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“Terraced Dreams” by Tadao Ando at Awaji Yumebutai, 1995-2000.

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Julia Soboleva, “Naked Sun,” 2026

verakoberart

My painting "Shimmer of Moonlight on a Garden Rose Bush"

Art with flowers

https://www.verakober.com/floral

miamaimania

"Palmbrella" ⛱ Philip Garner — an umbrella that grew a tropic

pierppasolini

Maurice (1987) // dir. James Ivory

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Sebastiane (1976) dir. Paul Humfress, Derek Jarman

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Lisa Ivory (British, 1966) - Tree of Life (2025)

nobrashfestivity

Léonard Tsuguharu Foujita

miamaimania

"Adam and Eve. Temptation" ✦ Mikhail Golubev ☉

thesaurushouseofdesign

“Kocher Canvas Weekend House”,

Fort Salonga, Northport, Long Island, Suffolk County, New York,

Built betwwen 1933 and 1934 and demolished in the 1950s.

This house was designed by the Swiss-born architect Albert Frey for his friend A. Lawrence Kocher.

It was based in a previous project made by him for an experimental weekend house.

The house had three floors: the ground floor was used to park up to two cars, being free and open due to the use of steel beams to support the house.

The first floor was accessed by a spiral staircase on the back of the house and had an open space configuration at its interior, with curtains that moved through a rail system and could be used to divide the space.

The top floor was the house's rooftop, being accessed by the same spiral staircase as the first floor.

As the name indicates, this house was made of canvas. Marine canvas was stretched horizontally over a redwood frame, insulated with aluminum foil, and nailed, painted & sealed.

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Anna Lehmann

Kay Seohyung Lee (Korean, 1995) - Club (2024)

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Casey Weldon (US-American, 1979) - Curtains (2026)

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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John Stark (British, 1979) - Watermelon on a Forest Floor (2025)

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Technicians in plastic protective suits and face masks repair pressure valve at atomic energy plant. In: LIFE Magazine, 1954 April 5.

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