is there anything as good as lying in a sunbeam
telling the truth in a sunbeam #honesty
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@satans-codpiece
is there anything as good as lying in a sunbeam
telling the truth in a sunbeam #honesty

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duuuuuude you have GOT to come out tonight we're enacting cruelty upon those who have transgressed so badly that we can justify any act against them... and you KNOW we're interpreting our delight as moral righteousness... Yeah it's fucking crazyyyyyyy get an Uber
Camina Drummer & Naomi Nagata The Expanse I Paradigm Shift
This is so real
HOLD ON I HAVE A GIF FOR THIS
yes ive been waiting for my moment
I don't believe in christian babies. I believe in babies, i believe in christians, but a baby doesn't have the agency and cognitive abilities required to chose and/or live a faith. There's babies of christian parents, of course, as well as babies that have been introduced into the system that is the christian church, but that does not make them christian yet.
Long story short, i did not hit a christian baby into the stratosphere, officer.

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Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
ÂŤThe botany professor,Âť from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (TaishĹ era, right after Meiji, which I should have included in my OP) men's haori with western lapels
I have a love for both kimonos and bustle dresses, so I love seeing how the two fashions influenced each other over this period. And thanks to Pinterest, I have pictures!
Victorian tea gown that clearly started as a kimono. It still has the long furisode sleeves, but now theyâre gathered at the shoulder and turned around so that the long open side is facing the front instead of the back. Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.
Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.
More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.
This next oneâs modern, but it involves hoopskirts so Iâll add it in because it makes me so happy. Thereâs been different styles of wedding fashion that take kimonos and give them a more modern look. Often this involves taking a kimono and then cutting and resewing it into a new dress. Very pretty, but it canât ever be worn like a traditional kimono again. But now thereâs another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on. The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it. The result is pretty and the kimono itself doesnât have to be altered at all.
And because you mentioned steampunk, I have to add in these two:
Personally Iâm a big fan of Taisho Meisen kimono, which are what happen when the Japanese textile industry abruptly gets access to aniline dyes, new spinning and weaving technology, and the concept of Art Deco:
ok then why didnt you
In honor of this post getting way too many notes i made this
Shes dedicated to all the people who missed the point
some people really aren't getting it so i need to clear something up, let me hold your hand through this
^^^THE SAME COMIC. THESE ARE ALL THE SAME.
Albert is definitely a bit of a sadist, but I think Zeno cringes at the thought of seriously hurting his partner tbh
I think I'm entering a new and scary part of my life where I might be fetishizing sexual dysfunction.

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biology lesson with doctor wesker but itâs him knuckle deep inside of you, analysing every reaction and describing your anatomy in detail
goodnight
đŚâ¨
listen i may take 4 weeks to write a 3k word chapter, and i may take 45 minutes to decide whether i should use âlaughâ or âchuckleâ, but at least i donât use ai and whatever youâre getting is pure chaos from a human brain
Camera Obscura [S.T.A.R.S. era Wesker/Reader] - Chapter 9
[Ao3 Mirror] Rating:Â E WC: 8k Contents: Kissing, grinding. Wesker is not nice. Semi-public touching. Gunplay if you squint. Lots of S.T.A.R.S. cameos. Secret workplace age gap relationship with emphasis on innocence and an exceptionally nervous Reader-insert. Full tags on AO3. ===== [Chapter 1][Chapter 2][Chapter 3][Chapter 4][Chapter 5][Chapter 6][Chapter 7][Chapter 8] =====
Every so often, thereâs someone in the library almost as early as you.
âThey found two more bodies.â Ashland says, leaning on the checkout counter. You knew before her mouth had even opened it was going to be something bad. Her brow was high and pinched, mouth curled down. You had hoped it was something about her partner- the herb guy.
This is the part of this job you just canât get used to. Death was something far away and abstract for you before, not something that you keep running into. Ever since that hostage situation in AprilâŚ
Itâs awful. One body was a freak accident-- or, not accident. Just, some freak. But three? Thatâs⌠Thatâs intentional.
âItâs crazy,â Her voice is hushed, a conspiratorial whisper. You canât blame her for the dramatics; she really shouldnât be telling you. âThe chiefâs closing the park for public use later today. Diaz thinks theyâre gonna blame wild animals, something about an unusually hot summer making them more aggressive.â She frowns and glances out the door, making sure nobody else is listening. âBut Ports is on the task force and she showed me the crime scene photos. Theyâre human bites. I swear it.â
You blanche. âBut⌠why?â
âCult.â Ashland nods. âI think itâs a cult. Human sacrifices.â
âA cultâŚ?â You repeat quietly.
She reaches across the counter and touches your arm. âHey, itâs okay. Irons is gonna start taking this case seriously. I know it. They have to after this.â
Irons. Your stomach twists into knots. The warning plays in your mind: Brian Irons is dangerous. Itâs illogical to think Weskerâs warning has to do with his work. It was personal, definitely; Irons was a danger to you. But still, having that confirmation- having your bad feelings about him validated by someone like Wesker, someone knowledgeable- any trust in him you had left in Chief Irons is completely gone.
ButâŚ
That kind of absolutism still feels wrong. Even if heâs awful to you and to Wesker, maybe heâs still a professional in other aspects.
Maybe he will take it seriously.
You really hope so. Three murders⌠You havenât lived in Raccoon City long, but it has never felt like the place that gets⌠murder cults.
âAnd, okay,â She starts again. âYou donât gotta tell me where you got it, but uh..â She points to her neck.
The gears turn, trying to understand what about her neck is so intriguing--
Your cheeks burn and you look away, covering the offending spot on your own neck with one hand. The exact imprints of Weskerâs teeth in your skin had lasted days, but at a week out, itâs mellowed into one large, mottled bruise. Even so, the memory of it makes your low belly pulse.
With how hot itâs been and how high he bit you, itâs not been easy to hide. âSorry. I, uh, guess I sweat off my concealerâŚâ
Ashland shrugs. âMight wanna keep an eye on it; Blackburn from HR is a stickler for that stuff.â
You nod. Maybe you could put a bandage over it. Not great, but you canât exactly wear a scarf to Jamesâs goodbye dinner.
Wesker doesnât attend. You arenât surprised, neither is anyone else. As rare as his social outings were, theyâve all dried up to nothing in the last month, every free moment spent in his office. But given the party is in the S.T.A.R.S. office and heâs clearly not here, you hope heâs at home resting. You really, really hope. You donât know how much longer he can keep doing this. Even as put-together as he is, heâll burn out sooner or laterâŚ
It ends up being a mini potluck; almost everyone has brought something. A lasagna, potato salad, someone hauled in their whole slow cooker filled with chili (Barry, if you had to guess), soda but no alcohol- that had been Weskerâs one stipulation on using the office. For the best, you think, considering Chris and Forestâs stories of drunk nights that neither fully remembers.
But for tonight, Chrisâs impression of Wesker was perfect, his lips pressed tight and faintly curved down. He captures the strange, mixed accent with the kind of clarity that only comes from hearing it in and out all day: Arenât you just going to throw a party for Ms. Chambers next week?
You feel a little bad; James wasnât particularly social so you never really got to know him. You feel out of place coming to his going away celebration, more of a friend of a friend than actually supposed to be here.
Would it be rude to leave early? Youâre just taking up space⌠Like everything else, all you do is stand in the corner or cling desperately to the people you feel closest to, which only makes you feel guilty for being a social leech.
The lights are low enough in the office, the music loud enough, James is sitting on his desk, turning over some kind of gift with an obscenely large ribbon on it.
You can get away with it, you think.
You slip out the office door.
Out in the hallway June has brought with it the sunlight, so despite it being nearly seven the hallway is still lit up with the setting sun, the old wood and terribly outdated paintjob glowing orange. Youâre thankful at least; the walk home will be nice, maybe only just getting dark when you get to your apartment.
Youâre nearly around the corner towards the library-
âHey, hey!â
You startle, then grimace. Oh, now you feel worse, you got caught⌠You look back just in time for Chris to be waving someone off from the other side of the door and half-jogging to catch up to you. âYou headinâ out?â
The guilt of trying to sneak out sits heavy on your shoulders. âAh, yeah, I--â
âItâs okay, I know parties arenât really your thing.â He smiles- and so much of that weight slides right off you. As though if Chris doesnât care, then maybe you donât have to either.
âOh,â You almost laugh. Being seen so blatantly makes you feel like heâs peeling back the layers of your skin: sensitive, exposed. But thereâs something more to it, a kind of trust. âYeah, it isnât.â
Chris waves his hand dismissively. âI just wanted to check in on you. I know Iâve been busy the last few days and havenât had the chance to really talk.â
That does bring a smile to your lips. âIâm- Iâm fine. Nothing new, really.â
âGood, good.â For a second he doesnât say anything, then sighs and sweeps a hand through his hair. âListen, itâs none of my business, but you had bruises on your wrists and still had a pretty sizable bandage on your neck.â
Your heart drops down through your feet. âI--â You start, âIâm sorry, I know itâs- itâs unprofessional.â You glance at your wrists and curse yourself. Theyâre gone now, Theyâve been so faint, looking more like shadows on your skin than an injury. Youâd only really been worried about the bitemark, significantly more visible than the imprint of his hand holding yours⌠but Chris was S.T.A.R.S. after all, it was his job to pick up on the small stuff like thatâŚ
Chris scoffs. âWhat? No, I mean. Iâm not gonna judge, okay?â He holds up his hands, âBut are these⌠good bruises orâŚ? Again, no judgement.â
Oh. Your cheeks burn, your eyes settling on his boots. âY-yeah, theyâre good.â Really good. The hope it happens again kind of good.
âThatâs a relief. I was worried I was gonna have to deck someone and get put on leave again.â He grins. You know he would in a heartbeat, no second thought.
You laugh softly this time, âThank you. But, y-yeah. Iâm okay.â
âSo?â Chris prompts, waiting just long enough to see a flash of fear in your eyes. âWhen do we meet him?â Then quickly adds with a curious eyebrow: âOr her? Again, no judgement here.â
âUm,â The emotional whiplash makes you dizzy. Youâd love to tell him, to explain, oh you hate lying, especially to Chris. But his words echo in your ears, solemn and accented and always, always the voice of reason: They wouldnât look at you the same way. You had doubted it then, at least a little. Now you know, without a doubt. He was right, because of course he is. Chris couldnât joke about this with you if he knew. He probably also wouldnât worry about whoâs leaving marks on your skin if he knew it was his own captain. âHe, ah, heâs kind of private.â
âYeah, yeah,â Chris waves you off again. âHe goes to another school.â He says the joke but you can still see something in his face, something reserved behind his words. A suspicion. Probably still for your safety, which only makes you want to come clean even more. You ache to assure him: He doesnât need to worry about you! Maybe your relationship is unconventional, but itâs nothing like that.
âHeâs good to me. Really. Patient and mature.â You say and force as much affection into your voice as you can. With how little you can tell him, you hope itâs enough to assuage that fear.
Chris watches you for a minute more before sighing. âOkay. But⌠anything happens, right? Anything. Come tell me and Iâll set him straight.â
âAnd this is the library.â
Your ears perk up, attention drawn towards that back pathway to the unicorn statue. You know the voice- itâs Richardâs. Still holding the book you meant to reshelve, you move towards the center of the room, ready to greet him.
âOooh, I think I was here before!â Someone else speaks.
Right.
James left over a week ago. One spotlessly clean desk among the dozen messes, a little beacon of impending change. You werenât close with him, but you do miss him and you miss the stability of knowing everyone. A new person⌠no, if it were just a new person you think you could handle it. Youâd say the wrong thing or freeze up or not know how to act with them, but youâve developed enough social grease with the rest of the team that you could get byâŚ
You peek around the bookshelf slowly, plastering on a smile.
âOh, there you are!â Richard beams, âRebecca, this is our records manager.â
Rebecca, for the first time, actually steps out from behind Richard. Sheâs so short. You forgot how short she was, absolutely tiny next to Richard. Her wide, curious eyes do nothing to dispel how childlike she looks- nor her broad, white smile.
âAssistant records manager,â You correct halfheartedly. Did that come out as humble or dismissive? Was it better just to let people assume that or correct them? Having someone new makes the creeping black mass of doubt worsen, but because itâs her it reaches critical almost instantly.
âYeah! I got lost after my interview, right? You helped me get back to the main hall. This place is like a maze!â She offers her hand. âIâm Rebecca, glad to meet you.â
âY-yeah,â You meet her handshake. Is your palm too sweaty? Itâs so hot in the library, you could probably play it off as that. Itâs just the heat, itâs not about her. âNice to meet you.â
âForest told me youâre also a teen.â She smiles, âIâm really glad thereâs someone else my age; I was afraid Iâd be the only one who couldnât drink!â
Somehow it still pulls the half-laughing exhale from you. âYeah, they ah, they do love their cop bars.â
âHonestly.â
âChris already invited her to the movie nights. Sheâs gonna pick the next one, actually.â Richard says, âBut we should keep going, weâll see you later!â
âBye!â Rebecca waves, still grinning as Richard ushers her towards the main door.
You like her, you think. But still your stomach hurts, a block of discomfort that sits just below your ribcage. The longer youâre left alone in the library, near silent except for the ever present muffled din of the station all around you, the closer you come to tears.
You see him so rarely now that you donât expect him to come by the same evening.
Each time that the days between your moments together start to number beyond four, you canât help but worry. Itâs natural, youâre sure, given the circumstances. In a⌠a normal relationship-- no, no, thatâs not the right word. In a common relationship itâd be abnormal to not have some kind of connection with your partner for several days in a row.
But again, circumstances.
Youâre not in an average relationship. Youâve accepted that long ago. The things you have to sacrifice to be able to kiss him at all⌠Even if he only sees you once a week, itâs worth it. And even if most of those visits are brief, teasing things and most of your evenings are concluded with walking home alone, itâs alright.
You wish you could do⌠that again (or more, you still wouldnât reject more).
But you hadnât expected him to come by the same day as you formally meeting Rebecca.
Heâs tired. You can see it on him again. At least if heâs taking you home, he wonât be cooped up here all night.
He smirks when he sees you, hands crossed over his chest as he waits for you to gather your stuff. You donât mention how you can feel the energy is off with him, a sluggishness to his movements, nor does he mention your red-rimmed eyes.
He drives you home in silence, his hand resting lightly on your thigh. The whole ride you pick at your fingernails. When you arrive he leans over the console to kiss you. The contact is nice, grounding. A respite from the stress of the day, but he pulls away too soon and you take your obvious cue to get out.
But you canât bring yourself to go inside just yet. Youâll be alone with your thoughts all nightâŚ
You stand, awkwardly, beside his car before circling around to the driver side. Your stomach roils, your teeth sink into your lip, and you wonder, again, if youâre doing something wrong. Through the dark tint, you canât see Wesker, but after a moment the engine turns off.
He steps out and sighs. The noise cuts through you, makes you step back- and oh, you shouldâve just gone inside. You couldâve dealt with this yourself, you think. It wasnât even that bad. The corners of your eyes prickle with quickly gathering tears. âSorry, I can-â
âWhat do you need?â He cuts you off. Despite his word choice, he doesnât sound angry, just⌠factual. What is it that you need? Why did you linger?
You step closer, your gaze flicking between his face- held in that stern but neutral for him expression- and his boots when the pressure feels too much. He doesnât react to you coming closer, doesnât immediately chide you for it- closer still into his personal space- and slowly you lean into him.
He doesnât move at all as your ear touches his chest, your arms circle his waist. You relish the moment, take note of the little human parts of him: The warmth of his skin has sunk into his clothes. His heart beats powerfully just behind his ribcage. You hold him tighter, hands sliding up his back until youâre all but crushing your face into his shirt.
And with another sigh- this one more weary than annoyed- his large hands settle loosely at the small of your back. âThis is about Ms. Chambers, isnât it?â
You shrink beneath him, wilting like a flower in the summer heat. Without looking up, you nod against him. Itâs stupid, you know it is. She was nice to you, hasnât done anything wrong, but sheâs as young as you are but so smart and so confident. You could never be like herâŚ
Wesker shifts, pries your face away from him with one hand, his fingers wrapping around your chin. Forced back far enough for him to meet your eyes through those dark glasses, he hums for a moment in consideration. âShe is rather cute, isnât she?â
Your jaw drops. A cold pang lances through you, another hot tear rolling over your cheek- but one corner of Weskerâs mouth lifts, tightens into a little dimple. His smirk, that teasing thing-
âYouâve nothing to worry about, dearheart.â He taps your chin with his thumb.
You exhale sharply, the breath knocked out of you as swiftly as heâd made you choke up. Emotions mix; relief with his reassurance, guilt for needing it. But still, relief. You lean into his hand, soak in this increasingly rare closeness. You have to remind yourself: you made something out of nothing, this entire thing with Rebecca was all but a figment of your imagination.
âSorry,â You murmur after a minute. âIâve just⌠missed you.â
His smile falters, fades into something bittersweet. âI know.â
Your hand covers his, brings it up to your mouth properly so you can kiss at his fingertips. Itâs always a task with him, the pursuit of real information, anything more than a glimpse, a flash of what his private life is like. âWhen will you be done⌠consulting?â
He hums again, watching you as you kiss another round across his fingers.
You sigh. âCan⌠can you at least tell me something?â
At this, however, he grins. His mouth twitches first, before pulling taut, smiling at a joke you havenât heard. âYou may just find out soon.â He releases your chin to stroke over your hair. âIf youâre very lucky.â
Lucky? You donât know what to make of that. If itâs something like a confidential case wrapping up, youâd expect something⌠different. Is he working on something good?
You have so many questions and you know he will answer none of them. But soon gives you a sliver of hope, a light at the end of the tunnel. Maybe you can go back to seeing him every few days instead of every two weeks⌠and, maybe, heâll keep touching youâŚ
The thought makes you shiver. The idea of what had happened in the library happening with any kind of frequencyâŚ
More, ideally. You⌠youâd really like to do the same for himâŚ
Weskerâs grin returns and your cheeks burn again. Are you that easy to read or is it just himâŚ? It must be the latter; if everyone could decipher your thoughts, they wouldâve found out about you and him immediately. But for as easily as he reads you, his thoughts are evasive, hidden under those black sunglasses.
âGet some sleep, dear.â
He pats your shoulders and begins to draw away. You follow, catch onto his belt loops to keep him close. Him leaving after- after itâs been so long⌠This time, you watch as his pale eyebrows drop down, a crease forming between. The shift of his mood leaves a shiver running down your spine. You swallow down the rising fear and ask anyway: âI⌠can we⌠meet more often?â
You expect another flash of his white teeth, some mild chastisement for wanting more than you need- or deserve, maybe. The grin doesnât resurface, his hands donât return to you and a cold brick forms in your gut.
âDonât be difficult.â Thereâs no affection left in his voice, âYou know Iâm trying.â
Thatâs true⌠he doesnât have to come by when he does. He could have just focused on his work⌠heâs so busy that he works himself to exhaustion and even now youâre taking his time⌠How selfish can you be?
âYouâre right,â You say softly, dropping your gaze down to his shirt. Not yet ready to let go, needing just a moment more, you gently straighten the fabric there, smoothing out a crease. âIâm sorry.â
He doesnât move, watching you through those shiny black lenses- and finally he strokes along the side of your face again, fingertips trailing down over your jaw to your throat. âItâs alright. Go get some rest.â
This time you nod silently. When you raise up to your tiptoes, he does meet your kiss in a brief peck.
Once youâre inside your apartment, you let yourself cry.
He doesnât visit the next day. Or even the day after.
You shelve the feelings, tell yourself to be patient. You like him, he obviously likes you. Heâs busy is all, thatâs hardly a crime. It doesnât change how much you miss him, how you find yourself jealous of every time Barry mentions his wife. You want dinners with him and dates and⌠and the things you knew youâd have to give up to be with himâŚ
You feel stupid. He told you it would be difficult. You miss him and every time you long for something more, you feel guilty for it.
Wesker comes by the first week of July, offers to take you home after work. You jump at the chance, all too happy to soak in any minutea of attention-
And in the parking garage, Wesker pushes you up against the side of his sedan. He kisses you slow and deep, one hand at the base of your skull while his tongue slides against the roof of your mouth. He kisses you until your lips go numb, chapped from the friction and saliva and your chest aches from hypoxia.
He does not say Iâm sorry, but he does murmur in your ear about how youâre his sweet pet. You decide you can handle it so long as you get to hear his breathy praises now and again.
âSo, happy first month on the job,â Enricoâs voice is almost drowned out by the continuous roll of conversations all around you. The circular booth is tightly crowded, leaving you to pull your arms in tight and squeeze your legs together. This was not how you wanted the evening to go. âDo you think youâre getting the hang of most of it?â
Rebecca purses her lips as she considers answering. âI think so! Iâm still nervous for my first mission.â
More than ever, you feel out of place. Sandwiched between Kenneth and Forest, youâre stuck. Itâs one thing to be the only civilian in Chrisâs living room- something low stakes, something quiet-- but being the only person not in uniform while the waitress is saying things like thank you for your service makes you want to escape. Even if you have to slide out under the table and crawl.
But if you did that, youâd make a scene.
All you have to do is swallow down the rising distress for long enough- if anyone gets up to use the bathroom you can excuse yourself. You had a hard day is all, you need to catch up on laundry, something mundane, any excuse so you can-
Enrico smiles, âThereâs no need to be. We wonât be sending you anywhere alone for your first one, youâll have backup.â
Opposite you at the table, Brad swats away Chrisâs hands as he reaches for the otherâs fries. Chrisâs laugh makes you relax a little; even if you are out of place, it hardly seems anyone else is bothered by it.
âI appreciate that.â Rebecca says, then laughs lightly to herself. âThough, I feel like I maybe picked a bad time to join the R.P.D.â
âDonât tell me the cannibal thing is getting to you.â Kenneth raises one thick eyebrow, already frowning in disappointment.
âDonât act like itâs not freaky as hell.â Brad mutters.
âThey are.â Rebecca confirms.
âItâs an⌠unusual case for Raccoon City.â Enrico concedes. âRandom acts of violence like it are hard to predict or investigate, but theyâre also incredibly rare.â
Rebecca stirs her drink with her straw. âSeems like the kind of case S.T.A.R.S. should be handling.â
That perks up Chrisâs ears. He twists to look at Enrico. âYeah, Vice Cap, why arenât we investigating the Raccoon Forest Murders?â He asks, voice dripping with contempt.
Enricoâs mouth drops into a line, a serious slash across his face, shooting a dark look over at Chris. âI donât know.â He turns back to Rebecca. âRedfield and I have petitioned the Chief over and over, but he wonât assign it to us. Respect due to our uniformed brothers, but theyâre spinning their wheels out there.â
A somber cloud settles over the group. Heâs not wrong. Itâs been weeks now since the first body appeared, chewed up and mangled. Whatever the task force is doing, it isnât enough. Even if it is somehow just wild animals, rabid dogs, or an unseasonably hungry bear, the police should have solved this long before the body count got to seven.
âWe can handle it.â Rebecca breaks the looming silence. She smiles, a confidence that you canât understand.
Joseph claps her on the shoulder, the movement awkward for how tightly crammed everyone is. âSee? You were made to be in S.T.A.R.S.!â
He still hasnât touched you again. Not like that, at least.
Youâve tried replicating it, mimicking his motion and angle and keeping your other hand close to your chest just as heâd held it. It feels good- but itâs not the same. Your arm hurts, sore and exhausted long before youâre at the point of trembling and pleading.
Itâs agony.
If the ever present need between your legs was not bad enough, you just miss him. You want to talk with him again, relaxed and intimate as you had been over dinner. You want to fall asleep on him, to have him hold you casuallyâŚ
You⌠you can take it. Youâve survived worse than longing, but it doesnât make it any more pleasant.
âYouâre so full of shit, Chris.â Forestâs mouth lifts into a good-natured scowl. âYou couldnât even make that shot on a clear day.â
Chris, throws his hands up. âFull-on thunderstorm, I swear!â
This is not the conversation you had expected to walk in on. Hardly the worst-- or even the first time youâve caught some of the rowdier S.T.A.R.S. trying to show off and one-up each other.
Today, you donât even have a ruse for why youâre in their office. Rebecca had, genuinely, left a request in the book while you were out on your break- lonesomely sitting on the rooftop, wondering which cigarette butts were Weskerâs. You still hold her requested file in your hands. Itâs a thin one, a recent missing personâs case. Itâs depressing to see, so little information was gathered before it was unceremoniously closed.
She had accepted the file, thanked you, and signed in good order, but now this petty argument had broken out before you could leave.
âWho goes shooting in the rain?â Joseph scoffs.
âI told you! It was clear when I headed out there, but by the time I had got my camp set up, it was stormy. Felt like a waste to pack up, so I went out anyway.â Chris shrugs, folding his arms behind his head and leaning back in his chair.
âFuck it, letâs go settle this at Kendoâs. Your story is bullshit and Iâm still a better shot.â Forest is already picking up his gear, nodding at the door.
âWhat, now?â Chris gapes.
âYes, Forest,â The room goes silent, a chill settling over the playful mood. Everyone turns towards the corner office just to find Weskerâs arms crossed over his chest. âWere you planning on leaving early for your little contest?â
âAh, I mean, no, Captain,â Forest deflates.
A beat passes and Weskerâs head shifts subtly- towards you, no, towards Rebecca. âMs. Chambers, have you had your service pistol customized, yet?â
âNo, sir. Is that something I should do?â
âI would recommend it, as well as logging some extra hours at the practice range.â He says vaguely, then he turns again: âBarry, call over. Letâs not drop the whole squad on him unannounced.â
The bullpen erupts, Chris and Forest whooping in joy. Barry immediately grabs his phone and begins punching in a number. Beside you Rebecca sighs, âHeâs gonna critique my grouping again.â
You pat her shoulder awkwardly. Youâve only been on the receiving end of Weskerâs criticism a few times; you donât envy her. The ruckus in the room rises and you sidestep around Richard, sliding along the side of the quickly emptying room towards the door.
Wesker still stands at the doorway to his office, making a show of adjusting his watch. Itâs nice to see him at work, in his serious mode, almost none of that teasing playfulness you seem to bring out in him.
âHave fun, Captain,â You say as you begin to pass by him. You smile faintly, a little too soft to be hidden as just polite. Under the excitement in the room, youâre sure no one would notice.
But your mild display of affection is outmatched. Weskerâs hand grabs your forearm, stopping you from leaving. âCome with us.â
âTo the⌠the range?â You ask. The thought alone makes a cold sweat bead at your neck. âBut I donât⌠Iâve never even held a gunâŚâ
âYouâre an employee of the R.P.D.â Wesker lets go of your arm, drawing back to adjust his sunglasses. âYou should be able to defend yourself.â
A few members of S.T.A.R.S. cut between you and slip out the door, moving quickly as to avoid Weskerâs attention.
You open your mouth to reject that- youâd be better suited to running or hiding, not fighting back- but close it just as quickly. Despite your dislike of it, of the violent nature of his work that youâve never really addressed, it is an excuse to spend time with him. With everyone, of course, but Wesker so rarely joins the team in their social outings.
And⌠it must mean he isnât busy consulting. A swell of hope rises in your chest at the thought. So much of your time lately has been stolen, frantic moments that you have to engineer just to get a glimpse of him.
âO-okayâŚâ You concede. Itâs not like youâre busy, anyway.
ââScuse me,â Forestâs hand touches your shoulder and you jump, âSorry.â He laughs then gives a nod to Wesker. âSee ya over there, Captain.â
âSpeyer, take our archivist with you. Make sure they donât get lost.â Wesker gives you a little push forward, back in Forestâs way.
Forest gives an exaggerated salute, his good mood unflappable. âAye aye, Capâ.â
He guides you through the station, along the exact same path youâd take to the parking garage. âI didnât think you liked guns.â Forest says, weaving through the busy main hall. You almost lose him as a gaggle of uniforms cut between you, his blue vest blending into the crowd. He waits, though, grinning broadly when you finally pick him out again.
âAh, I donât.â You glance at the holstered pistol at his hip. âBut, um, Wesker offered to teach me. S-since I should, I guess.â
The door outside is a relief; the hot air of the station is smothering, but outside a gentle breeze makes the heat bearable. Forest shakes his head, letting his long hair float behind him. âAh, I donât know about that; doubt Ironâs secretary is packing either.â
You twist your lips at that. Ironâs secretary was also a cougar on the hunt for that younger Umbrella employee. Despite her sweet demeanor and glasses thicker than your pinkie, you think she can somehow handle herself, even if it isnât with a firearm.
The bell on the door jingles as Forest opens it. Kendoâs shop is smaller than you had imagined, for how often the team mentions it. The shop portion is neatly organized, rows of ammunition and accessories, followed by glass cases of shiny new parts and scopes and grips and little signs stuck to the inside: house-made customizations available, just ask!
Behind the till is a fairly large placard: the S.T.A.R.S. logo, the paint still crisp and unfaded. Below it is a smaller sign: Proud sponsor of the Raccoon Police Department and Special Tactics and Rescue Service. You knew Kendo was beloved by the station and that he had donated a lot of time and resources to the police force, but you didnât really grasp the intensity of it.
The back wall, however, is what makes you nervous. In standing cases, thereâs more guns than youâve ever seen. Shotguns and rifles of all shapes and sizes and modifications you canât even begin to name.
A familiar voice floats through a doorway. Chrisâs excitement is palpable even through the walls and Forestâs grin resurfaces, his pace quickening to catch up. You pause here, still near the counter, the regular customer area of the shop, as Forest continues on. Itâs normal for him to be back there, out at the range portion, but not for you. Even with his escort it feels wrong-- and youâve lost him anyway, disappeared around a corner while you nervously wait.
You⌠you donât even know what youâre waiting for. Wesker, maybe? You donât like the idea; heâll be disappointed you didnât stay with Forest-- though you donât know if you or Forest will be the subject of his ire. Permission? That sounds more right. You donât know Robert Kendo like the members of S.T.A.R.S. do and just barging back there- escort or no- feels⌠wrong.
You chew your lip, drop your gaze down to your shoes. The urge to run away rises up in you again, but now feels impossible. How would you even begin to explain it to Wesker? He offers a way to spend time with you- though, not just you- and you ditch him? What an awful partner youâd beâŚ
Someone sighs--
You straighten up immediately as a pudgy middle age man wanders back into the front of the store, the soft curves of his face lifted into a weary but good-natured halfsmile. Already tired of Chris and Forestâs antics, if you had to guess. They do tend to have this effect on people.
âOh, sorry, didnât see you, do you needâŚ?â He starts, but youâre already waving him off.
âNo, no, Iâm with them, I- ah, just wanted to wait for someone.â
âYou, ah, you Rebecca?â He asks.
A sickness squirms in your belly. You open your mouth to correct him- but are cut off by the door bell. It jingles again-
And Wesker holds the door open for Rebecca. Her eyes wide with curiosity, her gaze darting all over the store. Probably how you looked, you realize- which only makes that nausea rise a little higher. What you can see of Weskerâs features look like theyâre in that usual stern default he has, but with his sunglasses on you can never really tell. Maybe behind them he does have that little fond look--
No.
Wesker said you have nothing to worry about.
You swallow forcefully and feel your body shudder as you breathe in. You have to believe him. Thatâs all there is, either you trust him or you donât and you must. Besides, he hasnât even done anything to make you think he is interested. Everything has been your own ridiculous insecurities, nothing but sabotaging yourself.
âHello, Bob.â Wesker says, looking past you. It still makes your stomach hurt a little, but you know logically he couldnât exactly address you so informally in front of two people.
âThis is Rebecca, I assume?â He gestures towards Rebecca, who still looks all over the walls, taking in the huge display of lethality.
âAh, yes!â She straightens up.
âBarry said weâll be customizing your service pistol, catch you up with the rest of the team.â He grins and motions her over to one section of the counter. âThat Beretta ainât a Samurai Edge until weâve worked on it.â
Rebecca follows him, leaning over the glass and watching as he begins removing different parts from their mounts, setting them on the counter.
Crack
Even through several walls, the noise makes you jump- and startle again as you bump into someone. You turn to apologize, the words already forming on your tongue- and his hand, broad and firm, spreads over the curve of your low back. The comfort of such a tiny touch washes over you. You hadnât even noticed him come closer, but knowing now you feel like you can finally exhale.
He dips his head just enough for you to feel the warmth of his breath as he speaks. âSeems they started without us. Shall we go watch the show?â
Your mouth goes dry at one sentence. His hand is still on you. You nod, almost lightheaded. Heâs a siren when he wants to be, when he can be, and every time you forget just how much sway he has over you. Itâs a struggle to resist melting into him, to walk normally instead of leaning on him how youâd like.
But Wesker keeps his hand at your back, the touch light enough he could play it off as guiding you. You⌠you are nervous in new places. Everyone knows that. Itâs not so unlikely that you would appreciate help like that. The fact itâs Weskerâs hand at your back would be the bigger concern to anyone who noticesâŚ
And yet the thought makes you blush, a little smile wriggling across your lips. To be seen out with himâŚ
The fantasy fades as you approach the group, his hand falling away without notice. Chris and Forest stand side by side, pistols in hand and-
Crack!
You jolt again, this time Weskerâs hand settles over your shoulder. Again the weight settles you-- but doesnât entirely prevent the same reaction at the next shot. But itâs so public here, another type of anxiety makes your skin feel cold, too aware of the people around you. Even if you were jumping, full body flinching really, every time one of them fires, was this allowed? Would anyone think twice about the stern Captain Wesker having a hand on you?
He squeezes. You feel it: the strongest pressure from the tips of his fingers, the ridges along the grip of his gloves. You exhale slowly, some of the fear following. You wish you could relax and enjoy this time with him- even if itâs not just with him. If heâs doing this he must feel itâs safe enough, you just have to believe it.
âAh, damn,â Forest says, setting down his pistol to wipe at his forehead. âYou got me this time, I can see it from here.â
âOh no, no, letâs get a closer look.â Chris replies, flicking the switch to bring the targets closer, an electrical hum filling the room. To you, the two targets look almost identical; youâve got no point of reference for why Forest is already capitulating. The black figure drawn on the center of the paper is well damaged on both of their targets, holes punched straight through the white concentric circles of the head, with a few polka dotted along the outlines.
âForest, what the fuck happened here.â Joseph points at one hole, completely off the figure target by several inches.
Forest bristles, âShut up, go get another set..â
Joseph laughs as he heads back towards the other end of the range.
âWell done, Chris.â Wesker says mildly, âBut your grouping could still be tighter.â
âAw, come on, CaptainâŚâ
âTwo of those are grazes.â Weskerâs hand drops off you so he can cross his arms. âNot enough to stop a hostile.â
âTwo shots off the entire magazine?â
âI have high standards for our best marksman.â
Chrisâs eyes twinkle at the praise, a pride that doesnât dissipate when Joseph returns with two new target papers.
Wesker turns and starts down to the opposite end of the range. âLetâs give them some distance so you can focus.â
You shrink down, wishing he had forgotten about this part. It was one thing to watch Chris and Forest shoot, itâs another entirely to hold the gun yourself. But Wesker urges you on, guiding you down all the way to the last stall. The fins on either side jut out just enough that you can no longer see the competing men nor the crowd that had gathered around them.
Itâs just you and Wesker and the black silhouette at the end of the range.
A button pops at Weskerâs side. He holds the weapon in front of you, the metal glinting under the fluorescent lights.
âTake it.â
You look up at him, wanting to fabricate an escape from this, any reason why you could get away. But you canât. All you get from Weskerâs face is his cool, unaffected expression and your own nervous reflection in his glasses.
Your hands shake as you raise them- and Wesker meets you halfway. His larger hand closes over yours, guides it into position. He wraps your fingers around the grip, the inlaid S.T.A.R.S. logo a smoother texture than the rest of it. Your palms sweat already, worsening as he lays your index over the length of the trigger guard.
Wesker steps behind you entirely and you struggle to breathe. The breadth of his chest presses against you- and he reaches for your other hand, guiding it up to act as a support. With his arms bracketing yours, his warmth surrounds you entirely- the smell of him, his cologne faded under black, burnt, police station coffee and piles of paperwork and his cigarette smoke--
Odd, you think, heâs so careful with his smoking; he must be so stressed if heâs smoking enough that you can smell it on himâŚ
But itâs comforting in a way- which makes you feel guilty. The scent of it is familiar, something private, something youâve tasted-- even if you shouldnât be able to smell it now.
It grounds you, just a little bit. Enough that you can exhale and really look at the weapon in your hands.
âYou wonât keep a weapon,â He says it as a fact, something he knows about you. âBut youâll know how to use one.â
Youâd like to reject the idea entirely; youâve surrounded yourself with people who would keep you safe, after all. But thereâs no question in Weskerâs words: you will know.
âThis is the safety.â He guides your index up to a small latch. He presses down- and you jump as it clicks. Wesker exhales, the kind of breath that would be a puff of laughter were you actually alone.
âPut your thumb up on this,â He draws your thumb up, over the wedge of metal at the very back of the muzzle. âThis is the hammer; most pistols donât need to be cocked before firingâŚâ He pushes down over your thumb and the hammer draws back, tensioning as it goes. Weskerâs voice drops, his work persona evaporating as his lips brush the shell of your ear. âBut it makes it easier to fire.â
You shiver, hands trembling again, but Weskerâs large palms keep the gun steady. Heâs all around you again. In your terror you hadnât realized it: his arms on either side of you, his hands over yours. As if knowing it has finally occurred to you, Wesker steps closer, crowds you up against the little counter- and his hips meet yours. Through the layers of clothes you can feel him, warm and half-hard.
You⌠youâre in public. Not just the secluded corner of the library, but real honest public. Beneath the hot rushing of blood in your ears you can still hear them: both Alpha and Bravo teams laugh, chatting- and Wesker continues anyway. He lifts your arms higher until theyâre properly holding the gun.
âLine up the top with your targetâŚâ He says, and you try. Along the sleek dark metal you follow its path towards the distant silhouette. With your shaking, itâs difficult. You adjust your hold, squeeze the textured grip, your fingertip biting into the S.T.A.R.S. logo.
Wesker all but purrs. âGood.â And it takes everything to not lose focus. âNow,â He draws your index finger off the guard, down- and you canât help the whimper that follows. The trigger is still cool, the metal smooth and inviting, easy to rest your finger against.
Wesker draws away, hands off yours, sliding up to your wrists instead. Your hands start to drop, but he guides them back up until you hold your aim again. But his hands are off yours entirely. You thought⌠if he had manipulated your hands so far⌠but he wonât. He wants you to pull the trigger.
âGo on.â He prompts.
Your hands tremble again. You hate it. âI canât.â It makes your eyes water in frustration; you want to be good, to do as he asks, but moving your finger only an inch is impossible. Too much.
âYou can.â He asserts, leaves one hand at your wrists, keeping your arms out, but the other begins to slide towards you.
His touch is soft, feather-light and isnât swayed at all at your shocked âWesker?â
âShh.â His lips brush your ear again just as his hand slides across your chest. You turn as best you can, desperate to know if anyone can see you- if anyone is looking. The fins that separate each stall are just long enough to block the view of your friends- but if any were to come closer-
âFocus.â Weskerâs voice brings you back. âThere are four main ways humans deal with threats.â
The palm of his off hand slides across your chest, light at first before becoming firmer. âFlight, freeze, and fawn all serve their purposes in the right contexts, decent methods to avoid a predatorâs jaws.â His hand dips, skims across your nipples. Muted as it is through clothes, the sensation still makes you jump in his arms. âBut sometimesâŚâ
His touch drops. Down over your belly to the hem of your pants, his fingers toy with the button. A heat blooms between your legs- after all this time waiting, so few moments together heâs going to touch you again-
And in the same breath you feel cold, rigid, terrified of how close you are to everyone else. Thereâs no way you wonât get caught, itâs too open--
âSometimes you justâŚâ Lower, his fingertips drag over the zipper- âhaveâŚâ lower still, over the soft pouch of your mons and- âto fight.â
Two fingers press against your sex, rubbing slowly against your clit. Any resistance flees from you; your weight drops back against his chest, consequences be damned. You want to moan, to open your mouth and pant because itâs been so long and it feels better than you remembered- but the fear keeps you quiet. Your hips rock softly, matching the slow, shallow strokes heâs rubbing into you.
âFocus.â He chastizes again.
He⌠really expects you to try to shoot while heâs touching you again? You shove down your doubt and just try to do as he asks; you open your eyes again and attempt to aim, to hold the weapon up without Weskerâs support. It feels impossible; the firearm is heavy in your trembling hands, but you try. And that must be enough to please him, as he rewards you with his considering hmms and a nice hard stroke over your clit.
âYou want something more than just my fingers in your cunt, donât you?â
A wave of heat passes over you, vision going blurry at his words- how can he possibly expect you to keep this up when heâs saying such things? But⌠you do want that. You sink your teeth into your lip and nod.
âThen fight for it.â He says. âTell me what you want and pull the trigger.â
You want to. You want to. Youâve already done so much, why canât you just say it? But finding the words is as impossible as firing the gun; each task an impassable mountain in your path.
Heâs asked you so many times to tell him, and you never quite could. All the time youâve squandered, you couldâve- couldâve done it by now. But youâre still in the same place, trembling, leaning on him, trying as hard as you can but, âI canât.â
The arousal that fogs your head dissipates, vying for control with new competition: shame and fear. How many times can you disappoint him before-
âYou can,â He purrs, âYou can fight for me. Tell me what you want and Iâll give it to you.â He nips at the shell of your ear. âTonight. Iâll take you home.â
Tonight. You waver again. A time makes it so much more real. He wants to, has wanted to and you-- you just have to say it. Is that so much to ask?
âIâŚâ Each word is exactly as he said: a fight. Making any sound is gargantuan, each syllable a boulder stuck in your larynx. âI wantâŚâ You tremble again, but Wesker offers no further support. He merely turns, shifting to better watch as you struggle. âW-want you t-to, um, to-â
âWesker!â
You donât even have time to feel fear before heâs off you. Smooth as ice and just as cold in how he pivots. His hand comes off your waist, but leaves the one under your grip on his gun, sliding into the much more innocent position of only helping you keep your stance.
Your eyes feel as big as dinnerplates; wide and terrified and searching Weskerâs guarded expression for what youâre supposed to do-
âCaptain!â Someone yells again-
âHere.â Wesker waves one hand out past the fins that separate each stall. You plead silently with him: No, no, no, donât draw them closer.
âWhatâs going on, Enrico?â Jill asks.
The vice captain approaches, you can tell from his footfalls, but you canât bring yourself to look. Should you? Is it weird to not look? You can only bring yourself to look at the gun again, the sleek metal.
âCaptain.â Enrico starts, panting softly- running. Heâs been running. âIrons gave us the cannibal case. He wants us to deploy now.â
-----
If you like my works, please consider reblogging :3
why would you have to abandon?
I've just been struggling with motivation, it's not any particular thing. I've enjoyed writing it, but the last chapter just felt like I was fighting it the whole time instead of it being like hee hee wesker senpai noticed me

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so if i have to abandon CO now, at least I'm leaving it on 9/11
Camera Obscura [S.T.A.R.S. era Wesker/Reader] - Chapter 9
[Ao3 Mirror] Rating:Â E WC: 8k Contents: Kissing, grinding. Wesker is not nice. Semi-public touching. Gunplay if you squint. Lots of S.T.A.R.S. cameos. Secret workplace age gap relationship with emphasis on innocence and an exceptionally nervous Reader-insert. Full tags on AO3. ===== [Chapter 1][Chapter 2][Chapter 3][Chapter 4][Chapter 5][Chapter 6][Chapter 7][Chapter 8] =====
Every so often, thereâs someone in the library almost as early as you.
âThey found two more bodies.â Ashland says, leaning on the checkout counter. You knew before her mouth had even opened it was going to be something bad. Her brow was high and pinched, mouth curled down. You had hoped it was something about her partner- the herb guy.
This is the part of this job you just canât get used to. Death was something far away and abstract for you before, not something that you keep running into. Ever since that hostage situation in AprilâŚ
Itâs awful. One body was a freak accident-- or, not accident. Just, some freak. But three? Thatâs⌠Thatâs intentional.
âItâs crazy,â Her voice is hushed, a conspiratorial whisper. You canât blame her for the dramatics; she really shouldnât be telling you. âThe chiefâs closing the park for public use later today. Diaz thinks theyâre gonna blame wild animals, something about an unusually hot summer making them more aggressive.â She frowns and glances out the door, making sure nobody else is listening. âBut Ports is on the task force and she showed me the crime scene photos. Theyâre human bites. I swear it.â
You blanche. âBut⌠why?â
âCult.â Ashland nods. âI think itâs a cult. Human sacrifices.â
âA cultâŚ?â You repeat quietly.
She reaches across the counter and touches your arm. âHey, itâs okay. Irons is gonna start taking this case seriously. I know it. They have to after this.â
Irons. Your stomach twists into knots. The warning plays in your mind: Brian Irons is dangerous. Itâs illogical to think Weskerâs warning has to do with his work. It was personal, definitely; Irons was a danger to you. But still, having that confirmation- having your bad feelings about him validated by someone like Wesker, someone knowledgeable- any trust in him you had left in Chief Irons is completely gone.
ButâŚ
That kind of absolutism still feels wrong. Even if heâs awful to you and to Wesker, maybe heâs still a professional in other aspects.
Maybe he will take it seriously.
You really hope so. Three murders⌠You havenât lived in Raccoon City long, but it has never felt like the place that gets⌠murder cults.
âAnd, okay,â She starts again. âYou donât gotta tell me where you got it, but uh..â She points to her neck.
The gears turn, trying to understand what about her neck is so intriguing--
Your cheeks burn and you look away, covering the offending spot on your own neck with one hand. The exact imprints of Weskerâs teeth in your skin had lasted days, but at a week out, itâs mellowed into one large, mottled bruise. Even so, the memory of it makes your low belly pulse.
With how hot itâs been and how high he bit you, itâs not been easy to hide. âSorry. I, uh, guess I sweat off my concealerâŚâ
Ashland shrugs. âMight wanna keep an eye on it; Blackburn from HR is a stickler for that stuff.â
You nod. Maybe you could put a bandage over it. Not great, but you canât exactly wear a scarf to Jamesâs goodbye dinner.
Wesker doesnât attend. You arenât surprised, neither is anyone else. As rare as his social outings were, theyâve all dried up to nothing in the last month, every free moment spent in his office. But given the party is in the S.T.A.R.S. office and heâs clearly not here, you hope heâs at home resting. You really, really hope. You donât know how much longer he can keep doing this. Even as put-together as he is, heâll burn out sooner or laterâŚ
It ends up being a mini potluck; almost everyone has brought something. A lasagna, potato salad, someone hauled in their whole slow cooker filled with chili (Barry, if you had to guess), soda but no alcohol- that had been Weskerâs one stipulation on using the office. For the best, you think, considering Chris and Forestâs stories of drunk nights that neither fully remembers.
But for tonight, Chrisâs impression of Wesker was perfect, his lips pressed tight and faintly curved down. He captures the strange, mixed accent with the kind of clarity that only comes from hearing it in and out all day: Arenât you just going to throw a party for Ms. Chambers next week?
You feel a little bad; James wasnât particularly social so you never really got to know him. You feel out of place coming to his going away celebration, more of a friend of a friend than actually supposed to be here.
Would it be rude to leave early? Youâre just taking up space⌠Like everything else, all you do is stand in the corner or cling desperately to the people you feel closest to, which only makes you feel guilty for being a social leech.
The lights are low enough in the office, the music loud enough, James is sitting on his desk, turning over some kind of gift with an obscenely large ribbon on it.
You can get away with it, you think.
You slip out the office door.
Out in the hallway June has brought with it the sunlight, so despite it being nearly seven the hallway is still lit up with the setting sun, the old wood and terribly outdated paintjob glowing orange. Youâre thankful at least; the walk home will be nice, maybe only just getting dark when you get to your apartment.
Youâre nearly around the corner towards the library-
âHey, hey!â
You startle, then grimace. Oh, now you feel worse, you got caught⌠You look back just in time for Chris to be waving someone off from the other side of the door and half-jogging to catch up to you. âYou headinâ out?â
The guilt of trying to sneak out sits heavy on your shoulders. âAh, yeah, I--â
âItâs okay, I know parties arenât really your thing.â He smiles- and so much of that weight slides right off you. As though if Chris doesnât care, then maybe you donât have to either.
âOh,â You almost laugh. Being seen so blatantly makes you feel like heâs peeling back the layers of your skin: sensitive, exposed. But thereâs something more to it, a kind of trust. âYeah, it isnât.â
Chris waves his hand dismissively. âI just wanted to check in on you. I know Iâve been busy the last few days and havenât had the chance to really talk.â
That does bring a smile to your lips. âIâm- Iâm fine. Nothing new, really.â
âGood, good.â For a second he doesnât say anything, then sighs and sweeps a hand through his hair. âListen, itâs none of my business, but you had bruises on your wrists and still had a pretty sizable bandage on your neck.â
Your heart drops down through your feet. âI--â You start, âIâm sorry, I know itâs- itâs unprofessional.â You glance at your wrists and curse yourself. Theyâre gone now, Theyâve been so faint, looking more like shadows on your skin than an injury. Youâd only really been worried about the bitemark, significantly more visible than the imprint of his hand holding yours⌠but Chris was S.T.A.R.S. after all, it was his job to pick up on the small stuff like thatâŚ
Chris scoffs. âWhat? No, I mean. Iâm not gonna judge, okay?â He holds up his hands, âBut are these⌠good bruises orâŚ? Again, no judgement.â
Oh. Your cheeks burn, your eyes settling on his boots. âY-yeah, theyâre good.â Really good. The hope it happens again kind of good.
âThatâs a relief. I was worried I was gonna have to deck someone and get put on leave again.â He grins. You know he would in a heartbeat, no second thought.
You laugh softly this time, âThank you. But, y-yeah. Iâm okay.â
âSo?â Chris prompts, waiting just long enough to see a flash of fear in your eyes. âWhen do we meet him?â Then quickly adds with a curious eyebrow: âOr her? Again, no judgement here.â
âUm,â The emotional whiplash makes you dizzy. Youâd love to tell him, to explain, oh you hate lying, especially to Chris. But his words echo in your ears, solemn and accented and always, always the voice of reason: They wouldnât look at you the same way. You had doubted it then, at least a little. Now you know, without a doubt. He was right, because of course he is. Chris couldnât joke about this with you if he knew. He probably also wouldnât worry about whoâs leaving marks on your skin if he knew it was his own captain. âHe, ah, heâs kind of private.â
âYeah, yeah,â Chris waves you off again. âHe goes to another school.â He says the joke but you can still see something in his face, something reserved behind his words. A suspicion. Probably still for your safety, which only makes you want to come clean even more. You ache to assure him: He doesnât need to worry about you! Maybe your relationship is unconventional, but itâs nothing like that.
âHeâs good to me. Really. Patient and mature.â You say and force as much affection into your voice as you can. With how little you can tell him, you hope itâs enough to assuage that fear.
Chris watches you for a minute more before sighing. âOkay. But⌠anything happens, right? Anything. Come tell me and Iâll set him straight.â
âAnd this is the library.â
Your ears perk up, attention drawn towards that back pathway to the unicorn statue. You know the voice- itâs Richardâs. Still holding the book you meant to reshelve, you move towards the center of the room, ready to greet him.
âOooh, I think I was here before!â Someone else speaks.
Right.
James left over a week ago. One spotlessly clean desk among the dozen messes, a little beacon of impending change. You werenât close with him, but you do miss him and you miss the stability of knowing everyone. A new person⌠no, if it were just a new person you think you could handle it. Youâd say the wrong thing or freeze up or not know how to act with them, but youâve developed enough social grease with the rest of the team that you could get byâŚ
You peek around the bookshelf slowly, plastering on a smile.
âOh, there you are!â Richard beams, âRebecca, this is our records manager.â
Rebecca, for the first time, actually steps out from behind Richard. Sheâs so short. You forgot how short she was, absolutely tiny next to Richard. Her wide, curious eyes do nothing to dispel how childlike she looks- nor her broad, white smile.
âAssistant records manager,â You correct halfheartedly. Did that come out as humble or dismissive? Was it better just to let people assume that or correct them? Having someone new makes the creeping black mass of doubt worsen, but because itâs her it reaches critical almost instantly.
âYeah! I got lost after my interview, right? You helped me get back to the main hall. This place is like a maze!â She offers her hand. âIâm Rebecca, glad to meet you.â
âY-yeah,â You meet her handshake. Is your palm too sweaty? Itâs so hot in the library, you could probably play it off as that. Itâs just the heat, itâs not about her. âNice to meet you.â
âForest told me youâre also a teen.â She smiles, âIâm really glad thereâs someone else my age; I was afraid Iâd be the only one who couldnât drink!â
Somehow it still pulls the half-laughing exhale from you. âYeah, they ah, they do love their cop bars.â
âHonestly.â
âChris already invited her to the movie nights. Sheâs gonna pick the next one, actually.â Richard says, âBut we should keep going, weâll see you later!â
âBye!â Rebecca waves, still grinning as Richard ushers her towards the main door.
You like her, you think. But still your stomach hurts, a block of discomfort that sits just below your ribcage. The longer youâre left alone in the library, near silent except for the ever present muffled din of the station all around you, the closer you come to tears.
You see him so rarely now that you donât expect him to come by the same evening.
Each time that the days between your moments together start to number beyond four, you canât help but worry. Itâs natural, youâre sure, given the circumstances. In a⌠a normal relationship-- no, no, thatâs not the right word. In a common relationship itâd be abnormal to not have some kind of connection with your partner for several days in a row.
But again, circumstances.
Youâre not in an average relationship. Youâve accepted that long ago. The things you have to sacrifice to be able to kiss him at all⌠Even if he only sees you once a week, itâs worth it. And even if most of those visits are brief, teasing things and most of your evenings are concluded with walking home alone, itâs alright.
You wish you could do⌠that again (or more, you still wouldnât reject more).
But you hadnât expected him to come by the same day as you formally meeting Rebecca.
Heâs tired. You can see it on him again. At least if heâs taking you home, he wonât be cooped up here all night.
He smirks when he sees you, hands crossed over his chest as he waits for you to gather your stuff. You donât mention how you can feel the energy is off with him, a sluggishness to his movements, nor does he mention your red-rimmed eyes.
He drives you home in silence, his hand resting lightly on your thigh. The whole ride you pick at your fingernails. When you arrive he leans over the console to kiss you. The contact is nice, grounding. A respite from the stress of the day, but he pulls away too soon and you take your obvious cue to get out.
But you canât bring yourself to go inside just yet. Youâll be alone with your thoughts all nightâŚ
You stand, awkwardly, beside his car before circling around to the driver side. Your stomach roils, your teeth sink into your lip, and you wonder, again, if youâre doing something wrong. Through the dark tint, you canât see Wesker, but after a moment the engine turns off.
He steps out and sighs. The noise cuts through you, makes you step back- and oh, you shouldâve just gone inside. You couldâve dealt with this yourself, you think. It wasnât even that bad. The corners of your eyes prickle with quickly gathering tears. âSorry, I can-â
âWhat do you need?â He cuts you off. Despite his word choice, he doesnât sound angry, just⌠factual. What is it that you need? Why did you linger?
You step closer, your gaze flicking between his face- held in that stern but neutral for him expression- and his boots when the pressure feels too much. He doesnât react to you coming closer, doesnât immediately chide you for it- closer still into his personal space- and slowly you lean into him.
He doesnât move at all as your ear touches his chest, your arms circle his waist. You relish the moment, take note of the little human parts of him: The warmth of his skin has sunk into his clothes. His heart beats powerfully just behind his ribcage. You hold him tighter, hands sliding up his back until youâre all but crushing your face into his shirt.
And with another sigh- this one more weary than annoyed- his large hands settle loosely at the small of your back. âThis is about Ms. Chambers, isnât it?â
You shrink beneath him, wilting like a flower in the summer heat. Without looking up, you nod against him. Itâs stupid, you know it is. She was nice to you, hasnât done anything wrong, but sheâs as young as you are but so smart and so confident. You could never be like herâŚ
Wesker shifts, pries your face away from him with one hand, his fingers wrapping around your chin. Forced back far enough for him to meet your eyes through those dark glasses, he hums for a moment in consideration. âShe is rather cute, isnât she?â
Your jaw drops. A cold pang lances through you, another hot tear rolling over your cheek- but one corner of Weskerâs mouth lifts, tightens into a little dimple. His smirk, that teasing thing-
âYouâve nothing to worry about, dearheart.â He taps your chin with his thumb.
You exhale sharply, the breath knocked out of you as swiftly as heâd made you choke up. Emotions mix; relief with his reassurance, guilt for needing it. But still, relief. You lean into his hand, soak in this increasingly rare closeness. You have to remind yourself: you made something out of nothing, this entire thing with Rebecca was all but a figment of your imagination.
âSorry,â You murmur after a minute. âIâve just⌠missed you.â
His smile falters, fades into something bittersweet. âI know.â
Your hand covers his, brings it up to your mouth properly so you can kiss at his fingertips. Itâs always a task with him, the pursuit of real information, anything more than a glimpse, a flash of what his private life is like. âWhen will you be done⌠consulting?â
He hums again, watching you as you kiss another round across his fingers.
You sigh. âCan⌠can you at least tell me something?â
At this, however, he grins. His mouth twitches first, before pulling taut, smiling at a joke you havenât heard. âYou may just find out soon.â He releases your chin to stroke over your hair. âIf youâre very lucky.â
Lucky? You donât know what to make of that. If itâs something like a confidential case wrapping up, youâd expect something⌠different. Is he working on something good?
You have so many questions and you know he will answer none of them. But soon gives you a sliver of hope, a light at the end of the tunnel. Maybe you can go back to seeing him every few days instead of every two weeks⌠and, maybe, heâll keep touching youâŚ
The thought makes you shiver. The idea of what had happened in the library happening with any kind of frequencyâŚ
More, ideally. You⌠youâd really like to do the same for himâŚ
Weskerâs grin returns and your cheeks burn again. Are you that easy to read or is it just himâŚ? It must be the latter; if everyone could decipher your thoughts, they wouldâve found out about you and him immediately. But for as easily as he reads you, his thoughts are evasive, hidden under those black sunglasses.
âGet some sleep, dear.â
He pats your shoulders and begins to draw away. You follow, catch onto his belt loops to keep him close. Him leaving after- after itâs been so long⌠This time, you watch as his pale eyebrows drop down, a crease forming between. The shift of his mood leaves a shiver running down your spine. You swallow down the rising fear and ask anyway: âI⌠can we⌠meet more often?â
You expect another flash of his white teeth, some mild chastisement for wanting more than you need- or deserve, maybe. The grin doesnât resurface, his hands donât return to you and a cold brick forms in your gut.
âDonât be difficult.â Thereâs no affection left in his voice, âYou know Iâm trying.â
Thatâs true⌠he doesnât have to come by when he does. He could have just focused on his work⌠heâs so busy that he works himself to exhaustion and even now youâre taking his time⌠How selfish can you be?
âYouâre right,â You say softly, dropping your gaze down to his shirt. Not yet ready to let go, needing just a moment more, you gently straighten the fabric there, smoothing out a crease. âIâm sorry.â
He doesnât move, watching you through those shiny black lenses- and finally he strokes along the side of your face again, fingertips trailing down over your jaw to your throat. âItâs alright. Go get some rest.â
This time you nod silently. When you raise up to your tiptoes, he does meet your kiss in a brief peck.
Once youâre inside your apartment, you let yourself cry.
He doesnât visit the next day. Or even the day after.
You shelve the feelings, tell yourself to be patient. You like him, he obviously likes you. Heâs busy is all, thatâs hardly a crime. It doesnât change how much you miss him, how you find yourself jealous of every time Barry mentions his wife. You want dinners with him and dates and⌠and the things you knew youâd have to give up to be with himâŚ
You feel stupid. He told you it would be difficult. You miss him and every time you long for something more, you feel guilty for it.
Wesker comes by the first week of July, offers to take you home after work. You jump at the chance, all too happy to soak in any minutea of attention-
And in the parking garage, Wesker pushes you up against the side of his sedan. He kisses you slow and deep, one hand at the base of your skull while his tongue slides against the roof of your mouth. He kisses you until your lips go numb, chapped from the friction and saliva and your chest aches from hypoxia.
He does not say Iâm sorry, but he does murmur in your ear about how youâre his sweet pet. You decide you can handle it so long as you get to hear his breathy praises now and again.
âSo, happy first month on the job,â Enricoâs voice is almost drowned out by the continuous roll of conversations all around you. The circular booth is tightly crowded, leaving you to pull your arms in tight and squeeze your legs together. This was not how you wanted the evening to go. âDo you think youâre getting the hang of most of it?â
Rebecca purses her lips as she considers answering. âI think so! Iâm still nervous for my first mission.â
More than ever, you feel out of place. Sandwiched between Kenneth and Forest, youâre stuck. Itâs one thing to be the only civilian in Chrisâs living room- something low stakes, something quiet-- but being the only person not in uniform while the waitress is saying things like thank you for your service makes you want to escape. Even if you have to slide out under the table and crawl.
But if you did that, youâd make a scene.
All you have to do is swallow down the rising distress for long enough- if anyone gets up to use the bathroom you can excuse yourself. You had a hard day is all, you need to catch up on laundry, something mundane, any excuse so you can-
Enrico smiles, âThereâs no need to be. We wonât be sending you anywhere alone for your first one, youâll have backup.â
Opposite you at the table, Brad swats away Chrisâs hands as he reaches for the otherâs fries. Chrisâs laugh makes you relax a little; even if you are out of place, it hardly seems anyone else is bothered by it.
âI appreciate that.â Rebecca says, then laughs lightly to herself. âThough, I feel like I maybe picked a bad time to join the R.P.D.â
âDonât tell me the cannibal thing is getting to you.â Kenneth raises one thick eyebrow, already frowning in disappointment.
âDonât act like itâs not freaky as hell.â Brad mutters.
âThey are.â Rebecca confirms.
âItâs an⌠unusual case for Raccoon City.â Enrico concedes. âRandom acts of violence like it are hard to predict or investigate, but theyâre also incredibly rare.â
Rebecca stirs her drink with her straw. âSeems like the kind of case S.T.A.R.S. should be handling.â
That perks up Chrisâs ears. He twists to look at Enrico. âYeah, Vice Cap, why arenât we investigating the Raccoon Forest Murders?â He asks, voice dripping with contempt.
Enricoâs mouth drops into a line, a serious slash across his face, shooting a dark look over at Chris. âI donât know.â He turns back to Rebecca. âRedfield and I have petitioned the Chief over and over, but he wonât assign it to us. Respect due to our uniformed brothers, but theyâre spinning their wheels out there.â
A somber cloud settles over the group. Heâs not wrong. Itâs been weeks now since the first body appeared, chewed up and mangled. Whatever the task force is doing, it isnât enough. Even if it is somehow just wild animals, rabid dogs, or an unseasonably hungry bear, the police should have solved this long before the body count got to seven.
âWe can handle it.â Rebecca breaks the looming silence. She smiles, a confidence that you canât understand.
Joseph claps her on the shoulder, the movement awkward for how tightly crammed everyone is. âSee? You were made to be in S.T.A.R.S.!â
He still hasnât touched you again. Not like that, at least.
Youâve tried replicating it, mimicking his motion and angle and keeping your other hand close to your chest just as heâd held it. It feels good- but itâs not the same. Your arm hurts, sore and exhausted long before youâre at the point of trembling and pleading.
Itâs agony.
If the ever present need between your legs was not bad enough, you just miss him. You want to talk with him again, relaxed and intimate as you had been over dinner. You want to fall asleep on him, to have him hold you casuallyâŚ
You⌠you can take it. Youâve survived worse than longing, but it doesnât make it any more pleasant.
âYouâre so full of shit, Chris.â Forestâs mouth lifts into a good-natured scowl. âYou couldnât even make that shot on a clear day.â
Chris, throws his hands up. âFull-on thunderstorm, I swear!â
This is not the conversation you had expected to walk in on. Hardly the worst-- or even the first time youâve caught some of the rowdier S.T.A.R.S. trying to show off and one-up each other.
Today, you donât even have a ruse for why youâre in their office. Rebecca had, genuinely, left a request in the book while you were out on your break- lonesomely sitting on the rooftop, wondering which cigarette butts were Weskerâs. You still hold her requested file in your hands. Itâs a thin one, a recent missing personâs case. Itâs depressing to see, so little information was gathered before it was unceremoniously closed.
She had accepted the file, thanked you, and signed in good order, but now this petty argument had broken out before you could leave.
âWho goes shooting in the rain?â Joseph scoffs.
âI told you! It was clear when I headed out there, but by the time I had got my camp set up, it was stormy. Felt like a waste to pack up, so I went out anyway.â Chris shrugs, folding his arms behind his head and leaning back in his chair.
âFuck it, letâs go settle this at Kendoâs. Your story is bullshit and Iâm still a better shot.â Forest is already picking up his gear, nodding at the door.
âWhat, now?â Chris gapes.
âYes, Forest,â The room goes silent, a chill settling over the playful mood. Everyone turns towards the corner office just to find Weskerâs arms crossed over his chest. âWere you planning on leaving early for your little contest?â
âAh, I mean, no, Captain,â Forest deflates.
A beat passes and Weskerâs head shifts subtly- towards you, no, towards Rebecca. âMs. Chambers, have you had your service pistol customized, yet?â
âNo, sir. Is that something I should do?â
âI would recommend it, as well as logging some extra hours at the practice range.â He says vaguely, then he turns again: âBarry, call over. Letâs not drop the whole squad on him unannounced.â
The bullpen erupts, Chris and Forest whooping in joy. Barry immediately grabs his phone and begins punching in a number. Beside you Rebecca sighs, âHeâs gonna critique my grouping again.â
You pat her shoulder awkwardly. Youâve only been on the receiving end of Weskerâs criticism a few times; you donât envy her. The ruckus in the room rises and you sidestep around Richard, sliding along the side of the quickly emptying room towards the door.
Wesker still stands at the doorway to his office, making a show of adjusting his watch. Itâs nice to see him at work, in his serious mode, almost none of that teasing playfulness you seem to bring out in him.
âHave fun, Captain,â You say as you begin to pass by him. You smile faintly, a little too soft to be hidden as just polite. Under the excitement in the room, youâre sure no one would notice.
But your mild display of affection is outmatched. Weskerâs hand grabs your forearm, stopping you from leaving. âCome with us.â
âTo the⌠the range?â You ask. The thought alone makes a cold sweat bead at your neck. âBut I donât⌠Iâve never even held a gunâŚâ
âYouâre an employee of the R.P.D.â Wesker lets go of your arm, drawing back to adjust his sunglasses. âYou should be able to defend yourself.â
A few members of S.T.A.R.S. cut between you and slip out the door, moving quickly as to avoid Weskerâs attention.
You open your mouth to reject that- youâd be better suited to running or hiding, not fighting back- but close it just as quickly. Despite your dislike of it, of the violent nature of his work that youâve never really addressed, it is an excuse to spend time with him. With everyone, of course, but Wesker so rarely joins the team in their social outings.
And⌠it must mean he isnât busy consulting. A swell of hope rises in your chest at the thought. So much of your time lately has been stolen, frantic moments that you have to engineer just to get a glimpse of him.
âO-okayâŚâ You concede. Itâs not like youâre busy, anyway.
ââScuse me,â Forestâs hand touches your shoulder and you jump, âSorry.â He laughs then gives a nod to Wesker. âSee ya over there, Captain.â
âSpeyer, take our archivist with you. Make sure they donât get lost.â Wesker gives you a little push forward, back in Forestâs way.
Forest gives an exaggerated salute, his good mood unflappable. âAye aye, Capâ.â
He guides you through the station, along the exact same path youâd take to the parking garage. âI didnât think you liked guns.â Forest says, weaving through the busy main hall. You almost lose him as a gaggle of uniforms cut between you, his blue vest blending into the crowd. He waits, though, grinning broadly when you finally pick him out again.
âAh, I donât.â You glance at the holstered pistol at his hip. âBut, um, Wesker offered to teach me. S-since I should, I guess.â
The door outside is a relief; the hot air of the station is smothering, but outside a gentle breeze makes the heat bearable. Forest shakes his head, letting his long hair float behind him. âAh, I donât know about that; doubt Ironâs secretary is packing either.â
You twist your lips at that. Ironâs secretary was also a cougar on the hunt for that younger Umbrella employee. Despite her sweet demeanor and glasses thicker than your pinkie, you think she can somehow handle herself, even if it isnât with a firearm.
The bell on the door jingles as Forest opens it. Kendoâs shop is smaller than you had imagined, for how often the team mentions it. The shop portion is neatly organized, rows of ammunition and accessories, followed by glass cases of shiny new parts and scopes and grips and little signs stuck to the inside: house-made customizations available, just ask!
Behind the till is a fairly large placard: the S.T.A.R.S. logo, the paint still crisp and unfaded. Below it is a smaller sign: Proud sponsor of the Raccoon Police Department and Special Tactics and Rescue Service. You knew Kendo was beloved by the station and that he had donated a lot of time and resources to the police force, but you didnât really grasp the intensity of it.
The back wall, however, is what makes you nervous. In standing cases, thereâs more guns than youâve ever seen. Shotguns and rifles of all shapes and sizes and modifications you canât even begin to name.
A familiar voice floats through a doorway. Chrisâs excitement is palpable even through the walls and Forestâs grin resurfaces, his pace quickening to catch up. You pause here, still near the counter, the regular customer area of the shop, as Forest continues on. Itâs normal for him to be back there, out at the range portion, but not for you. Even with his escort it feels wrong-- and youâve lost him anyway, disappeared around a corner while you nervously wait.
You⌠you donât even know what youâre waiting for. Wesker, maybe? You donât like the idea; heâll be disappointed you didnât stay with Forest-- though you donât know if you or Forest will be the subject of his ire. Permission? That sounds more right. You donât know Robert Kendo like the members of S.T.A.R.S. do and just barging back there- escort or no- feels⌠wrong.
You chew your lip, drop your gaze down to your shoes. The urge to run away rises up in you again, but now feels impossible. How would you even begin to explain it to Wesker? He offers a way to spend time with you- though, not just you- and you ditch him? What an awful partner youâd beâŚ
Someone sighs--
You straighten up immediately as a pudgy middle age man wanders back into the front of the store, the soft curves of his face lifted into a weary but good-natured halfsmile. Already tired of Chris and Forestâs antics, if you had to guess. They do tend to have this effect on people.
âOh, sorry, didnât see you, do you needâŚ?â He starts, but youâre already waving him off.
âNo, no, Iâm with them, I- ah, just wanted to wait for someone.â
âYou, ah, you Rebecca?â He asks.
A sickness squirms in your belly. You open your mouth to correct him- but are cut off by the door bell. It jingles again-
And Wesker holds the door open for Rebecca. Her eyes wide with curiosity, her gaze darting all over the store. Probably how you looked, you realize- which only makes that nausea rise a little higher. What you can see of Weskerâs features look like theyâre in that usual stern default he has, but with his sunglasses on you can never really tell. Maybe behind them he does have that little fond look--
No.
Wesker said you have nothing to worry about.
You swallow forcefully and feel your body shudder as you breathe in. You have to believe him. Thatâs all there is, either you trust him or you donât and you must. Besides, he hasnât even done anything to make you think he is interested. Everything has been your own ridiculous insecurities, nothing but sabotaging yourself.
âHello, Bob.â Wesker says, looking past you. It still makes your stomach hurt a little, but you know logically he couldnât exactly address you so informally in front of two people.
âThis is Rebecca, I assume?â He gestures towards Rebecca, who still looks all over the walls, taking in the huge display of lethality.
âAh, yes!â She straightens up.
âBarry said weâll be customizing your service pistol, catch you up with the rest of the team.â He grins and motions her over to one section of the counter. âThat Beretta ainât a Samurai Edge until weâve worked on it.â
Rebecca follows him, leaning over the glass and watching as he begins removing different parts from their mounts, setting them on the counter.
Crack
Even through several walls, the noise makes you jump- and startle again as you bump into someone. You turn to apologize, the words already forming on your tongue- and his hand, broad and firm, spreads over the curve of your low back. The comfort of such a tiny touch washes over you. You hadnât even noticed him come closer, but knowing now you feel like you can finally exhale.
He dips his head just enough for you to feel the warmth of his breath as he speaks. âSeems they started without us. Shall we go watch the show?â
Your mouth goes dry at one sentence. His hand is still on you. You nod, almost lightheaded. Heâs a siren when he wants to be, when he can be, and every time you forget just how much sway he has over you. Itâs a struggle to resist melting into him, to walk normally instead of leaning on him how youâd like.
But Wesker keeps his hand at your back, the touch light enough he could play it off as guiding you. You⌠you are nervous in new places. Everyone knows that. Itâs not so unlikely that you would appreciate help like that. The fact itâs Weskerâs hand at your back would be the bigger concern to anyone who noticesâŚ
And yet the thought makes you blush, a little smile wriggling across your lips. To be seen out with himâŚ
The fantasy fades as you approach the group, his hand falling away without notice. Chris and Forest stand side by side, pistols in hand and-
Crack!
You jolt again, this time Weskerâs hand settles over your shoulder. Again the weight settles you-- but doesnât entirely prevent the same reaction at the next shot. But itâs so public here, another type of anxiety makes your skin feel cold, too aware of the people around you. Even if you were jumping, full body flinching really, every time one of them fires, was this allowed? Would anyone think twice about the stern Captain Wesker having a hand on you?
He squeezes. You feel it: the strongest pressure from the tips of his fingers, the ridges along the grip of his gloves. You exhale slowly, some of the fear following. You wish you could relax and enjoy this time with him- even if itâs not just with him. If heâs doing this he must feel itâs safe enough, you just have to believe it.
âAh, damn,â Forest says, setting down his pistol to wipe at his forehead. âYou got me this time, I can see it from here.â
âOh no, no, letâs get a closer look.â Chris replies, flicking the switch to bring the targets closer, an electrical hum filling the room. To you, the two targets look almost identical; youâve got no point of reference for why Forest is already capitulating. The black figure drawn on the center of the paper is well damaged on both of their targets, holes punched straight through the white concentric circles of the head, with a few polka dotted along the outlines.
âForest, what the fuck happened here.â Joseph points at one hole, completely off the figure target by several inches.
Forest bristles, âShut up, go get another set..â
Joseph laughs as he heads back towards the other end of the range.
âWell done, Chris.â Wesker says mildly, âBut your grouping could still be tighter.â
âAw, come on, CaptainâŚâ
âTwo of those are grazes.â Weskerâs hand drops off you so he can cross his arms. âNot enough to stop a hostile.â
âTwo shots off the entire magazine?â
âI have high standards for our best marksman.â
Chrisâs eyes twinkle at the praise, a pride that doesnât dissipate when Joseph returns with two new target papers.
Wesker turns and starts down to the opposite end of the range. âLetâs give them some distance so you can focus.â
You shrink down, wishing he had forgotten about this part. It was one thing to watch Chris and Forest shoot, itâs another entirely to hold the gun yourself. But Wesker urges you on, guiding you down all the way to the last stall. The fins on either side jut out just enough that you can no longer see the competing men nor the crowd that had gathered around them.
Itâs just you and Wesker and the black silhouette at the end of the range.
A button pops at Weskerâs side. He holds the weapon in front of you, the metal glinting under the fluorescent lights.
âTake it.â
You look up at him, wanting to fabricate an escape from this, any reason why you could get away. But you canât. All you get from Weskerâs face is his cool, unaffected expression and your own nervous reflection in his glasses.
Your hands shake as you raise them- and Wesker meets you halfway. His larger hand closes over yours, guides it into position. He wraps your fingers around the grip, the inlaid S.T.A.R.S. logo a smoother texture than the rest of it. Your palms sweat already, worsening as he lays your index over the length of the trigger guard.
Wesker steps behind you entirely and you struggle to breathe. The breadth of his chest presses against you- and he reaches for your other hand, guiding it up to act as a support. With his arms bracketing yours, his warmth surrounds you entirely- the smell of him, his cologne faded under black, burnt, police station coffee and piles of paperwork and his cigarette smoke--
Odd, you think, heâs so careful with his smoking; he must be so stressed if heâs smoking enough that you can smell it on himâŚ
But itâs comforting in a way- which makes you feel guilty. The scent of it is familiar, something private, something youâve tasted-- even if you shouldnât be able to smell it now.
It grounds you, just a little bit. Enough that you can exhale and really look at the weapon in your hands.
âYou wonât keep a weapon,â He says it as a fact, something he knows about you. âBut youâll know how to use one.â
Youâd like to reject the idea entirely; youâve surrounded yourself with people who would keep you safe, after all. But thereâs no question in Weskerâs words: you will know.
âThis is the safety.â He guides your index up to a small latch. He presses down- and you jump as it clicks. Wesker exhales, the kind of breath that would be a puff of laughter were you actually alone.
âPut your thumb up on this,â He draws your thumb up, over the wedge of metal at the very back of the muzzle. âThis is the hammer; most pistols donât need to be cocked before firingâŚâ He pushes down over your thumb and the hammer draws back, tensioning as it goes. Weskerâs voice drops, his work persona evaporating as his lips brush the shell of your ear. âBut it makes it easier to fire.â
You shiver, hands trembling again, but Weskerâs large palms keep the gun steady. Heâs all around you again. In your terror you hadnât realized it: his arms on either side of you, his hands over yours. As if knowing it has finally occurred to you, Wesker steps closer, crowds you up against the little counter- and his hips meet yours. Through the layers of clothes you can feel him, warm and half-hard.
You⌠youâre in public. Not just the secluded corner of the library, but real honest public. Beneath the hot rushing of blood in your ears you can still hear them: both Alpha and Bravo teams laugh, chatting- and Wesker continues anyway. He lifts your arms higher until theyâre properly holding the gun.
âLine up the top with your targetâŚâ He says, and you try. Along the sleek dark metal you follow its path towards the distant silhouette. With your shaking, itâs difficult. You adjust your hold, squeeze the textured grip, your fingertip biting into the S.T.A.R.S. logo.
Wesker all but purrs. âGood.â And it takes everything to not lose focus. âNow,â He draws your index finger off the guard, down- and you canât help the whimper that follows. The trigger is still cool, the metal smooth and inviting, easy to rest your finger against.
Wesker draws away, hands off yours, sliding up to your wrists instead. Your hands start to drop, but he guides them back up until you hold your aim again. But his hands are off yours entirely. You thought⌠if he had manipulated your hands so far⌠but he wonât. He wants you to pull the trigger.
âGo on.â He prompts.
Your hands tremble again. You hate it. âI canât.â It makes your eyes water in frustration; you want to be good, to do as he asks, but moving your finger only an inch is impossible. Too much.
âYou can.â He asserts, leaves one hand at your wrists, keeping your arms out, but the other begins to slide towards you.
His touch is soft, feather-light and isnât swayed at all at your shocked âWesker?â
âShh.â His lips brush your ear again just as his hand slides across your chest. You turn as best you can, desperate to know if anyone can see you- if anyone is looking. The fins that separate each stall are just long enough to block the view of your friends- but if any were to come closer-
âFocus.â Weskerâs voice brings you back. âThere are four main ways humans deal with threats.â
The palm of his off hand slides across your chest, light at first before becoming firmer. âFlight, freeze, and fawn all serve their purposes in the right contexts, decent methods to avoid a predatorâs jaws.â His hand dips, skims across your nipples. Muted as it is through clothes, the sensation still makes you jump in his arms. âBut sometimesâŚâ
His touch drops. Down over your belly to the hem of your pants, his fingers toy with the button. A heat blooms between your legs- after all this time waiting, so few moments together heâs going to touch you again-
And in the same breath you feel cold, rigid, terrified of how close you are to everyone else. Thereâs no way you wonât get caught, itâs too open--
âSometimes you justâŚâ Lower, his fingertips drag over the zipper- âhaveâŚâ lower still, over the soft pouch of your mons and- âto fight.â
Two fingers press against your sex, rubbing slowly against your clit. Any resistance flees from you; your weight drops back against his chest, consequences be damned. You want to moan, to open your mouth and pant because itâs been so long and it feels better than you remembered- but the fear keeps you quiet. Your hips rock softly, matching the slow, shallow strokes heâs rubbing into you.
âFocus.â He chastizes again.
He⌠really expects you to try to shoot while heâs touching you again? You shove down your doubt and just try to do as he asks; you open your eyes again and attempt to aim, to hold the weapon up without Weskerâs support. It feels impossible; the firearm is heavy in your trembling hands, but you try. And that must be enough to please him, as he rewards you with his considering hmms and a nice hard stroke over your clit.
âYou want something more than just my fingers in your cunt, donât you?â
A wave of heat passes over you, vision going blurry at his words- how can he possibly expect you to keep this up when heâs saying such things? But⌠you do want that. You sink your teeth into your lip and nod.
âThen fight for it.â He says. âTell me what you want and pull the trigger.â
You want to. You want to. Youâve already done so much, why canât you just say it? But finding the words is as impossible as firing the gun; each task an impassable mountain in your path.
Heâs asked you so many times to tell him, and you never quite could. All the time youâve squandered, you couldâve- couldâve done it by now. But youâre still in the same place, trembling, leaning on him, trying as hard as you can but, âI canât.â
The arousal that fogs your head dissipates, vying for control with new competition: shame and fear. How many times can you disappoint him before-
âYou can,â He purrs, âYou can fight for me. Tell me what you want and Iâll give it to you.â He nips at the shell of your ear. âTonight. Iâll take you home.â
Tonight. You waver again. A time makes it so much more real. He wants to, has wanted to and you-- you just have to say it. Is that so much to ask?
âIâŚâ Each word is exactly as he said: a fight. Making any sound is gargantuan, each syllable a boulder stuck in your larynx. âI wantâŚâ You tremble again, but Wesker offers no further support. He merely turns, shifting to better watch as you struggle. âW-want you t-to, um, to-â
âWesker!â
You donât even have time to feel fear before heâs off you. Smooth as ice and just as cold in how he pivots. His hand comes off your waist, but leaves the one under your grip on his gun, sliding into the much more innocent position of only helping you keep your stance.
Your eyes feel as big as dinnerplates; wide and terrified and searching Weskerâs guarded expression for what youâre supposed to do-
âCaptain!â Someone yells again-
âHere.â Wesker waves one hand out past the fins that separate each stall. You plead silently with him: No, no, no, donât draw them closer.
âWhatâs going on, Enrico?â Jill asks.
The vice captain approaches, you can tell from his footfalls, but you canât bring yourself to look. Should you? Is it weird to not look? You can only bring yourself to look at the gun again, the sleek metal.
âCaptain.â Enrico starts, panting softly- running. Heâs been running. âIrons gave us the cannibal case. He wants us to deploy now.â
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