writingstuff

Free Harvard courses. Free Courses from Stanford. Free Courses from MIT. Free courses from Yale. Free courses from Princeton.

Free courses on Coursera.

Free Courses on EDx Free Courses on Alison

For paid, there's The Great Courses+/Wonderium. 20$ a month for unlimited courses.

And I also wanted to mention that humanitarian organisations have free courses too, like the Red Cross on international humanitarian law.

Enemies to Lovers (and vice versa)

How to write Enemies to Lovers + Dialogue Prompts

Oblivious Enemies to Lovers Prompts

Enemies to Lovers: Falling for the flirt

Enemies to Lovers: Co-worker Edition Part I

Enemies to Lovers: Co-worker Edition Part II

Enemies to Lovers: Meet Ugly College Edition

Enemies to Lovers: Drama Club Edition

Enemies to Lovers: Apocalypse AU

Enemies to Lovers: Band Edition

Enemies to Lovers: Assassins Edition

Enemies to Lovers: Martial Arts Edition

Enemies to Lovers: Given up on life

Lovers to enemies

Reasons for lovers turning to enemies

Exes to Lovers

Exes to lovers prompts

Exes to lovers dialogue

Friends to Lovers

Reluctant allies to friends to lovers dynamic

Friends to lovers Prompts

Flirty friends to lovers Prompts

Friends with benefits to lovers Prompts

Friends to Lovers Ideas

Best friends to lovers Prompts

Childhood friends to lovers Prompts

Childhood friends to enemies to lovers Prompts

More:

Enemies to friends with benefits Prompts

Enemies to friends Prompts

When it comes to writing longer format stories, utilizing outlines is a great place to start. Keeping in mind that what works for one person might not work for another, here's the way I like to take a story from idea -> outline -> writing -> editing -> finished.

Let's use the Dennis Vs. the Rat King idea from the example proposals to break down how I would approach writing it in order to meet a specific word count goal.

Protagonist now remembers key facts about important people. He no longer develops convenient amnesia between cutscenes.

Protagonist now has a cooldown on certain adverbs. Adverbs have been buffed by 30% to compensate.

Developer note: Adverbs are important to writing but they are sometimes overused. This change keeps adverbs relevant while encouraging the use of adjectives and verbs.

The horse now has a name.

Solved a glitch where supernumerary limbs would sometimes emerge during complex physical interactions.

Should no longer display “[insertnamehere]” during conversations and narration. All of such occurrances have been replaced with the appropriate tags.

Conversation continuity has been improved. Characters will no longer inappropriately respond with lines from previous iterations of the narrative.

All references to “Event A” have been purged to reflect changes in narrative structure.

Paragraphs which contained two or more instances of the same adjective have had their adjectives updated to accurately reflect a player’s vocabulary inventory.

Minor time traveling issues have been resolved, all characters should now exist in the same tense.

Punctuation has been improved. Commas have been reduced by half.

Characters sighing has been reduced by 30%.

Characters looking at things or people during conversations has been reduced by 40%. To make up for this, characters thinking about the conversation has been boosted and descriptive narrative has been added.

I WILL !!! I WILL DO THAT

some of my favourite indigenous artists, in no particular order:

Inuit artists:

the jerry cans (esp their album Inuusiq)

beatrice deer

twin flames

Māori artists:

jordyn with a why

Indigenous australian artists:

tilly tjala thomas (i particularly love ngai yurlku nhiina)

kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))

And one of her own:

Oh and of course there's also the HU and Bloodywood for people who like more rock and metal mixed in:

Darkaside is a Papuan metal band

Shepherds Reign is a Samoan metal band

Lenin Tamayo, Quechua pop singer.

And of course I can't not add Mari Boine (Sámi) to a post like this:

And Arvvas, who I think have moved on to other things but did mashups of Sámi traditional singing and jazz:

I WILL !!! I WILL DO THAT

some of my favourite indigenous artists, in no particular order:

Inuit artists:

the jerry cans (esp their album Inuusiq)

beatrice deer

twin flames

Māori artists:

jordyn with a why

Indigenous australian artists:

tilly tjala thomas (i particularly love ngai yurlku nhiina)

kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))

And one of her own:

Oh and of course there's also the HU and Bloodywood for people who like more rock and metal mixed in:

Darkaside is a Papuan metal band

Shepherds Reign is a Samoan metal band

Lenin Tamayo, Quechua pop singer.

And of course I can't not add Mari Boine (Sámi) to a post like this:

And Arvvas, who I think have moved on to other things but did mashups of Sámi traditional singing and jazz:

back then i made a bunch of these but by now i lost the pic and dont know how to find the original post anymore

so anyway here is the diagram for anyone else who is interested!!

this requires pretty big carboard pieces, if you have a really big box or something you can make it from one piece, but if you don't, you can also just make each of the pieces individually and then tape them together

and then in the end you put it together like this!!

and then when you make a bunch you can put them all next to each other and stack your books like crazy

┈୨୧┈ Give them reasons they CAN'T be together that aren't just manufactured drama. Not miscommunication. Not love triangles. Not arbitrary "I push people away" trauma with no real exploration. Give them REAL obstacles: they're on opposite sides of a conflict, timing is wrong, there are actual consequences to being together, they have incompatible life goals, there's a power imbalance they need to resolve first. The obstacles should be meaningful and require actual character growth to overcome, not just a conversation.

┈୨୧┈ Make the friendship foundation SO STRONG that readers ship them before the romance even starts. They should genuinely LIKE each other. They should have inside jokes. They should seek each other out just to hang out. They should trust each other. They should have fun together. When the romantic feelings start developing, it should feel like "oh no, I don't want to ruin this friendship" because the friendship is genuinely valuable. Readers should be able to believe they'd still choose to be in each other's lives even if romance never happened.

┈୨୧┈ Let the tension BUILD in layers over time. First they notice each other. Then they start seeking excuses to be near each other. Then they start getting jealous. Then they start having Moments. Then they start thinking about each other constantly. Then comes the almost-kisses. Then the accidental intimacy. Then the barely-hidden feelings. Each phase should have time to breathe before moving to the next level. Slow burn means SLOW - readers should be desperate for them to get together LONG before they actually do.

┈୨୧┈ Show how they change each other gradually. He starts smiling more because of her. She becomes braver because he believes in her. They adopt each other's habits and phrases. They start to see the world differently because of the other person's influence. Slow burn is about showing two people gradually becoming essential to each other's lives. They should be woven into each other's character development, not separate from it.

My parents threw away all of these things (even the vacuum cleaners and the dryer) when they got too dirty to function, because no one even told them THAT they could be cleaned. Cost them thousands of dollars over the years.

All I'm saying is that cleaning is not intuitive, and not knowing how to clean is not a moral failing, but it is something you can learn.

I like this video because it does a great job of introducing the basic foundations of house cleaning (and because he doesn't use bleach, which is a common allergy in addition to being awful to inhale). He also talks a little about how to clean a vacuum. And why you shouldn't put grease from your pots and pans down the sink drain. I also love that he mentions that different houses and different people have different needs and different versions of what clean and cleaning looks like.

This is another video from the same guy about cleaning and depression. This advice, especially at the beginning, can feel really really difficult and oppressive to hear. However, I find that it's generally pretty solid. But I'm autistic and so is he, so that gets a massive Your Mileage May Vary stamp on it.

I have a favorite part of this video. It's from 10:52 to 12:36. I think we could all use to hear that. There's a HEFTY pause after that one. I promise the narration does come back.

This is a pair of videos about how to correctly load and use a dish washer.

The first one is a quick 1 minute 30 second overview on loading. I can't find the exact video I'm looking for, so consider this a substitute for that. If I can find the one I'm looking for, I'll swap it in.

Here's a blog post about scrubbing brushes and how to clean them.

And a video for all cleaning tools, including scrub brushes. This video does use bleach. I'll try to find some alternatives to that.

How to clean a top loader (without the removable agitator thing). This should be done every 1-3 months depending on you unit, or every time you wash really soiled clothes.

How to clean a top loader (with the removable agitator thing). This should be done every month, or every time you wash really soiled clothes.

This video is for pet owners.

These carpet brushes are a LIFE SAVER if you have dogs. This thing allows me to go from vacuuming about 4 square feet before my vacuum is full to vacuuming half the living room (I don't vacuum often enough. You should vacuum weekly, and I just can't.). I have to unclog the vacuum less often. It fluffs up some of the flat spots in the carpet. And I also use the brush to shampoo my rugs in the spring.

A spot cleaner (or a carpet cleaner with a spot cleaner attachment) is another life saver, ESPECIALLY if you can afford to splurge on a heated one. I see them at Goodwill or at yard sales occasionally, and they're worth picking up. The shark one in the video is great too.

It's America's Housekeeping Book (1941). Available for free download on the Internet Archive. (Large PDF file at the link here).

The LISTS y'all. The step by step lists. The emphasis on efficiency and arranging spaces for the least resistance possible. The basic concept of "take a tray or basket into a room when you are tidying up so you can put things that belong elsewhere on it and take them out LATER in ONE GO".

mom, how do i...?

and dad, how do i...?

^ there are tons of other resources but these two will teach you some personal hygiene, home or apartment repairs, easy recipes and basic cleaning techniques, even how to schedule doctor's appointments

if youre a renter i cannot recommend the trans handyma'am enough, mercury is a lifesaver, and her channel and accounts are always accepting new questions

By metatext I mean like tagging, summary, and authors notes (especially initial authors notes at the beginning of a fic). The means by which we communicate to our readers what they’re getting into.

Because we kind of all have to learn it by osmosis and there are conventions but nobody’s really taught them at the start, so there’s inconsistencies and misunderstandings or people just not knowing things through no fault of their own.

This ends up breeding frustration and confusion and in the worst cases resentment, hurt, and aggression.

I’m severely tempted to make such a handbook and get it circulating.

Go here for the PDF, or here to view the whole document as a tumblr post.

I recommend the PDF.

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author’s notes, even the rating.

It is how we communicate to potential readers what they’re signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it’s the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they’re looking for, those who don’t want to read a story like ours can easily tell it’s not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we’re talking about, let’s get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

Princess: an effeminate and relatively youthful male homosexual or lesbian (1931-4)

Daffodil: effeminate young man (1925)

To throw a fuck into: to have sex with (1919)

Top sergeant: a masculine lesbian (1939) [‘she takes command of the girls’ privates’]

Lily: penis (1919)

Wolf: sexually aggressive man (1847); a homosexual top (1918)

Soul kiss: a deep kiss, involving putting one’s tongue into one’s partner’s mouth (1907)

Tom: a lesbian (1909); [in 'old tom'] prostitute catering to lesbians (1966)

Church mouse: a male homosexual who frequents crowded churches in order to fondle any potential sex partners. (1941)

Discover one's gender: to accept or acknowledge one’s homosexuality (1941) / Lose one's gender: To return to living as a heterosexual

Minty: a masculine lesbian (1941)

Also a lot of early 20th century vulgarity is recorded in Letter from My Father, which is a collection of letters published by a man who's dad was, in short, a major slut and human disaster who wrote about his sex life for his son. It's insane. You can find copies of it online & it's a wild fucking read (literally!) and I think a really interesting look at the life of a person who goes against our stereotypes of what people in the past were "supposed" to be like.

note for writers: these are dated to the first time they were recorded, not necessarily to their first use. I imagine for many of these, they came about naturally through spoken language before they were written down anywhere. This is especially true of more underground slang because it's probably being recorded (in ways we still have) the least. So if you wanna use a term but it's a little off date-wise, give yourself some wiggle room.

also gonna take this moment to highlight two more i found recently:

Best boy: a sweetheart, a boyfriend, a husband. (1893) [w the obvious equivalent term 'best girl']

Honeydripper or honeydrips: a sexual partner (1917)