They’re like this for the entirety of our time together: a pair so in sync that I’m not sure they’re even aware of it, the twins from The Shining if they were men in their 30s who don’t resemble each other at all. Reid, who portrays the vampire Lestat de Lioncourt, is slightly taller and a pillar of cool in his bomber jacket and sunglasses. His blond hair is tied back into a low knot that exposes tiny hoops hugging his earlobes, Lestat’s thick French accent gone in favor of Reid’s natural Australian speaking voice. Anderson, meanwhile, carries none of the ruthlessness but all of the swagger of his character, the vampire Louis de Pointe du Lac. He’s in a fuzzy olive fleece and graphic tee, darting this way and that through the museum with his Canon 310XL in-hand, all Britishisms and warm brown eyes instead of icy green contacts and a New Orleans drawl.
Although Reid has some musical-theater experience, the performances in The Vampire Lestat are a different sort of beast. To prepare, he learned how to play violin and guitar to an extent that would look convincing onscreen. He laid down vocals for an entire album’s worth of original songs, crafted by the show’s composer, Daniel Hart, who looked to the glam and excess of ’70s singer-songwriters. (Anne Rice, for her part, named Jim Morrison as inspiration.) For the concert scenes, Reid also performed live at Toronto venues. “You’ll be hard-pressed to see any other actor on television have to do the number of things that he has to do,” Jones says of Reid. “And do them so artfully. I will never have anybody like him again.”
The online buzz for The Vampire Lestat has largely been about seeing Reid as this eyeliner-and-glitter-covered sensation, the wild vampire at his wildest self. But along with the excitement, there’s trepidation about how delicately—if delicately at all—the show will handle themes of grooming, incest, and sexual assault in relation to Lestat’s mother, Gabriella (Jennifer Ehle). In the books, where she’s known as Gabrielle, she’s turned into a vampire by Lestat on her deathbed, then abandons him to travel the world, appearing again after decades apart.
“Incest is not something that anybody wants to explore, but you really understand the character Lestat through it,” says Reid. “And there is a very large payoff with that storyline. And I think it’s really important, because even though the show is fun, it is a comedy, and it is sort of silly in a way, it also deals with some pretty intense things.”
Anderson adds, “So much of this story as an overall thing is about abuse and the ramifications and echoes of abuse across—”
“Centuries,” says Reid.
“Generations,” Anderson agrees.
It’s a season that holds up a mirror to the uglier truths of our vampiric friends’ long, long lives. In seasons one and two, Louis struggled with recalling certain events for the gruesome realities that they were, and instead delivered cleaner, sugarcoated versions in his retelling; The Vampire Lestat slaps the viewer in the face with the brutal truth, again and again and again.
“They are actually really fucked-up characters that are greatly loved by people but also capable of eating babies, slaughtering their best friends,” says Reid. “You shouldn’t be rooting for them, and we can’t control how people feel about them. All we can do is just play the roles as they’re written in the script and serve them as best as we can.”
For Anderson, one of the joys of playing Louis comes from the fact that he’s allowed to be as nuanced and messy and antagonistic as any white character on the show, or any white Louis from past adaptations.
“The myth of representation is that all representation should be good representation,” he says. “I think one of the exciting things about this show is that [non-white characters] Louis and Claudia and Armand are imperfect characters. They are incredibly rich characters and there is space to explore how problematic they are but also how beautiful and elegant and wonderful they are, but they don’t always have to make the right decisions. I think that’s something to celebrate. And it’s not something that’s that easy to come by now, particularly at the moment. I feel like some of that’s backtracked in the industry, generally.”
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I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.
My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.
So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.
So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!
AMESH
Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.
Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.
Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is...
REMEMBER ME.
This was the thing I was most excited about for this season.
REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes.
We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...
Anya.
Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife.
And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.
As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.
In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.
In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...
With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed.
Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season.
The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.
Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.
For Spence, though, things would take a different turn.
The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.
Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.
But onto the BIG MYSTERIES of the season one... here are some answers:
What is up with Dr. Stanton's tattoo and bald head?
Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.
It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).
She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful.
She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.
Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.
What about the Living Shadow? It's Death, right?
Well... no.
At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.
HE is Death.
And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die.
Then what was the Shadow?
This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.
The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.
THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.
The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.
We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:
Who were the Mirror Man and the Cataract Woman?
They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).
But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.
Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built.
They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.
The story is this:
Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.
She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.
He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.
They were soul mates.
So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time.
When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way.
The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation.
The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."
Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending.
I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.
But for now, we'll put the fire out, and leave the library dark and quiet.
To those before, and to those after. To us now, and to those beyond.
Seen or unseen, here but not here.
I'll always be grateful that I got to be part of this Club.
seconding these tags by @ragsy:
#if the social consciousness has decided that duckduckgo is the Only Othet Search Engine#might i suggest 'go duck yourself'
I'm not gonna articulate this well, but there's this phenomenon I keep seeing on the left that I'll call "bean soup rhetoric," wherein someone fails to understand that they are not the target audience for a particular message, or just can't conceptualize why a speaker would craft their message differently to resonate with a target audience that doesn't already completely agree with them.
"The 'God Made Trans People' billboard is stupid! God didn't make me! I'm an atheist!" Okay. The billboard sits along a major highway in Kansas. We can deduce that the target audience is not you—it's the centrist evangelical Christians driving along that road who could probably be persuaded to become allies as long as we choose our words carefully and don't make them feel attacked for not already knowing everything about trans rights issues. Another one I see a lot is, "We shouldn't be talking about how right-wing legislation catches [privileged in-group] in the crossfire when [marginalized out-group] suffers far more!" I know. I agree with you. Which is why you and I are not the intended audience of this argument!
The entire point of rhetoric is to win over someone who doesn't already fully agree with you. In this case, let's say that someone is Jennifer, the moderate center-right mom in your neighborhood who doesn't really know or care about transgender issues but would be absolutely horrified by the idea of her teenage daughter having to submit to an invasive inspection of her body just to be allowed to play soccer. Tell her, "Banning trans students from sports will inevitably subject all student athletes to invasive gender-policing," or "Legal restrictions on gender-affirming care will make it harder for you to access the hormone replacement therapy you take to treat menopause symptoms," and she is more likely to question her existing beliefs and listen to the rest of what you have to say than if you lead with leftist talking points that she already has a calcified opinion about or which she thinks do not personally affect her.
Tailoring the argument to the things she already cares about does not mean we're forgetting that she has more privilege than most—entirely the opposite, in fact. A privileged ally can be extremely valuable. Jennifer votes in every election. And so do all the other ladies at her book club, and church, and in the PTA, and those folks listen to Jennifer. There's a reason both parties were courting suburban women so hard in the last election cycle! If we can find common ground with her on this, if we can get her calling her representatives and talking to her friends and phone-banking and door-knocking and making a stink, that's how the needle starts to move. If I can convince her to take her support away from the candidates who are actively restricting my rights and throw it toward those who want to restore and expand those rights...then I'm sorry, but Jennifer is a more valuable ally to me than the people who agree that the legal boundaries of gender ought to be abolished altogether but refuse to actually do anything except complain online about how both sides are equally bad because the right is trying to force everyone to drink the cyanide kool-aid while the left keeps serving bean soup and they don't like bean soup
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hey fellow autistic folk and adhders. this post isn't about you. this post is about all the other neurodivergence that is specifically Not autism or adhd. maybe the clearest post on the site about that actually. i'm autistic and have adhd too, but this post is specifically not about that. stop making it about your autism or your adhd.
it's about npd, bpd, psychosis, schizophrenia, dyslexia, dyscalculia, dyspraxia, dysgraphia, epilepsy, DLD, did, osdd (and any other plurality/multiplicity), depression, brain damage, anxiety, tourettes, down syndrome, ptsd, and everything else. it's specifically about neurodivergence that ISNT autism or adhd.
#every time I read this phrase the same thing happens#I read it as shittable and go wait that can't be right#oh right they were talking about public benches that makes more sense#but public bathrooms available without fees should also be a thing tho#cities should definitely be shittable#it happens EVERY SINGLE TIME
If you didn't already know Regal Cinemas will be doing a Showing of Repo! The Genetic Opera this upcoming Friday May 29th, one day only and the tickets are only $4.99. Now what makes this so important is the fact that Darren Lynn Bousman has pretty much confirmed this is a trial run to get a sequel green lit. The more people that show up that day the more likely we will actually be getting Repo 2!
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C-3PO makes me laugh because you have to remember he was assembled by a child out of things from a scrap heap. Everything about him makes sense if you bear that in mind. Anakin wanted a droid who could help his mother, but the only AI package he could find was one somebody threw out for being too fussy. The combination of tweaking to give him a worried/caring personality makes him constantly anxious. A protocol droid comes with a fair amount of language packages, but why stop there? Somebody threw out like, three different galactic language dictionaries because they weren’t the recent edition. Just load ‘em all up. all of them, even the packs that contain things like ewok and a thousand variants of different manufacturers’ droid codecs. don’t add half the other requirements most legal protocol droids have included at the factory like emergency wipe protocols or shutdown failsafes, or programmed obsolescence. Build that sucker out of non-commercial materials that are already over a hundred years old and still good, tweak it to withstand tatooine of all places.
so now you have this droid that is over thirty years old and it could never be obsolete because it was never manufactured by anybody but a kid on a sand ball somewhere, it’s never running down because it was built to last on tatooine and there’s nothing programmed in to try and urge you to buy the latest model because there is no latest model. 3P0 is simultaneously totally useless yet hyper functional because he was not made according to any specs except “the best most toughest things possible to help my mom for a long long time on a hot desert planet”
My annotated Dracula has informed me that when Harker said his robber steak was “in the style of the London cat’s-meat!” he was referring to “A tradition in London was the “cat’s-meat man,” a vendor who sold little bits of meat on skewers for consumption by cats”
I am overjoyed by this knowledge that there were Victorians just randomly getting lil kebabs for their CATS
Spoke to a gen z person the other night and apparently the young folks don't know about the very legal sites from which you can access public domain media (including Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, and other Victorian gothic horror stories)?
Like this young person didn't even know about goddamn Gutenberg which is a SHAME. I linked to it and they went "aw yiss time to do a theft" and I was like "I mean yo ho ho and all that, sure, but. you know gutenberg is entirely legal, right?"
Anyway I'm gonna put this in a few Choice Tags (sorry dracula fans I DID mention it though so it's fair game) and then put some Cool Links in a reblog so this post will still show UP in said tags lmao.
Spreading the news to my followers - if you weren’t aware of this before, here’s the link to Project Gutenberg - https://www.gutenberg.org/
Project Gutenberg is a gigantic collection of books that are in the public domain. You can read the books through the site or you can download them in various formats so you can get the format you prefer for your eReader of choice.
It is free.
It is legal.
I was reviewing the list of the top 100 books downloaded yesterday and I saw a fair few that I had to read for college classes - so if you’re a college student and your professor assigns you to read Plato or any number of older works, check here before you buy a copy.
I reread the Anne series several years back - they were free through this. I need to reread Pride and Prejudice at least once a year, and my e-book version is from this. Someone recommended Jekyll and Hyde to me a few weeks back and I got a free copy from this. When I went to Haworth on my last holiday before the plague times, I brought books by the Bronte sisters with me to read or reread that I downloaded from here. It’s a great resource.
Yes yes yes! I was honestly so flabbergasted that this young person hadn't heard of the gutenberg project! It's been around for AGES, maybe longer than the kindle has? And it's such a huge project and wonderful resource! It used to be a household name (or maybe that's just my family, thanks to my dad being a cheapskate nerd [affectionate]). I was so glad to be able to share this resource and others with them though, and I wanted to make sure no one else was missing out!
If you look at the first reblog from me I also recommended a few other resources, most of which were from www.archive.org, home of the Wayback Machine! They run openlibrary.org, where you can check out ebooks of some public domain titles! They even have the Bone series by Jeff Smith!
And archive.org itself has all kinds of public domain media including music and movies! For Dracula fans, here's a radio show adaptation of the book, starring Orson Welles! And here's a 1920 movie adaptation of "The Strange Case of Dr. Jekyll and Mr. Hyde," starring John Barrymore, the grandfather of Drew Barrymore!
I'm so excited to see people falling in love with classic media through Dracula Daily! Let's keep that fire blazing!
Also, if you can't handle reading things, check out libirvox.org! it's a free audio book project taking public domain works and people doing free audiobooks! there's a lot of great stuff on there, but it takes things in the public domain and makes audio books out of them!
it's a super nice project, and you can find some really nice readers there!
Also don't think a book is old because it's in the public domain
lots of writers and publishers are prepared to waive future profits for entirely petty reasons
because of this the entire works of Philip K Dick [petty writer who found himself with lots of hangers on during his life] and HP Lovecraft [his publisher - who was his wife and hated him] became public domain on their death
Sherlock Holmes entered public domain this year, it's always worth checking because you can save a fortune
and the more popular the classic - the more likely someone has uploaded it
Anything published (in the US) from 1927 or earlier (this number goes up every year for quite a while), and
Anything published between 1928 and 1963 that wasn't renewed, and
Anything published before 1989 without a proper copyright notice.
(Don't go looking for things in that third category unless you've studied a LOT about copyright law. Mostly that covers things like "weird little newsletters" and "self-published booklets" and sometimes fanzines. But most publications have a copyright notice in them.)
There's also some oddball exemptions here and there; copyright law is a tentacled mess. But those are the basic guidelines. (Except for audio. Audio has its own set of rules. It's weird.) (I mentioned tentacles, did I not? Double the amount of them you were thinking of.)
There are a lot of works from the 50s and early 60s that were not renewed, especially short stories published in magazines.
Project Gutenberg began in 1971; the first text was the US Declaration of Independence, shared through the university computer system. That was the start of "hey computers + public domain text = FREE BOOKS FOR EVERYONE."
Adding on that Project Gutenberg is not just Eng language texts either! I know specifically about the French texts because I did independent study French lit in high school and all my sources were Project Gutenberg acquired (Candide my beloathed) but there's many open source texts available in a number of languages.
Oh man, yeah, young people definitely need to learn this. I read so many public domain things when I was fresh out of college and penniless but still needed entertainment. Just going straight to Wikisource works too:
And yes, Sherlock Holmes is in the public domain. But I got bored with Sherlock Holmes after a few months, and became much more pumped when I discovered his mirror opposite, Arsene Lupin. Because when you're not only young and penniless but living through the Great Recession, what you really want to read about isn't the world's greatest detective solving crimes. It's the world's greatest thief robbing fat cats blind while pantsing the police along the way.
And you can Ctrl-F find words in electronic texts.
This is so powerful that in the old times they made a whole-ass index of every word in the Bible, called a concordance. It is now possible for every electronic book
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Supposedly realistic fictional portrayal of serial killer, whoa super cool dude who doesn't let anything bother him and leaves his crimes spotless because he's like five three dimensional chess moves ahead of the dedicated, obsessed police detectives who are following every lead and have the gut instinct to find the real killer.
Actual serial killer, stabs a gay black man to death in front of sixteen witnesses while jerking himself off and yelling "I'm the best at genius!" then walks up to a policeman wearing a t-shirt with his victims' faces on it, screaming "I'm a racist homophobe and I love killing!" waving a bloody knife, and the cop is like "huh, must've been the wind."
Cops in film like, "I'm inside his head. I know how he thinks," and in reality they draw a line around a bunch of unresolved deaths that they're not competent enough to figure out and go "this pattern... the shape of a pony... it's the Ponyrope Strangler!"
Fictional serial killers, low key vaguely left leaning and somewhat relatable despite the murders, finds racism and sexism and etc distasteful because it's emotional and they are emotionally distant arbiters of life or death based on their deeply felt code of honor.
Real serial killers, three hundred journals full of the most unbelievably bigotted incoherent screeds you've ever seen, every slur used in every way possible and then some, slurs you didn't know existed, subscription to everything Alex Jones ever published, eugenics believer, constantly full of open rage, has no friends, everyone thinks he's a giant raging asshole, has a bunch of nazi paraphernalia...
