Hwæt!

THEY HAVE A CONSTANT METAL IMPROMPTU WEAPON ON THEM AT ALL TIMES

reference:

Odyssey 19.149–150. Emily Wilson translation.

a weaving based on Dora Wheeler's "Penelope Unraveling Her Work at Night", which is one of my favorite works that looks woven but is actually embroidered. I wanted to try out deborah silver's split-shed weaving technique, so I chose polychrome taqueté with linen and cashmere. I maybe should have chosen an easier technique with fewer colors to start, but here we are! on the right side, I left the uppermost warp threads bare to show the unraveling.

reference below the cut:

It's warm... it's fashionable.... it's hot coo-ture!

i made a the pigeon sweater (by Michelle Tsai) for my friend! i've been wanting to make another top for ages, but I have way too many sweaters already, so when she mentioned seeing a sweater she really wanted it was like serendipity 🕊️

i'm so psyched with how this turned out; she lives over a thousand miles from me so i had nothing but some measurements, math, and a lot of faith that this would fit properly (and it does!! perfectly!!)

My friend, Angel, commissioned me to pyrogragh this pair of leather gloves that he will be using as a wildfire fighter in Colorado. What sold me on the project was him saying “I just want trees and mountains to be included. Other than that, you’d have total creative freedom, I know you create better that way” :’)

tapestry crochet inspired by the cabinet of dr. caligari (1920), dir. robert wiene

Nightmare at Noon

Marion Adnams

Marion Elizabeth Adnams (3 Dec 1898 – 24 Oct 1995) was an English painter, printmaker and draughtswoman. She is notable for her surrealist paintings, in which apparently unconnected objects appear together in unfamiliar, often outdoor, environments.