Doctor James Harold Octavius Corby
he/him | novelist | notorious villain | victorian enthusiast | bad role model | aged 40

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@doctorcorby
Doctor James Harold Octavius Corby
he/him | novelist | notorious villain | victorian enthusiast | bad role model | aged 40

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Hello, welcome to 2050, our gallery - oh, no, that art is not done with AI, the industry collapsed decades ago, but human artists have rediscovered the aesthetic and are using it ironically. Yeah they call it Neo-Modern AI Chic, they've been trying to recover surviving slop and put it in the archives. Oh, we're very into 2020s aesthetics now. You remember, Hyperlink Unburbia? Rustic Pseudo-Cryptid? Self-Care Shadowscape? You don't...know any of those? That's weird. They really define your time, is all, uh, and we're into it
That china dog that ornaments the bedroom of my furnished lodgings. ...I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her.
But in 200 yearsâ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was.
We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as âthose grand old artists that flourished in the nineteenth century, and produced those china dogs.â
-- Three Men In A Boat, Jerome K. Jerome, 1889
Unburbia...
ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
As someone who has written academic papers about the role of disguise and deceit in the Odyssey â Nobody is so damn important.
Prior to this point, when Odysseus tries to exercise Xenia (ancient Greek guest rites/hospitality code), he did what he was supposed to do. (Well, we think so anyway â notably, the most famous books of the Odyssey are told by Odysseus, who isnât exactly a reliable narrator.)
But when Polyphemus kills and eats some of the men, the game changes. The Cyclops makes it clear he has no intention of abiding by Zeusâs laws, and will cannibalize the lot of the men. So, Odysseus responds in kind â he breaks Xenia and lies. He introduces himself under a false name as part of a trick. Polyphemus then breaks Xenia again â he tells Nobody heâll be eaten last, and that is the Cyclopsâ guest gift to him.
Odysseusâ transgression is clearly the lesser one. The Nobody trick works. It gets Odysseus and most of his crew out of the cave alive.
But, crucially, before leaving Odysseus sheds his disguise. He admits his true identity, in detail, so he can boast of his achievements and add vanquishing a Cyclops to the list. And it bites him in the ass spectacularly.
The only reason why Polyphemus can curse Odysseus, can bid his father Poseidon to curse the man who blinded him, is because he now knows who did it. If Odysseus had kept his mouth shut, he might have safely made it home from there. But while a big part of why the Nobody disguise vs. real name reveal is showing Odysseusâs hubris, itâs not just about that. Itâs also about the start of a pattern that hurts him more than it helps him.
From this point in the Odyssey on, Odysseus lies about his identity constantly. And sometimes it protects him, but more often itâs a detriment or at least unnecessary. Heâs lying about his identity primarily to people who are on his side â a kindly loyal swineherd, his son, his faithful wife, his ailing father.
The last one is especially damning, because happens when Odysseus has already killed the suitors and returned home and reunited with the rest of his family sans disguises. He knows from everyone else that Laertes never betrayed him or his legacy, but was mourning his son and heartbroken for almost a decade. Odysseus has publicly declared his return to everyone else â his father doesnât know because heâs living in squalor remotely. But Odysseus doesnât tell his father who he is. He makes up a fake identity and tells a story implying Laertesâ son is dead. And when Laertes bursts out crying, then Odysseus drops the charade and finally admits who he really was.
There was no utility to that lie. No loyalty to test. No hidden threats to worry about. But Odysseus still instinctively lies to his beloved father about who he is, only dropping the charade when he sees the damage itâs doing to his relationships.
Because at this point, lying is pathological for Odysseus. He canât seem to stop doing it. Because with Polyphemus, a lie protected him and the truth hurt him. That is the point of the â Nobodyâ disguise.
And they fucking cut it???
Tell me you didn't understand the work you were adapting without telling me you didn't understand it.
an insurgent whom i heard called apollo
Mourning rings (17th-18th centuries)

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The Ojibwe nailed it. Wawa is exactly the right name for a goose.
Speaking of Ojibwe! Thereâs a new point and click game to help teach the language! Itâs called Reclaim! Azhe-giiwewining, and is currently on sale on Steam!
If ur a US based academic I bet if u could write a good enough grant application u could convince the current government to give you a bunch of money to look for Atlantis or the kingdom of Prester John or something
Now is a great time to take an exciting overseas vacation on Uncle Sam's dime. U can even write about it after, be like "We gave it the ol college try but we still didn't find Atlantis, leading further further support to the consensus that it don't even real" and it'll piss them off soooo bad but that's still doing science abt it so đ€·ââïž
We could start some sort of a parapsychology foundation where we conduct laboratory tests of hermetic ritual magic, which is to say we get paid to make scientists act in little skits for our and others' amusement
Back off man, I'm a scientist.
Daniel Andersson
Safe From Harm (2022)
gotcha
Hey prev? tears in my eyes ??
objects in art: swords/daggers

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Ponte San Giuseppe di Castello, Venice (1904) by John Singer Sargent
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canât not have servants in those times but many modern readers think âbut I would never have servants. it would be so weird to have servantsâ and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnât it be so awful if your boss was always trying to be friends with you. a really common thing youâll see is the woke baronet having tea in the kitchen with the servants bc heâs not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canât not have servants in those times but many modern readers think âbut I would never have servants. it would be so weird to have servantsâ and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnât it be so awful if your boss was always trying to be friends with you. a really common thing youâll see is the woke baronet having tea in the kitchen with the servants bc heâs not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
one of my favorite parts of anna karenina addressed this. as i remember it, a landowner (levin?) basically had a midlife crisis and started working the fields. the farmhands were pretty confused and annoyed at this relatively weak, ineffective guy playacting as a farmhand. he was in the way, had no idea what he was doing, didn't understand their micro culture (esp. things like what they liked to talk about and what they found funny) and most of all, he was...THEIR BOSS.
this is why I get annoyed by people being like "why is the noble heroine in this 19th-century novel lonely? why does she say she's all alone? her maid is there! ugh! so dehumanizing!!!!"
she is the maid's BOSS
they are not FRIENDS
the maid probably does not DESIRE her friendship
the servants are not your confidants in this scenario. IRL, the notion of the Loyal Family Retainer was most common in sentimental literature for the employing class (which btw was like upper-working-class on up, although the lower you go, the more work the family would be doing alongside them) and sometimes weaponized by them to try and get extra emotional or physical labor out of domestic workers
did emotional intimacy develop sometimes? absolutely- and it was often encouraged for upper-class 19th-century children in the US and UK, who could spend a lot of time with their nanny and in the servants' sphere in general. was classism a factor? 100%.
but it's not dehumanizing to be like "my employee is not my BFF"
My favourite example of this is Sam Vimes, who lived into his late 30s as an on the edge of poverty watchman, and then marries the richest woman in the city coming into titles and honours and Respect, and we see him mourn the person he is not anymore
Yesterday there had been some official dinner. He couldn't recall now what it had been for. He seemed to spend his whole life at the things. Arch, giggling women and braying young men who'd been at the back of the line when the chins were handed out. And, as usual, he'd come back through the fog-bound city in a filthy temper with himself. He'd noticed a light under the kitchen door and heard conversation and laughter, and had gone in. Willikins was there, with the old man who stoked the boiler, and the head gardener, and the boy who cleaned the spoons and lit the fires. They were playing cards. There were bottles of beer on the table.
He'd pulled up a chair, and cracked a few jokes and asked to be dealt in. They'd been... welcoming. In a way. But as the game progressed Vimes had been aware of the universe crystallizing around him. It was like becoming a cogwheel in a glass clock. There was no laughter. They'd called him 'sir' and kept clearing their throats. Everything was very... careful.
Finally he'd mumbled an excuse and stumbled out. Halfway along the passage he'd thought he'd heard a comment followed by... well, maybe it was only a chuckle. But it might have been a snigger.
ERIN VEST All The Horses Of Iceland
Whenever I listen to But, Mr. Adams and it gets to line âI can romp through Cupidâs Grove with great agilityâ I always picture something like this, which is disturbing. John Adams romping is disturbing.

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Looking back on 2020, I think it's hilarious that Wellerman of all shanties is the one that blew up online. It's not a song about life on the high seas or adventuring
It's the "Where the fuck is my delivery" song
researching the history of education in japan and learning that, preâMeiji Restoration, peasants/commoners formed their own schools to become educated because it was the best way of fighting tax fraud.
That is, when an official told you, a rice farmer, that you owed more taxes than you really did, it was very useful if you were good enough at math to know he was lying (and could prove it) and if you were good enough at writing to write a letter to your government defending your case.
all of which is to say it's crazy that mega-corporations are now pushing education to be "what if you paid us whatever we tell you to for the rest of your life and never do math or write anything ever again"