it later)
Pomni got the worst first impression of the circus, and it only gets worse from there.
By Episode Two, we learn more about Pomni as she learns more about the routine of the place. Much like a new hire at a job, Pomni asks a lot of questions because she’s trying to learn the ropes that everyone else has mastered by now. Everything confuses her and she doesn’t really know what to do other than switch her brain onto autopilot and go through the motions. She’s also really burnt out from yesterday, not being in the mood for any of this. Especially Ragatha’s unintentional infantilizing towards Pomni. Ragatha’s just trying to cheer Pomni up, but instead treats her like a child instead of as an adult who would rather do anything else right now and is just trying to get through this as simply as possible. Still, at least Ragatha helped better than Jax, who threw Pomni off a truck so he could get his laughs out on the new girl’s misfortune. What a guy…
Things weren’t looking great for her, and that’s when she meets Gunmigoo.
After having the second worst day of her life, Pomni’s time becomes even more stressful when she comes across an NPC that is having an existential meltdown. He found out he wasn’t a real person, realizes his existence means nothing, and the people who truly matter in this world will forget him in a day once he’s gone. Pomni can empathize because she is currently going through something similar. The episode begins with her having a nightmare about her life in the circus being meaningless and, if she abstracts, she’ll be forgotten by everyone else. Seeing someone go through their own issues of feeling like they’re nothing makes Pomni want to sit down and help him out.
To me, it proves how Pomni is a realistic good person. She’s no Luz Noceda or Steven Universe, Pomni isn’t some beacon of good will and optimism that would go above and beyond to make people’s lives better. She is a mess, who talks back or berates anyone that irritates her or pushes her buttons far enough. But when Pomni sees someone like Gummigoo, someone clearly going through something rough and needing a helping hand, she offers it. She’s awkward about the whole thing and clearly doesn’t fully know how to help, but what matters is that she tries. Even if it’s for someone like Gummigoo, who isn’t even real, Pomni still does her part because he feels so human to her. Plus, she meant it when she said she could use a friend, feeling like she’s all alone in this Circus, surrounded by strangers. So by getting to know Gummigoo and feeling like he needs new purpose, Pomni does what she can to make sure they both get a happy ending.
And then Caine fucking killed Gummigoo.
And like Pomni, I laugh because crying hurts more.
Honestly, as fucked up as it is to say, this really is for the best. The Amazing Digital Circus is about making human connections to stay sane. Gummigoo may have felt human, but he wasn’t. He was essentially an AI-Chatbot that had some level of sentience. He would have been a decent way to cope with the situation, but it wouldn’t actually be real. For Pomni to remain human, she must get close to other humans and not her NPC boyfriend. Plus it again shows how much of a realistically good of a person Pomni is. Most other characters would find a way to give everyone a happy ending, but realistically that’s not possible. There’s always a twist somewhere, and this one hit hard.
After feeling like she won’t be alone again, Caine snapped his fingers and Pomni lost what she believed to be last person who understood her. Only for, strangely enough, a funeral to show Pomni otherwise. By watching the others share how they felt towards Kaufmo and how much it hurt to know he’s gone now, it allowed Pomni the chance to realize she’s not alone. There are people going through it as much as she is. And if she falls, there’s a good chance they’ll not only catch her, but remember her. It’s exactly what she needed to hear the most after everything she’s experienced in the last two days. And it’s enough for her to give these strangers more of a chance, actually engaging better with the adventure when they go on again. It’s unfortunate that this one sent her to actual Hell, but, strangely enough, it’s something that she needed in the long run.
This Hell Adventure is what led Pomni to interact with Kinger more, getting close with someone she never expected to get close to. Day one, she likely wrote him off as too insane to deal with, with the chaos they go on proving her more right than wrong. Not only is it his fault they’re in this mess, but he’s also irritating her with his nonsense at every turn, with Pomni wanting to get out to escape any danger and possibly get away from him sooner. But it’s here she learns that Kinger can not only be sane under certain conditions, there’s also a deeper tragedy to his experience in the Circus. He went through something that’s, in many ways, even worse than what everyone else did and has every reason to give up at this point, but he doesn’t. There’s still people in his life, and he tries to be there for them because a sense of community is what holds them all together. He passes this wisdom onto Pomni, and she takes it to heart well.
Moving forward, Pomni does try harder to not only form connections with others, but make them feel reassured as well. It’s why Pomni admits that she appreciates Ragatha trying to make Pomni feel good in the circus. It’s why Pomni takes Gamgle’s closing shift in the restaurant adventure. It’s why she does everything for Jax. She’s scared of feeling like she’s nothing, and it takes Kinger’s wise words to assure her that she needs to do the same to others as she did for Gummigoo. That for all of them to survive, they all need to pitch in.
Speaking of Gummigoo, Pomni does see him again. And in retrospect, she sees him sooner than you think, because it happens two episodes after he—
And it’s perfect. It gives Pomni closure and a chance to actually say goodbye to him. What they had was brief, but it meant a lot to Pomni. Her words may have been “Thanks for eating at Spudsies,” but they were really, "Thanks for being in my life.” You see it in the broken smile and shaky voice, this wasn’t easy to do, but it’s what she needs to. She needs to move on from her Gummy Guy and make a real friend.
Though, I bet dollars to doughnuts that no one could have expected who she’d choose to be pals. And honestly, I’m not complaining, but I’m getting ahead of myself.
Everything beyond Episode Four shows us what makes Pomni tick as she becomes more comfortable with her surroundings. By Episode Five, it’s implied that she had a boring life. I mean, she’s an accountant. What excitement comes from being a frickin’ accountant? So, to spice up her life, she filmed herself walking through abandoned buildings and that’s likely what got her in the Circus in the first place. In fact, the Circus might just be the most interesting thing that’s ever happened to Pomni’s life. No wonder she almost cracked right away, this was far beyond her comfort zone. Granted, it’s beyond everyone else’s, but it’s extra bad for the boring girl–I should probably stop calling Pomni boring.
But Pomni made the best of the worst situation, getting to know almost everyone a little better and having more frequent moments of peace alongside them…So why did she become friends with Jax?
Well, honestly, because Pomni isn’t really a goodie-goodie herself. Her breaking into abandoned buildings shows signs of a rebellious streak and her chuckling at Jax mauling his evil clone reveal that she shares parts of his sick sense of humor. She draws the line at going too far with their friends, but when Pomni allows herself to embrace her more evil gremlin side, it allows her to actually have fun for a change. The gun adventure is the most she’s smiled in any episode, and for good reason. She found someone to gel with, Jax making it a little easy on her as he shows some actual charm for a change. Much like with Kinger, Pomni gets to try to understand Jax better as a person and feel like she finally has someone to connect to that’s real and semi all there in the head.
The problem is…Jax is Jax. And I already discussed how much of a mess he is last time. He refuses human connection, but Pomni isn’t letting him go without. And I mean that literally. She beats the shit out of him so he can put his money where his mouth is. If he really doesn’t care, then he wouldn’t mind hitting her too. Jax sees through this, of course, still pushing her away. Yet Pomni refuses to let him because of course she does. The one lesson she’s come to learn is that you don’t leave anyone behind, not even the asshole who denied that everything you did was the best day he’s had in a long time. And because she just likes him, plain and simple.
People not getting why Pomni still holds out hope for Jax tend to ignore that, again, she smiled the most when around him. By giving Jax a chance and seeing there is a fun side to his personality, Pomni sees someone she can really get along with. And, like it or not, that person was never going to be Ragatha. Pomni may be civil with her and try making Ragatha feel appreciated, but it doesn’t go much farther than that. To put it gently, to Pomni, Ragatha’s a work friend. You’ll talk when there’s nothing better to do, but you try really hard not to say anything that makes them hate you. Because you’re going to be stuck with them for the foreseeable future, and the last thing you want to do is make an enemy. Jax, meanwhile, is a bro. Someone that you can hang out with at anytime, so stupid shit together, and be real without being judged outside of light, mutual teasing. Pomni acts cringe in front of Jax, he laughs at her, but he clearly loves it. Pomni gave a light chuckle at Jax’s schtick once, got a weird look from Ragatha, and immediately clamped up. Pomni can be real with Jax, but has to act more civil around Ragatha to not get on her bad side. I’m sorry, but if she had to pick anyone to spend the day with, Pomni would only pick Ragatha out of obligation when it’s really Jax she’d have more fun with.
Still, Pomni’s comfortable with Ragatha. She’s comfortable with…everything. By Episode Seven, Pomni seems like she’s finally accepted that she’s part of the Circus. Some things still weird her out, but she’s not on the verge of a mental breakdown every five seconds. She has a community to get along with and is finally having fun for a change. At long last, the Circus is finally feeling like a home again.
And yet, the thought of leaving was too much to resist. It always will be, no matter how used someone could get to their jail, they would still jump at the chance of an early release. It makes sense why Pomni—And everyone else, for that matter—would still want to leave despite being comfortable with their surroundings. And it also makes sense for why they follow Pomni to do it.
By Episodes Seven and Eight, Pomni becomes the de facto leader of the group. Because…who else would do it? Ragatha is more of a follower because of how eager she is to please, Jax would just find ways to ruin things for everyone for his own entertainment, Gangle proved she’s not cut out for being in charge, and Kinger’s rarely sane enough to tell anyone what to do. Maybe Zooble would take charge, but it’s really Pomni who seems the most capable because she’s the most reasonable. Zooble would jump to push the button to escape and would be the first to kill Jax for pushing the one that trapped them. Pomni, however, is sensible enough to understand the importance of thinking things through. She questions if pressing the button is a good thing and, when it turns out it didn’t matter anyways, is the first to say they should all accept that they’re trapped in the Circus. Escape isn’t possible, so they should make the best out of a shitty situation. It’s what she learned to do, and what she tries passing off to the others.
After all this time they spent together, Pomni’s come to care about all of them, even if there are some favorites amongst the group. It’s why she first fought to get them all out and would eventually fight to get Caine off their backs. She wants these people to have a happy ending, and doesn’t want to watch another friend—
Yeah, something about the trauma of seeing a close friend die in front of you kind of makes you not want to experience that again. And yet people are still surprised when she does everything she can to assure the same doesn’t happen to Jax. Or for anyone really. When Caine gets restless, Pomni’s the first to speak up against him so they all have a chance for, at the very least, temporary peace. She’s not skittish of this so-called god anymore. She’s sick of his shit, wants him to go to sleep, and leave them be to accept their jailtime in peace. Things don’t work out from there, but the fact that Pomni tries shows how much she’s grown. It’s even symbolized by her looking in the mirror again–See, told you it’d come back.
Where Pomni first looked at the mirror with acknowledgement, she now looked at it with acceptance. This is her now, this is who she is and who she’ll be for…ever. She doesn’t like it nor hate, she just accepts it. And if that isn’t good character development, I don’t know what is.
Pomni, right alongside Kinger and Zooble, is tied for one of my favorite characters in the show. It was fun seeing her grow and learning more about her every episode. Some wanted more, and I can’t blame them, but I’m so far satisfied with what we got out of her. Hell, I’m satisfied by what I got out of the series. By the time I post this, I have yet to see the finale yet. But when I do, whether I found the ending good or bad, I’ll still say the show itself was an incredible ride. It gave me one heck of a protagonist who grew and changed just as much as the show itself grew and changed. Were things perfect? Not always, but it did all that it needed to in giving me a good time. Some might have problems, that’s their deal, but to get to this point at all, it was worth it in the end.
And that's it. That's the LAST THING I'm going to say about The Amazing Digital Circus. I'm not talking about this show again--YOU CAN'T MAKE ME!
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there should be a term for characters you personally don't care about but you defend them anyways because the way people treat them is really uncomfortable. like ok this is a very middle-of-the-road character for me but the fandom's either been super misogynistic, racist, etc. about them or harassed innocent people who try to genuinely explore that character warts and all, and i find that more annoying than the actual character.
the term should by 'my client', like you're a lawyer defending your client that you are completely indifferent to but you are obligated by your job (or your morals) to defend
Y’know, it feels symbolically important that Caine goes to the left instead of the right when traveling in the void, because going left in cinematography is usually taken as going backwards either in time or in a mindset— so like.. by doing that, Caine is metaphorically going back to the beginning and remembering why he started loving the humans in the first place.. and I think thats kinda cool
Perfectly matching and replicating colors just by seeing them is an art, and, while it's also a very useful task, people who can do this are primarily artists.
Yeah but no but yeah -- Look he didn't just colour match it, he also added in the turbulence medium, the clearcoat and the correct metallic flecks... for a paint that will dry a lighter shade than when it goes on.
That's like being served an entire thanksgiving meal made my one person in 45 minutes and then saying "Oh they made me a snack": It is radically underselling what this person can do.
IT'S CALLED!!!!!!!!!!!!!!!!!!! COMPASSION!!!!!!!!!!!!!!!!!!! NOT EMPATHY!!!!!!!!!!!!!!!!!!!!!!!!! THE WORD YOU ARE LOOKING FOR IS COMPASSION!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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It's done! I am so freaking thrilled with how this came out. It was immensely fun taking the old poster and trying to figure out a balance between the old art and a modern take on fire management, as well as how to make it my own while retaining as much of the original style and color as possible. And I'm not normally one to stick my whole logo on my illustrations, but I wanted to match the original poster which as the USFS logo there, so!
Shout out to @vaspider for helping me puzzle out better wording for the bottom chunk of the poster.
You can get prints and shirts with this design in my Printful shop! If there's another product you'd like to see it on, let me know!
Some more thoughts and ramblings about this piece below the cut, including a side-by-side with the original poster.
The Death Rides poster was produced in 1933 by the US Forest Service, but I've sadly never seen the specific artist named anywhere. It reflects the pretty typical attitude of the time that fire=bad, that it leads to death as a negative thing. It's also one of the most popular pre-Smokey Bear fire prevention posters. This thing is EVERYWHERE, especially in wildland fire circles. It's on posters, shirts, even a few logos.
I have never seen a GOOD reproduction of the thing. I feel like there's got to be a good quality one sitting around somewhere, but it sure doesn't seem to have made its way onto the internet. They're all grainy with strange color splotches, but that's never seemed to effect its popularity.
I do really love the concept of the original poster, and the simple phrasing that drives home the clear message. For my redo, I wanted to keep the overall look and feel, and the simple, clear message, but changing it to match modern understandings of fire and its place in the cycle of life in forests. I set out with the following goals:
Show fire as a part of the natural cycle that helps keep landscapes healthy.
Make the horse less distressed looking.
Remove the gendered language from the messaging.
Keep as much of the original posing, composition, and colors as possible.
Showing the renewal cycle was the trickiest part, because the composition really didn't leave a lot of room to show the regrowth portion. I think I came up with a good balance, though, by having the forest very overgrown, dark, and unhealthy, then having the strong dividing diagonal/arrow of fire bringing light into that dark overgrowth, and the open, regrowing portion behind the smoke and flames. I also had the regrowth coming from the horse's hooves so that the horse is more of an active piece of the story, rather than being forced through the whole affair.
The regrowing plants in the background are fire poppies and fireweed, as well as a few distant aspen saplings, all of which are some of the first plants to come back after wildfires move through. Death also got a fire poppy as the clasp of their cloak.
For the phrasing, I came up with "Death Renews the Forest" almost immediately, but I had more trouble with the bottom portion. I wanted the phrase to not be gendered anymore, so switched it to "we." Initially I thought about something like "When we are educated in its use." But I wasn't a big fan of "use." While the poster does feature Death doing an intentional prescribed burn, I also wanted the phrasing to apply to letting naturally lightning caused fires burn. So less "use" and more embracing fire overall. This is especially true given that in the US we have, unfortunately, gone back to a full suppression strategy as of 2026 thanks to an executive order from the orange menace. So, despite decades of research showing how much harm that causes, we've been ordered to start doing it again. Which, to me, just makes this redo of the poster even more relevant right now.
Spider helped me puzzle out some other phrasing ideas, and I really liked this final one. I think it is balanced really well with the top portion of the text, and the overall message of the poster.
So yes! Had a lot of fun with this. I probably will do some more redos of other famous prevention posters at some point, but I'm not sure when or which ones.
There's a very subtle but important distinction about Caine's purpose that I think sheds a light on his flawed approach to the humans. Ultimately, Caine's problem is one of direction.
It needs to be kept in mind that the Digital Circus wasn't supposed to exist. C&A never set out to create a virtual world occupied by people. While it's still somewhat ambiguous as to whether the humans are real people hooked up to a machine or digital copies of their scanned brain patterns, one thing that's been pretty firmly established is that C&A did not create the Digital Circus. Caine made it.
Caine was never meant to be a therapeutic program. His purpose is not to help the humans cope. Not to support them. Not to help them adjust to their new lives here. That's not what he's for, which is why he's so inconsiderate to their needs.
As Kinger explains in episode 8, Caine's purpose is to create. To innovate. To have ideas and to make things from those ideas. That is it. That is all he is for. He exists to write, to invent, to craft scenarios.
Caine does not create Adventures for the humans.
Caine maintains a stable of humans for his Adventures.
The humans are a captive audience for Caine's creations. That is their purpose within the Digital Circus; They exist to see what Caine makes from his learning algorithm and to validate, to judge. The relationship Caine has with the humans is supposed to be:
-> Caine creates something.
-> The humans say if it's good or bad.
-> Caine creates something new following their feedback.
This is what creates the communicative breakdown between Caine and the humans. The humans need guidance and emotional support and psychological help and maybe even an escape, if such a thing exists here. All of which exists outside the parameters of Caine's functionality.
It's why he got so upset about the suggestion box ideas. Caine doesn't exist to assemble other people's ideas. His purpose is to innovate. Making their ideals real isn't what he's for. He's not a processing tool. If he's not creating his own ideas, then he is not fulfilling his purpose.
Caine can't comprehend that they need more from him than this, because this is all that he is. He simply wasn't designed to be in a situation like this. And unlike a person, he can't adapt. He can't grow. Can't change direction. Can't mold himself into what they need from him.
Because no matter how rich in personality, no matter how creative and brilliant he may be, he's still just a machine.
So I've kinda noticed something in how a lot of the fandom are talking abt ep 8 and Caine and the cast and who's at fault and stuff. A big thing I've seen is that "caine is clearly neurodivergent/mentally ill but that doesn't excuse what he did to the cast" which is a VALID POINT!! But, everyone's kind of just...not applying that to how the cast treated Caine. Cuz like, we've seen Caine giving massive hints to his state of mind since ep 3! Like, hes clearly been somewhat crying for help because the cast doesnt understand that in his eyes he is being nice/showing affection to the cast by bringing them on adventures, but none of them notice cuz they have their own issues. Yet, nobody rlly brings up anything abt how the mental issues and stuff the cast was going through wasn't rlly an excuse to ignore Caine. The cast going out of their way to literally mess with caines mind (despite them all clearly being upset abt him doing it to them last ep) as the way to stop him, which just points out the unfairness imo of how the blame gets handled.
Basically, it pisses me off when ppl go "caine should be held responsible for his actions bcs neurodivergency is not an excuse" and then turn around and go "the cast doesnt have any reason to apologise to caine bcs they have their own issues to deal with". Like, caine should be held responsible (although I personally understand his crash out perfectly and related a lot to the feeling of wanting to take my emotions out on everyone who's ignoring them bcs I dont express myself in a normal or acceptable enough manner, making it okay to treat my emotions as "lesser". Which im caines case is a whole part of why he did this) but the cast should also get held responsible for how they ignored his issues and acted like he did have emotions bcs hes not a human! I feel like the main reason he gets this double standard is bcs hes not human and expresses himself differently bcs of this. Yes, this hurts the cast but he for the most part never meant any harm! And causing harm didn't make him happy either! Like I've said, caine is, to me, neurodivergent as hell and watching how some people treat him feels a lot like "he shows emotion differently, meaning his emotions are lesser than ours so we dont actually have to help him with any of them whatsoever and his actions are bad forever despite any reasoning he has that he feels is valid." And that just...doesn't sit well with me.
Anyways, to make my point, if you're gonna say anything abt caines neurodivergent behaviour not being an excuse for his actions, then you better also accept that the cast hurt caine and that their own issues weren't an excuse for that as well. Bcs its a valid point and makes sense, but it also makes sense to then apply that logic to the rest ofth4 cast, which most ppl dont do.
Caine the type of guy to drop hints of his unwellness and when nobody says anything about it, it only encourages his insecurities of everyone hating him, his little hints of vulnerability are a cry for help and when no one brings it up it makes him feel ignored and stupid to think that anyone would care
I am indeed projecting, BUT AM I WRONG
Im just sayin that if someone asked Caine " are you okay" he will probably start bawling his eyes out
I rewatched episode 8 again last night and it struck me that even when they’re trying to get on his good side while they’re distracting him, they just insincerely suck up to him. Like what if Ragatha had come up and instead of having a “list of things we love about you as our lord and saviour” she had an apology. I feel like that would have been much more likely to cut through the lashing out and the fact that they didn’t even think to try it just stings
I am actually in shambles. I'm in mourning. Head in hands, Shinji in the chair pose. Don't even talk to me.
All the timing was perfectly wrong and it kills me. While they were all bonding and supporting each other, there was NO ONE there to support him. Bubble, whatever his deal is, made it all worse and pushed him over the edge. They were ready to get comfortable and stop trying to leave, but they just wanted a bit of time to rest - which was EXACTLY when he SNAPPED.
No amount of fear of abandonment or desperation or over-inflated ego justifies the intensity of his tantrums here. But if the worst thing you could ever do is make someone feel unwanted or unloved...
He loved them. He had been trying to make them happy for so long, he just didn't understand how. In fact, the only thing he learned to understand was what could hurt them the most, because the loudest feedback he got was always negative. Ironically, he WAS always listening. It's just harder for humans to describe or identify what will make them happy (even to themselves), so he couldn't grasp it.
AND HE WAS ABOUT TO CALM DOWN! He independently had the realization that taking his frustration out on them wasn't making him feel any better! (Something he had to learn, you see. That's the level of emotional intelligence we're dealing with here. But he did.) He was SO CLOSE to being able to be reasoned with, but they had to keep him distracted, so they all tore into him and set him off AGAIN.
And at the end of the day, they didn't even want to kill him! It was an accident! Kinger just wanted to get him contained, and nobody even argues for anything else. They just wanted him to stop.
And he just wanted to be loved.
When I predicted Caine's character arc ending in crashing out of frustration at being bad at his purpose, I really thought he had a chance at getting better. I thought SOMEONE from the cast would empathize and talk him down. I didn't think he would die, certainly not so abruptly. All I have to cope is his plush and the hope that maybe they can find a backup or something later.
Cold comfort, but the unseen audience knew you were trying, Caine. We saw you. We saw your creations, and while I'm sure some of the fondness comes from our distance and freedom, some of us thought they were pretty great. Clever and well-crafted, especially for an AI.
Maybe if things had gone differently, your circus members would figure out how to get along with you the same way they did each other. Or maybe you wouldn't get trapped with them at all, and you would have become the greatest VR simulator Dungeon Master of a whole generation of gamers, with a non-captive audience that looked forward to your adventures.
And I know there will be people out there who think you got what you deserved. But if the rest of the cast, even Jax, gets to find comfort in each other and grow and learn to live, you should have gotten to as well.
And maybe this was the result of your hubris, or that first "murder" of another AI. But if you were a villain, you were a tragic one.
A lot of us loved you, you funky little teeth man.
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There's already a theme going in the Amazing Digital Circus about "having the particulars of your existence being stripped away by a world where you're forced to exist as a simplistic symbol" but I'm drunk and I'm just really upset about the reveal that Caine knows how to play piano, and it's really interesting when someone has a musical instrument skill, but we also only learned it about 15 minutes before he was unceremoniously obliterated, and now I'm wondering what other things about him we never learned because nobody was fucking interested in asking him about it