But Not As We Know It

Flint: [brutally raw and yet also poetic monologue about the nature of colonial “civilization”]

[HARD CUT]

But doesn't LIKE his fellow man. Or woman. He tries, but he really just can't help but feel annoyed by most of the people he is trying to lead against the system (or liberate from it) and feels slightly superior to most of them.

He settle on wanting to free his fellow man or woman from an evil Empire because he likes and respects England even less than he likes and respects his fellow man.

Which is valid btw but it's fun how he genuinely only likes and respects a max of five people in the whole show, and yet he still says things like "I can't believe we are so poorly made as that."

Yes you believe that in your daily life, that's why you can't open up with anyone and you can’t stop treating them as your politically, morally and intellectually inferiors!

I think it's fascinating that in abstract he believes in the inherent goodness of humanity and the idea that in a more equal and less corrupted society, people would not oppress each others for fun and history would be a journey though progress; in concrete he thinks that every person he interact with is dumber than him and need to be manipulated and convinced to do exactly what he thinks is the right thing to do, with very fews exception of two or three people he considers as smart and morally righteous as himself.

What a funny character.

No you get it. This is it.

Poulin was 18 at her first olympics. Team canada wanted her to stay with a host family during training because she had never lived on her own before. So caroline ouellette, charline labonté, and kim st-pierre took in this teenage prodigy so she'd have exactly the mentors she needed, and 20 years later poulin is a five-time olympic medalist, captain of team canada, and captain of a champion team in a women's professional hockey league bigger than anything her mentors had. And caroline is on the ice to celebrate with her and be part of the future she worked for.

Worldbuilding where being queer is normalized and queerphobia has no impact on the plot? THAT'S FINE. Worldbuilding that includes queerphobia and tackles the effects of it as part of the story? THAT'S ALSO FINE.

Low-stakes queer romcom where the characters are fluffy and cute? THAT'S COOL. Messy queer drama with toxic people who fuck each other over and clash repeatedly? THAT'S ALSO COOL.

Stories that center the characters' queerness, show a trans character's transition, and are about the queerness as much as the rest of the plot? AWESOME. Stories where the characters' queerness isn't treated as a big deal, and have trans characters whose transition happened before the story entirely? ALSO AWESOME.

You may PREFER one thing or another, but it is actually good to have all these things. It's about variety. It's about queer characters being allowed to exist without censorship. It's about queer artists getting to make things without being told we're a "niche issue" or "adult content." It's about having as many goddamn cakes as the bakery can produce.

Future you will thank you for not pinning your ability to enjoy and get any sense of achievement on having the base energy levels of a teenager.