I'm a human pillow

I know air conditioners aren't inexpensive. But they are a good investment. Spending $400 now can make the next ten years of your life remarkably better. If you can't afford that, that sucks. But if you can afford it, do it.

It's weird to say "people are dying" in response to a video where I explicitly say "people are dying." I literally bring up that other places have this heat without the deaths because they have A/C, and have repeatedly said in the past that this is a needed investment in places like the UK now because of how many people are dying because of the heat. That is literally part of my whole point.

Buildings that trap heat are also good at holding in A/C when you add it. We have brick houses in Wisconsin too. Buildings that trap heat are also good at holding in A/C. Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

Buildings that trap heat are also good at holding in A/C.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

> disables a new AI feature that was turned on by default

> opens my email

> disables a new AI feature that was turned on by default

> launches a software

Im.. Soft 🥺🥺🥺