Starmer is rushing legislation through parliament that experts say threatens free speech, public interest journalism and international human

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Starmer is rushing legislation through parliament that experts say threatens free speech, public interest journalism and international human

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I saw this tweet:
and thought “ah okay, so like probably just some normal guy with a slight-to-moderate looking eccentricity about him” brother i
How did Joe Rogan get Baron Ashura on his cast
wait a second that's the fucker from decrease the increase
they're making a Chris Hansen biopic with Robert Pattinson in it....
robert Pattinson voice: my hungry ass will eat just about anything
Man I miss free the nipple. Its getting warmer and we don’t even have free the nipple anymore
feminism has backslid so hard in recent years people don't even know what free the nipple means anymore
You don't even need to study for the Rorschach test, btw, it's super easy. All they do is show you a bunch of stupid pictures of your dad getting eaten by a horse
Do not share the answers with your classmates.
Yes Dr Rorschach
Sorry Dr Rorschach

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The Johnny Appleseed they don’t want you to know about
sorry kids daddy lost all his money betting on rhinoceros beetle fights again there won't be a christmas this year
good news babies, momma just cleared some chump of everything. Two christmases this year. God i love beetles fighting
the new fantasy genre, popehunk, encompasses all books in which historical figures responsible for real atrocities are presented as sexy and potentially suffering from a cute lil' anxiety disorder
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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How is it that you can a music library of like 1,200+ absolute bangers but as soon as you put it on shuffle in a group setting it's like. anime opening you added in 2010. homestuck parody song. musical artist who was cancelled last year for kidnapping and eating children in his basement. Hamilton
I can't believe some people are actually reblogging this like "Tch. Omg, so embarrassing OP, I can't believe you would ever admit to liking Hamilton 😏 " like ok, first of all congratulations for hatching as a fully formed adult in 2022 from the pure white egg of a virgin swan i guess. Raised in a cave on a diet consisting solely of nuts and berries and leftist twitter clapbacks. "ooooooh, I've never had a complicated relationship with a piece of art that was phenomenally well-received at the time but aged like milk as later reflection revealed the fundamental flaws in its premise that were in fact present from its inception but which I didn't notice because I was 17 and hadn't heard of neoliberalism yet" Should we throw a party? Should we invite Anthony Fantano? Anyway second of all. you draw the line at Lin Manuel Miranda but you're fine with basement guy?
Being high has me saying things like “I like friends” as if it’s some profound relization
a puff of truthweed will have your breath carry only the undeniable
transphobic music fans be listening to he or she might be giants
it does suck that the government defunded PBS but it's also so fucking funny that now that they don't take uncle sam's slavery dollars they're running videos like "How america's foundation was built on genocide"
no more being polite about it fuck the USA
TWO FACTOR AUTHORIZATION
light thats not how the book works
MICROSOFT TEAMS

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So, I lurk in some writer subreddits, and a frequent topic of discussion is prose: what constitutes good prose, how do you write it, how do you improve it, etc. And yesterday I stumbled across one topic about the difference between good descriptive prose, and purple prose. OP asks people to share some of their favourite authors who they think write beautiful prose without tipping into purple. No problem; people are happy to oblige.
One person says that Steinbeck is one of their favourite authors for prose, and then they share an example of what they would consider purple prose. It is so violetly awful that I think the poster must have written it themselves as a kind of parody of purple prose. Other people assumed the same.
But as it turns out, they are quoting from a book written by a YouTuber whose channel ia dedicated to talking about writing (namely, their own writing, which is genius, but often not comprehensible to the drooling plebs).
Naturally, I read the free sample of their book in awe and horror, and I'd like to share some screenshots with you. If you also have trouble defining or understanding what purple prose is, it's this.
Yes, every single fucking page is written like this.
Reading some more of the preview for this book, and I realise this is by far not the biggest problem, but I'm begging this guy to just use 'shadow' instead of 'umbra'. I promise I will not accuse you of being a philistine.
'Noctilucent orbs'. Even fanfic written by a 14-year-old wouldn't dare.
The author is a man in his 30s, btw.
*throws this in the face of everyone who has ever accused me of writing purple prose*
some hyper famous artists like Van Gogh transcend overratedness and become underrated because they're so normalized. Like I'll look at a van Gogh and I'm like wait this really is amazing you guys don't get it