I'm a human pillow

do you think any of the patrons looked at zukos scarred face - obviously done by a firebender - and immediately think jet was an asshole? like

jet: hes a firebender!!!!

patrons, thinking about the backstory they concocted for zuko and iroh where their home was invaded by firebenders and they barely survived with their lifes so they could come and have a peaceful life selling tea in a city the war doesnt touch:

Not every white person dating a POC is fetishizing. White people can be respectful and responsible when it comes to culture and relationships and not everyone has bad intentions.

Asian people can date Black people without you saying shit like “your kids will be so pretty” they’re not dating for pretty kids. They’re dating bc they like each other.

Someone can dress their partner in clothing from their culture if they want. Someone can take their partner to cultural events if they want.

People in relationships can share cultures, experiences and love without it being toxic or skin deep.

Their partner isn’t culturally appropriating. Their partner is being shown the ultimate form of love, bc their partner trusts them and loves them enough to share their history and heritage.

Yeah, dating someone from your culture is nice bc you automatically have similar experiences. But you’re not limited to dating people with the same experiences. Loving someone is sharing and growing and being together.

I know air conditioners aren't inexpensive. But they are a good investment. Spending $400 now can make the next ten years of your life remarkably better. If you can't afford that, that sucks. But if you can afford it, do it.

It's weird to say "people are dying" in response to a video where I explicitly say "people are dying." I literally bring up that other places have this heat without the deaths because they have A/C, and have repeatedly said in the past that this is a needed investment in places like the UK now because of how many people are dying because of the heat. That is literally part of my whole point.

Buildings that trap heat are also good at holding in A/C when you add it. We have brick houses in Wisconsin too. Buildings that trap heat are also good at holding in A/C. Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.