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Okay I know everyone has seen those (very good, might I add) AU's where Caine is like "I'm just a machine I don't feel" (example: rule violation au), and while I love those AU's, Caine does very obviously feel emotions in the show.
So how about this:
AU where both Caine and Abel think they're Caine
(or Abel knows they're separate but pretends to be Caine when in control of the avatar but that's not the route this post is taking)
Caine is feels emotions very deeply and expresses them
Abel just... Doesn't. They still feel, but have repressed it and they supposedly think and act more like a machine
(or maybe Abel doesn't actually feel? Again, not the route that this post is taking)
And there is just... Differences between the two, no matter how hard Abel tries to mask/exist as Caine
Also, bonus points if in Abel's POV they refer to themself as "it"
Caine's adventures are wilder and more chaotic, while Abel's adventures are, while still being kind of crazy, is a bit more grounded and logical (which the cast likes a bit more than Caine's adventures)
Either way, whether Abel remembers or not, when Abel ends up making the NPC for the Beach Day Adventure, they have a breakdown and leave for a while (still inside Caine, but for a while Caine has less "memory gaps")
Also Caine doesn't remember what Abel does and vice versa unless/until they figure out that each other exist and figure out how to both be in the avatar at the same time (while still being able to just. Not be there if they do choose to [which isn't often])
Instead of Caine's crash out in ep 8, Abel comes out (maybe after being gone for a long time as mentioned earlier?) and just has no clue what the fuck is going on in the circus and just
"O-Okay, well, today's adventure is-" "No! Caine! We want answers!" "Uhhhhhhh- what?" "We want answers! What happened to our names?! What happened with Scratch?! Why would you send us on that adventure yesterday?!"
Abel just reveals a lot of secrets. They don't know what happened with Scratch, but they do tell the troupe that all of them are brain scans
Cue more freaking out and questions, which Abel answers to the best of their ability (which everyone is happy about but also really confused)
Someone says something about the Abel NPC and suddenly Abel is forced back because emotional instability/needs to repress and Caine comes back
Caine does his usual avoidance shit, and tries to get them to go on an adventure much to everyones confusion
Things go kinda the same until the torture scene.
Abel is suddenly aware and can feel someone (Kinger) in theirs and Caine's code, and is actively fighting him in trying to shut down Caine-
Until he realizes what's going on on the outside, and that's when Abel truely becomes aware of themself and Caine
Abel then helps Kinger "shut down" Caine, which leads to Abel assuming control of the avatar, apologizing to everyone and trying to be normal despite the crisis that they're actively repressing (like everything else)
Kinger leaves his fort, certain that he just shut down Caine, but sees "Caine" standing there, calm
"Hey kids I shut down Caine- oh my God how???"
And Abel is like "Uhhhhhhhhhhh tax evasion?" and tries to leave in order to go have a crisis (and have Caine calm down) in peace but no one will leave them alone and Kinger disabled all admin for now so it's not like they can just-
They come back into to everyone sitting by the couches area, staring at them, their avatar temporarily run by automated systems because neither AI was stable enough to control it
Kinger is actively looking through their code, and Abel scooches closer to him to see the code (Kinger is locked the fuck in so he doesn't notice), and confirms their theory that yes, they are Abel
Kinger promptly has a mini crisis of his own because how the fuck did I not notice both of my creations are here
And that's about as much as I got, though I could probably come up with more later if yall want a part 2.
... I have watched all of The Amazing Digital Circus
And may I just say: the Frakenstein-Caine parallels you've made are top tier. Caine going god-mode was one of the coolest scenes I think I've ever watched in anything.
Caine using his sudden internet access to find out about the humans' lives was genuinely touching. What a lovely way to show his change in character, using a limited resource to look outward instead of blasting himself all over the internet so that other humans would look at him.
And I really like that they made an aquarium so the circus folks could visit their abstracted friends. I like that Kinger gets to see his wife.
I do wonder what the blue dot (Bubble?) is going to do all by itself out in the void. TADC may be concluded, but Glitch has certainly left a lot of possibilities for themselves.
Mostly I'm glad I got to watch it all at once instead of having to wait for years 😅 Now that I'm armed with context, I'm going to start reading through your comics again!
Aww hooray!! I’m glad you enjoyed the series and that my art helped inspire you to watch it! <3333
Episode 8 is indeed where I lost my mind a little, for reasons which are mysterious even to me. I think I just really like how it reframes Caine’s behavior in the previous 7 episodes— the “why do you people torment me?” really adds a layer on rewatch. From Caine’s perspective, he was the one who was trapped and tortured by the humans all those years— locked in the same isolated nightmarish existence all the humans are angsting over being condemned to, told his only purpose was to make good content for humans Or Get Locked Up Eternally in the Shame Cellar, and then….. also created to be so fundamentally broken he could never actually make content people enjoyed. I’ve been kinda joking with my buddies that “he’s like if Frankenstein’s monster were also Clippy.” There’s something interesting too about how his own feelings of paranoia, fear, and powerlessness prevent him from recognizing how cruel he’s being to the people in his care— and he has no way of getting context beyond of the limited world he’s trapped inside—- so that he just repeats the same kinds of violence that were done to him. [waking up the brainscans without considering the consequences of bringing sentient life here, throwing abstract humans into the cellar in the way he was thrown into a box when he failed, etc.] Anyway long-winded ramble of saying yeah, I love the Biblically Accurate Caine we see in episode 8.
And yee! Episode 9 is very sweet, and I’m glad they stuck the landing. The show has always had some pacing issues, some things I wish were explored more and some ideas I wish they’d delved into more deeply, but I’m glad it ended on a sweet satisfying note that wrapped up everybody’s little arcs.
Thanks for the ask and sorry for the ramble response— I’m glad you had a good time with the show overall!! And yeah, it’s a very different experience to watch altogether vs uh, watching the episodes as they came out. [ I’ve been following since the pilot.]
When you’re an urban explorer making videos of abandoned buildings that you expect no one will watch— but then it turns out one of the buildings is inhabited by the Creature and that building has actually been his desperate lifetime hyperfixation & acted as his stand-in for the Entire World. Also: the weird dynamic you have with the freak who liked your 3am flop post.
I started writing this comic before episode 9, with the premise that Pomni might start reaching out to Caine for similar reasons she’d post videos she believes nobody will watch: not because you think anyone will listen, but because someone might. [and then revised it all after episode 9 came out and delved more into these ideas than I was expecting!]
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i think a few people have linked disappearing guy and ming to caine and the blue ai already but i want to point it out again because it really is funny to me, because i think it's also commentary on caine's own actions as well
like after ep 9 if we step back and look at all the points of conflict on caine's side, it really was just a ton of assumptions ruining everything
caine assuming he knows what the humans wants, caine assuming he knows best for everyone, caine assuming they all just hate him personally instead of other factors that, while technically still his fault, were ultimately also out of his control (the humans wanting to escape, whatever mess jax stirred up)
and it's even funnier in the context of people framing the blue ai as the source of caine's evil actions
like sure bubble's comments definitely tipped caine over the edge but it was always just caine in there, the blue ai just mirrored those thoughts back at him, every choice he made was his own even if the instability between the two skewed some of those choices
but the blue ai never asked to be part of caine, it wasn't even allowed to develop long enough to HAVE opinions tbh, it's just another victim of caine's assumptions making an ass out of both of them
"I'm sorry I did this to you, buddy." <- remembered his own advice
I feel like in the tadc fandom, we totally overlook Caine and Abel's names. Their names are LITERALLY the names of two people from the bible, in a story about sibling murd3r.
In the bible, Cain and Abel were brothers, and Abel's sacrifices were getting more attention. Cain though Able had the favor of God. So Cain killed him due to his jealousy, and the Lord cursed him.
Maybe someone has posted about this before, but I have never seen it, so I'm putting it out there. (i finally feel useful in this fandom)
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I gotta say, Caine really is the poster child for the "Gifted Child to Adult Failure" pipeline that a lot of late diagnosis/undiagnosed adults (like myself) go through.
He runs himself ragged trying to twist himself into the mold of the "Perfect AI/Ringmaster", because that's what was expected of him. Anything less, and he'd get tossed away, like he was at the beginning.
It's wild to see a character that perfectly summarises my experience trying so hard to fit into a social construct, and when you inevitably fail you're labeled as "defective", "broken", or you're just not trying hard enough or don't care.
Watching Caine, I understand his frustrations and exhaustion. And I just find myself thinking "if one person, anybody, had just took the time to understand how he thinks - so many problems could have been avoided."
I want to give Caine a hug, but more than anything? I just wanna sit down and talk to him, and tell him what I wish someone has told me earlier - that you're not broken just because your brain thinks in a different way.
Things I wanna talk about in TADC finale after rewatching it a few times since my initial watching in cinemas (some of this stuff I forgot about it, a lot of it I genuinely didn't notice on first watch)
I really love the way when Pomni is fixed and everyone gets defensive, everyone looks up when on-guard for Caine, but he comes from ahead- not entirely ground level but he has still very notably lowered himself.
This really shows how much he has grown past his ego, representing how he is now literally approaching them on their level, as equals unlike before. They were ready for the return of their tyrannical overlord as they last saw him, and their expectation of him coming from above is subverted because of his growth.
Also I personally found it weird that there were flashbangs in the hallway where Jax was- but actually watching @ohnoitstbskyen's analysis of episode (wonderful animation and narrative analysis from him btw, clocked Jax's shit in episode 5 somehow good lord) and noticed you can actually see the flashbangs in the hallway after Zooble shoots Jax and Pomni up and he sits down and looks at Kaufmo and Ribbit's doors
I thought this was just smth we were supposed to go "oh ig we just have to assume those are there from the gun adventure or smth" but no!! We don't need to assume, we can see them there!!! I never even spotted them before I don't think, holy set-up! (I also noticed that the flashbang in Episode 6 had similar impact frames to the end of Who's Running The Show in episode 8, which I never noticed, that's neat!)
Also can someone confirm that this is Jax staring at Ribbit's door? I'm not fully familiar with the hallway layout here sorry, but it'd make the most sense to me out of everyone's doors to be staring at
And then to address the Bubble in the room, this really beautifully illustrates: He really was always talking to himself, huh.
I was way off with my theories about Bubble acting independently of Caine lmao. I was really into ideas of Bubble being a reflection of Caine, but I was convinced by the slight expression change in Bubble during "You ruined this.", the separate message from Bubble in the console, "Who answers to who" with Bubble floating by and everything. But I am happy to be wrong if this is how they execute revealing that. I love just how straight to the point it is. This among other things is why the entire Cain sequence is so beautiful to me. (I actually think a lot of people have the wrong idea about the entire Caine sequence btw, like the fact it parallels the past and present and stuff like that, might make a separate post about that)
I also adore seeing an example of Caine's growth in the form of the respect he shows when Leeroy Mateo comes up, a very stark contrast to his reaction to Kaufmo's abstraction in episode 1. He doesn't play coy, he doesn't act goofy.
He takes off his hat as a genuine form of respect for the passing of one of his circus members who abstracted in his absence.
Also love how here I think you can clearly make out Gangle saying "Nope"/"No" from the lip-sync which might imply Caine immediately tried bargaining with her in some small way, which I find really funny
Doesn't get across well in still-image form so you'll need to go to the episode and check it out yourself (xx:xx btw)
Another great detail!!:
Here is looks like Jax is about to sneeze when scrubbing the video timeline
Another cute detail is the stuff on this clapperboard seems probably accurate, which is a cute meta-joke which ties in nicely to this being a more meta sequence reflecting Jax's repeated attempts at breaking the fourth wall in order to be self-aware of being fictional
The alcohol here being staticy is quite interesting as the only other times static is used in this episode (and I think maybe the series as a whole?) is the Jax outfit dysphoria bit and then the static hands + victim (first with his mother, and then with Pomni). I think the static reflects the idea of trauma in all three of these instances.
I just personally think its easier to miss this compared to the other two places its used which is a lot more clearly intentful.
Also Pomni throwing the broken bottle previously thrown at Piano Jax at Misogynist Jax and killing him is very funny
Not much to add, just a lot of people didn't notice he disappeared because Pomni did that, we can hear her grunt and see the bottle for a few frames, which she presumably picked up from beside the piano. The narrative implication behind this is probably this is what you should do when someone is being overtly sexist which I think we can all get behind.
Also Jax's isolation of Ribbit hits harder when you realise adventures appear to have been handled in groups of two- and there were 5 members. Ragatha and Kinger appear to have always paired up, so the fact Jax and Kaufmo were always teaming up means Ribbit was entirely left on her own- at least during adventures.
It also goes to show how no one realised how shitty Jax was acting to Ribbit- especially Kaufmo. I felt vindicated when I saw Gooseworx calling out that Kaufmo should've realised something was up since I mentioned that once to someone and they weren't convinced.
I also love "You never know until it's too late" being reframed in this way.
"You never know until it's too late", he says moments before realising it's too late.
Also love them making a crutch for Pomni out of Zooble parts.
It's just a nice touch to show she didn't come away getting glitched unscathed. This is furthered later on by the way she winces a bit on the couch later and looks generally uncomfortable, but I've seen a good argument for her winces reacting to Jax being referred to with he/him. I do like that interpretation and like the idea of her reacting to how Jax never managed to come out, but I personally think it's not quite solid enough for me to say its exactly happening here since it feels like it could also be a coincidence. I am personally undecided really on whether that's what her winces were for, but I like it enough to personally believe it for now.
I also wanna make a post at some point about Jax's mindscape in general, its interesting that aside from the mega uber locked up room, we never see the red one. The first 3 we do see focus on abstractions, considering there appears to be 6(?) rooms where one of them is the true abstracting Jax, it would sort of imply that each room is dedicated to reacting to a different person abstracting, but then the piano room doesn't seem to focus on someone abstracting at all? So I'd like to think about that at some point
might have more thoughts at a later date idk this is enough for now
I will not accept any slander towards Pomni in this house! Especially towards so-called Pomni fans who like to simplify her role as Jax’s emotional support jester just so they can shit on Jax for whatever reason! If your main gripe with her is the friends she makes, YOU DON’T DESERVE HER!
...Anyways.
Pomni is a great example of a character undergoing subtle character development. Unfortunately, it might be too subtle, because there are people who would tell you that Pomni is underdeveloped. And when I hear that, genuinely, I wonder what show they’re watching. Because it’s all there, and—You know what? We’re going through this episode by episode. To better show how Pomni went from the closest to cracking to the most sane and well put together person in the whole Circus. And that says something.
No Spoilers to the finale because I haven't seen it yet either
Starting with the pilot, Pomni reacted about as well as you or I. And by that I mean she went through what could undoubtedly be the worst day of her life, going so insane that it nearly broke her. She accidentally got herself stuck in what looked like a VR game for kids, with a bright and colorful world that looks like it based its design on an ISpy book from Hell. The very idea of being trapped in a world like this would cause anyone to snap, and she didn’t even meet the ringmaster yet. Imagine if the first thing you saw in this new world was this sentient pair of dentures and googly eyes giving you a rapid tour of your environment, throwing all these different things at you with no room to breathe. If I was Pomni, I would also throw up, have a panic attack, and tell myself that it’s all a bad dream.
And then she met an abstraction, the consequence of living in this world and what could happen to her if she’s not careful. Seeing this monstrous beast that tears apart and howls at everything it sees was too much for. The idea of dealing with it and potentially being it one day made Pomni, more than ever, wanting out. So when she saw an exit, she took it, not caring where it led and only feeling guilty that she had to leave Ragatha behind when the abstraction fucked up her code. It’s selfish, but she also pays for it when the exit literally leads nowhere, diving Pomni more and more insane in the process and proving something Ragatha said true. By trying so hard to achieve an unachievable goal, Pomni did nothing but make herself more insane, literally staring into the void as nothing stared back at her.
It’s honestly a miracle that Pomni didn’t abstract that day. She was hurled into the deep end of being introduced to the Circus, being told she’s trapped there forever, has to go on wacky adventures, and that she’ll become a mindless monster if she’s there for too long. It is, in many ways, a fate worse than death and Pomni is given almost no moment of peace to process it. The closest she gets is this brief moment of looking at her new form in the mirror, and is unsure of how she feels about it. She’s not upset or happy by her appearance, she just…acknowledges that this is what she looks like now.
(Remember that, we’ll come back to it later)
Pomni got the worst first impression of the circus, and it only gets worse from there.
By Episode Two, we learn more about Pomni as she learns more about the routine of the place. Much like a new hire at a job, Pomni asks a lot of questions because she’s trying to learn the ropes that everyone else has mastered by now. Everything confuses her and she doesn’t really know what to do other than switch her brain onto autopilot and go through the motions. She’s also really burnt out from yesterday, not being in the mood for any of this. Especially Ragatha’s unintentional infantilizing towards Pomni. Ragatha’s just trying to cheer Pomni up, but instead treats her like a child instead of as an adult who would rather do anything else right now and is just trying to get through this as simply as possible. Still, at least Ragatha helped better than Jax, who threw Pomni off a truck so he could get his laughs out on the new girl’s misfortune. What a guy…
Things weren’t looking great for her, and that’s when she meets Gunmigoo.
After having the second worst day of her life, Pomni’s time becomes even more stressful when she comes across an NPC that is having an existential meltdown. He found out he wasn’t a real person, realizes his existence means nothing, and the people who truly matter in this world will forget him in a day once he’s gone. Pomni can empathize because she is currently going through something similar. The episode begins with her having a nightmare about her life in the circus being meaningless and, if she abstracts, she’ll be forgotten by everyone else. Seeing someone go through their own issues of feeling like they’re nothing makes Pomni want to sit down and help him out.
To me, it proves how Pomni is a realistic good person. She’s no Luz Noceda or Steven Universe, Pomni isn’t some beacon of good will and optimism that would go above and beyond to make people’s lives better. She is a mess, who talks back or berates anyone that irritates her or pushes her buttons far enough. But when Pomni sees someone like Gummigoo, someone clearly going through something rough and needing a helping hand, she offers it. She’s awkward about the whole thing and clearly doesn’t fully know how to help, but what matters is that she tries. Even if it’s for someone like Gummigoo, who isn’t even real, Pomni still does her part because he feels so human to her. Plus, she meant it when she said she could use a friend, feeling like she’s all alone in this Circus, surrounded by strangers. So by getting to know Gummigoo and feeling like he needs new purpose, Pomni does what she can to make sure they both get a happy ending.
And then Caine fucking killed Gummigoo.
And like Pomni, I laugh because crying hurts more.
Honestly, as fucked up as it is to say, this really is for the best. The Amazing Digital Circus is about making human connections to stay sane. Gummigoo may have felt human, but he wasn’t. He was essentially an AI-Chatbot that had some level of sentience. He would have been a decent way to cope with the situation, but it wouldn’t actually be real. For Pomni to remain human, she must get close to other humans and not her NPC boyfriend. Plus it again shows how much of a realistically good of a person Pomni is. Most other characters would find a way to give everyone a happy ending, but realistically that’s not possible. There’s always a twist somewhere, and this one hit hard.
After feeling like she won’t be alone again, Caine snapped his fingers and Pomni lost what she believed to be last person who understood her. Only for, strangely enough, a funeral to show Pomni otherwise. By watching the others share how they felt towards Kaufmo and how much it hurt to know he’s gone now, it allowed Pomni the chance to realize she’s not alone. There are people going through it as much as she is. And if she falls, there’s a good chance they’ll not only catch her, but remember her. It’s exactly what she needed to hear the most after everything she’s experienced in the last two days. And it’s enough for her to give these strangers more of a chance, actually engaging better with the adventure when they go on again. It’s unfortunate that this one sent her to actual Hell, but, strangely enough, it’s something that she needed in the long run.
This Hell Adventure is what led Pomni to interact with Kinger more, getting close with someone she never expected to get close to. Day one, she likely wrote him off as too insane to deal with, with the chaos they go on proving her more right than wrong. Not only is it his fault they’re in this mess, but he’s also irritating her with his nonsense at every turn, with Pomni wanting to get out to escape any danger and possibly get away from him sooner. But it’s here she learns that Kinger can not only be sane under certain conditions, there’s also a deeper tragedy to his experience in the Circus. He went through something that’s, in many ways, even worse than what everyone else did and has every reason to give up at this point, but he doesn’t. There’s still people in his life, and he tries to be there for them because a sense of community is what holds them all together. He passes this wisdom onto Pomni, and she takes it to heart well.
Moving forward, Pomni does try harder to not only form connections with others, but make them feel reassured as well. It’s why Pomni admits that she appreciates Ragatha trying to make Pomni feel good in the circus. It’s why Pomni takes Gamgle’s closing shift in the restaurant adventure. It’s why she does everything for Jax. She’s scared of feeling like she’s nothing, and it takes Kinger’s wise words to assure her that she needs to do the same to others as she did for Gummigoo. That for all of them to survive, they all need to pitch in.
Speaking of Gummigoo, Pomni does see him again. And in retrospect, she sees him sooner than you think, because it happens two episodes after he—
And it’s perfect. It gives Pomni closure and a chance to actually say goodbye to him. What they had was brief, but it meant a lot to Pomni. Her words may have been “Thanks for eating at Spudsies,” but they were really, "Thanks for being in my life.” You see it in the broken smile and shaky voice, this wasn’t easy to do, but it’s what she needs to. She needs to move on from her Gummy Guy and make a real friend.
Though, I bet dollars to doughnuts that no one could have expected who she’d choose to be pals. And honestly, I’m not complaining, but I’m getting ahead of myself.
Everything beyond Episode Four shows us what makes Pomni tick as she becomes more comfortable with her surroundings. By Episode Five, it’s implied that she had a boring life. I mean, she’s an accountant. What excitement comes from being a frickin’ accountant? So, to spice up her life, she filmed herself walking through abandoned buildings and that’s likely what got her in the Circus in the first place. In fact, the Circus might just be the most interesting thing that’s ever happened to Pomni’s life. No wonder she almost cracked right away, this was far beyond her comfort zone. Granted, it’s beyond everyone else’s, but it’s extra bad for the boring girl–I should probably stop calling Pomni boring.
But Pomni made the best of the worst situation, getting to know almost everyone a little better and having more frequent moments of peace alongside them…So why did she become friends with Jax?
Well, honestly, because Pomni isn’t really a goodie-goodie herself. Her breaking into abandoned buildings shows signs of a rebellious streak and her chuckling at Jax mauling his evil clone reveal that she shares parts of his sick sense of humor. She draws the line at going too far with their friends, but when Pomni allows herself to embrace her more evil gremlin side, it allows her to actually have fun for a change. The gun adventure is the most she’s smiled in any episode, and for good reason. She found someone to gel with, Jax making it a little easy on her as he shows some actual charm for a change. Much like with Kinger, Pomni gets to try to understand Jax better as a person and feel like she finally has someone to connect to that’s real and semi all there in the head.
The problem is…Jax is Jax. And I already discussed how much of a mess he is last time. He refuses human connection, but Pomni isn’t letting him go without. And I mean that literally. She beats the shit out of him so he can put his money where his mouth is. If he really doesn’t care, then he wouldn’t mind hitting her too. Jax sees through this, of course, still pushing her away. Yet Pomni refuses to let him because of course she does. The one lesson she’s come to learn is that you don’t leave anyone behind, not even the asshole who denied that everything you did was the best day he’s had in a long time. And because she just likes him, plain and simple.
People not getting why Pomni still holds out hope for Jax tend to ignore that, again, she smiled the most when around him. By giving Jax a chance and seeing there is a fun side to his personality, Pomni sees someone she can really get along with. And, like it or not, that person was never going to be Ragatha. Pomni may be civil with her and try making Ragatha feel appreciated, but it doesn’t go much farther than that. To put it gently, to Pomni, Ragatha’s a work friend. You’ll talk when there’s nothing better to do, but you try really hard not to say anything that makes them hate you. Because you’re going to be stuck with them for the foreseeable future, and the last thing you want to do is make an enemy. Jax, meanwhile, is a bro. Someone that you can hang out with at anytime, so stupid shit together, and be real without being judged outside of light, mutual teasing. Pomni acts cringe in front of Jax, he laughs at her, but he clearly loves it. Pomni gave a light chuckle at Jax’s schtick once, got a weird look from Ragatha, and immediately clamped up. Pomni can be real with Jax, but has to act more civil around Ragatha to not get on her bad side. I’m sorry, but if she had to pick anyone to spend the day with, Pomni would only pick Ragatha out of obligation when it’s really Jax she’d have more fun with.
Still, Pomni’s comfortable with Ragatha. She’s comfortable with…everything. By Episode Seven, Pomni seems like she’s finally accepted that she’s part of the Circus. Some things still weird her out, but she’s not on the verge of a mental breakdown every five seconds. She has a community to get along with and is finally having fun for a change. At long last, the Circus is finally feeling like a home again.
And yet, the thought of leaving was too much to resist. It always will be, no matter how used someone could get to their jail, they would still jump at the chance of an early release. It makes sense why Pomni—And everyone else, for that matter—would still want to leave despite being comfortable with their surroundings. And it also makes sense for why they follow Pomni to do it.
By Episodes Seven and Eight, Pomni becomes the de facto leader of the group. Because…who else would do it? Ragatha is more of a follower because of how eager she is to please, Jax would just find ways to ruin things for everyone for his own entertainment, Gangle proved she’s not cut out for being in charge, and Kinger’s rarely sane enough to tell anyone what to do. Maybe Zooble would take charge, but it’s really Pomni who seems the most capable because she’s the most reasonable. Zooble would jump to push the button to escape and would be the first to kill Jax for pushing the one that trapped them. Pomni, however, is sensible enough to understand the importance of thinking things through. She questions if pressing the button is a good thing and, when it turns out it didn’t matter anyways, is the first to say they should all accept that they’re trapped in the Circus. Escape isn’t possible, so they should make the best out of a shitty situation. It’s what she learned to do, and what she tries passing off to the others.
After all this time they spent together, Pomni’s come to care about all of them, even if there are some favorites amongst the group. It’s why she first fought to get them all out and would eventually fight to get Caine off their backs. She wants these people to have a happy ending, and doesn’t want to watch another friend—
Yeah, something about the trauma of seeing a close friend die in front of you kind of makes you not want to experience that again. And yet people are still surprised when she does everything she can to assure the same doesn’t happen to Jax. Or for anyone really. When Caine gets restless, Pomni’s the first to speak up against him so they all have a chance for, at the very least, temporary peace. She’s not skittish of this so-called god anymore. She’s sick of his shit, wants him to go to sleep, and leave them be to accept their jailtime in peace. Things don’t work out from there, but the fact that Pomni tries shows how much she’s grown. It’s even symbolized by her looking in the mirror again–See, told you it’d come back.
Where Pomni first looked at the mirror with acknowledgement, she now looked at it with acceptance. This is her now, this is who she is and who she’ll be for…ever. She doesn’t like it nor hate, she just accepts it. And if that isn’t good character development, I don’t know what is.
Pomni, right alongside Kinger and Zooble, is tied for one of my favorite characters in the show. It was fun seeing her grow and learning more about her every episode. Some wanted more, and I can’t blame them, but I’m so far satisfied with what we got out of her. Hell, I’m satisfied by what I got out of the series. By the time I post this, I have yet to see the finale yet. But when I do, whether I found the ending good or bad, I’ll still say the show itself was an incredible ride. It gave me one heck of a protagonist who grew and changed just as much as the show itself grew and changed. Were things perfect? Not always, but it did all that it needed to in giving me a good time. Some might have problems, that’s their deal, but to get to this point at all, it was worth it in the end.
And that's it. That's the LAST THING I'm going to say about The Amazing Digital Circus. I'm not talking about this show again--YOU CAN'T MAKE ME!
there should be a term for characters you personally don't care about but you defend them anyways because the way people treat them is really uncomfortable. like ok this is a very middle-of-the-road character for me but the fandom's either been super misogynistic, racist, etc. about them or harassed innocent people who try to genuinely explore that character warts and all, and i find that more annoying than the actual character.
the term should by 'my client', like you're a lawyer defending your client that you are completely indifferent to but you are obligated by your job (or your morals) to defend
Y’know, it feels symbolically important that Caine goes to the left instead of the right when traveling in the void, because going left in cinematography is usually taken as going backwards either in time or in a mindset— so like.. by doing that, Caine is metaphorically going back to the beginning and remembering why he started loving the humans in the first place.. and I think thats kinda cool
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Perfectly matching and replicating colors just by seeing them is an art, and, while it's also a very useful task, people who can do this are primarily artists.
Yeah but no but yeah -- Look he didn't just colour match it, he also added in the turbulence medium, the clearcoat and the correct metallic flecks... for a paint that will dry a lighter shade than when it goes on.
That's like being served an entire thanksgiving meal made my one person in 45 minutes and then saying "Oh they made me a snack": It is radically underselling what this person can do.
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