outbreak
I love the Silent she stabs and poisons stuff and doesn't afraid of anybody
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outbreak
I love the Silent she stabs and poisons stuff and doesn't afraid of anybody

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Some Anette!Skitter Ideas
Putting a grown woman in the Undersiders
Also, really need to say that she's not maternal with the undersiders, they are coworkers with a 20 year difference. Still cares about them( and the mom instincts may flare up sometimes), but they're coworkers and flatmates first, weird maternal relationship second.Doesn't stop them from projecting their mommy issues onto her, though
She's only mom-like with the heartbroken.
i do not “delete sentences” when they start “hindering the plot” i COPY PASTE THEM into a SEPARATE DOC made just for keeping all my USELESS LINES that i will also NEVER USE so therefore i should JUST DELETE THEM but i DONT because id FEEL BAD if i did
You don't actually have to kill your darlings. You can just put them in the oubliette #myoubliette
So as part of a much longer ask about why humans in Aku's future are at different technological/cultural stages that should be centuries apart, I got asked,
Maybe its a reflection of when he got to each part of the world…? But why wait so long in going from feudal east asia to north america? Don't tell me the ocean was a barrier? 😭
And guess what! I have an answer!
To start with (and you, Person Who Asked This, haven't reached this episode yet, so i'm just gonna give you a minor spoiler): yes, actually, it DID take Aku a long time to conquer the world. There's an episode where we learn that he got a robot army because taking over the world was going too slowly for his tastes. Meaning:
by Aku's own measure, taking over the world took forever. He wasn't "waiting," he was SLOW.
Aku didn't finish conquering the world until sometime AFTER he had a killer robot army. So depending on what era you think Jack was born and how long you think it'll be before we have fully autonomous killer androids, Aku's global conquest took anywhere from 500-1500 years.
The evidence suggests that, until Aku got his robots, he was trying to conquer the world without an army. as in ALONE. as in ONE GUY. is it any wonder he took so long?
if an invader conquers a city, sets up an oppressive government and establishes a military force to enforce its new laws, and then the government+military moves 100 miles away because the government+military is just one single person with laser eyes, do you know what that means? that city is now un-conquered, my friend.
true, along with himself Aku also had a smattering of dubiously solid shadow demon things he can summon up—but they're provably easy to destroy, it would not be hard to mount a revolt against them if the civilians knew that Aku himself wasn't around to back them up.
plus a few bounty hunters and eventually scientists he could bribe into working for him, but like?? unlike every other human population, Aku has no "home nation"—or city, or tribe, or even so much as a goddamn polycule—on whose loyalty he can unquestionably depend. literally no one, anywhere, wants him in charge! every human who works for him does so either out of greed, or fear.
and the fearful ones will be looking for an opportunity to escape or undermine him; and the greedy ones will only stick around until the incalculable atrocities aku's committing finally get to their consciences, or else they catch wind of Aku's tendency to backstab his hired labor rather than pay them.
Without a loyal army, he's fighting an uphill battle. and he didn't have that army for centuries. not only is everyone in front of him trying to stop his advance any way possible, but also everyone behind him is trying to escape his grasp. he probably had to keep backtracking to re-conquer places.
the ocean wasn't the barrier; the process of trying to conquer a WHOLE FUCKING PLANET, and ALONE, was the barrier.
So: that's all stuff that can be plausibly extrapolated from canon.
Now we're moving into headcanon territory, which is only tangentially related to your questions but I've wanted to share this for a while: My Big Fancy Map Of How I Think Aku Conquered The World!!
I feel like some indie publisher could make bank on a children's book based on that Aku Conquers the World post. It reminds me of the genre of educational picture book where an intrepid young adventurer is traveling around to encounter different cultures, except it's about a frustrated magic warlord and all of the stuff he's fighting against. It's great
"an intrepid young adventurer is traveling around to encounter different cultures" that's just the plot of samurai jack. aku's conquest of the world was the plot of samurai jack except in reverse. fitting.

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thinking about wind waker again. why did the three goddesses do all that shit
LOZ lorehead here! the answer is actually quite interesting, if you'll spare me a bit of time:
it was preddy funy
Happy pride to those 5 seconds where Charlie Swan thought Jacob was coming out to him in the most insane way possible
Embarrassed myself a few days ago and since then I've been periodically going like this
Ignore the part where he gets naked that's not part of it.

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The thing about rewatching riverdale in an ai-dominated world is that you really do appreciate that everything on my television screen truly was handcrafted by a criminally insane inspired gay cinephile
Choosing a character in a sexyman-style poll when you are familiar with both options: obviously you are the intended audience of the op, the intention of the poll was to judge based on the audience’s familiarity with both characters
Choosing a character in a sexyman-style poll because they’re the only one you know: obviously biased
Choosing a character in a sexyman-style poll because they’re the only one you don’t know: arguably also biased but in a different and funnier way
Choosing a character in a sexyman-style poll when you don’t know any of them: The Truely Just and Honorable Way to Select, Entirely On Vibes
Scrolling past a sexyman-style poll when you are familiar with both options: Achieved Nirvana
One of the biggest issues I have with 'spider man gets isekeid into gotham' fanfics is that Peter Parker, New Yorker, born and bred queens native, would absolutely despise being in New Jersey for any reason whatsoever

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What it looks like to me is that these churns of outrage aren't actually about anything that these creators say or do, so much as they are a kind of reflexive action in response to literally any kind of friction. Like an angry infected rash flaring up with pain when it is brushed by a feather.
The show you like is telling a slightly different story than what you want? Friction is the same as pain so it is hurting me, AAAA!!! Your expectation of what was going to happen to that character you liked didn't pan out? Friction! Friction hurts! You're hurting me!!
But where the Disney Corporation can run a fucking angle grinder across the rash and barely provoke an "ow," indie creators (especially if they are not men), can get nearly run off the internet for things like factually answering a direct question or stating that the story they are writing has main characters.
There's a lot of misogyny in that, obviously, and in many awful flavors, but I think there's also mixed in there a very peculiar kind of consumer-brained entitlement. We expect that the big corporations will fuck us over every two seconds, and we expect to be utterly powerless to do anything about it because all they give a shit about is Line Go Up, but indie creators (especially if they are not men) are expected to be the balm to that infected rash. Where everything else in the world is painful and mean and uncomfortable, independent queer creators are expected to produce the comfortable swaddling bandage that dulls the pain and soothes the sensitivity. This is supposed to be our happy place, our safe place. It's supposed to be ours and belong to us and serve us.
And so they moment they produce friction, any friction, literally the tiniest amount of friction imaginable, well that's a failure! You are failing to live up to your purpose, and that's not just a creative failure but a moral and personal and spiritual failure too. It's a sin, in fact, it is a kind of evil. Friction hurts, and that means you are hurting me!
It creates this fucked up upside-down bizarro logic wherein the corpos and the companies can transgress to almost literally any degree, as much as they want, as often as they want, but queer independent creators (and I cannot stress this enough: especially if they are not men) have to walk tightrope on a razor wire and may God help their souls if they ever put a foot wrong. We will shake and shake and shake the towers until they each fall down; I didn't like that step I think you were taking, how dare you believe you deserve to be up there!
I definitely feel a sort of hesitation and anxiety whenever I read people’s headcanons about my stories, because I get worried they’ll be upset that the way I write the story doesn’t match up to the thing they have in their heads. This gets especially tricky when lots of folks speculate in different directions and I feel that whatever I write WILL disappoint somebody… (or, to Skyen’s point: create upsetting emotional friction for them)
Which, to be fair? Yeah. That’s normal. Not all art is for everybody. I try hard to internalize this… there’s a really badly paraphrased Mark Rosewater quote about game design I think about a lot:
“Anything specific enough for a person to fall in love with must, by its very nature, be something that another kind of person doesn’t like.”
That’s not a bad thing. Everyone is different and if you try to make something that perfectly inoffensive to everybody, you end up with something mild and flavorless.
All this to say, I’m glad I’ve managed to cultivate a broadly cool audience who, for the most part, are super supportive of my work. I think it’s important to make stuff for the sickos (Affectionate).
obsessed with star trek repeatedly writing themselves into a corner by creating alien races that are supposed to be The Bad Guys when that explicitly conflicts with their previously established notion that no group of people is inherently good or evil.
first it was the klingons—they’re originally supposed to be this cruel, bloodthirsty, war-obsessed people—and then tng comes along and it’s like wait no maybe war and violence is a part of their culture and actually ties back to ancient traditions and philosophies so we have to be woke about it.
hey these are the ferengi and they’re supposed to represent everything we hate about capitalist society; they’re greedy, scheming, profit-obsessed, and they look like ugly little trolls to emphasize how much we fucking HATE capitalism. oh wait fuck here comes deep space nine and we have to recognize that they’re PEOPLE. okok what if the pursuit of profit is actually part of their culture and ties back to ancient traditions and philosophies. so we have to be woke about it.
this is the borg, they’re a hivemind race of cyborgs who have no sense of individuality and their only motivation is assimilating people into their society. they want to assimilate humanity and we are completely defenseless against them because their technology is eons ahead of our own and they’re incapable of being reasoned with. oh sweet we have a borg prisoner this is the perfect opportunity to commit genocide against them. fuck actually we can’t commit genocide we’re woke and communists and in space.
hey these are the cardassians, they’re part of a cruel and vicious empire which is supposed to be a representation of fascism and authoritarian regimes, they’re a cold, bloodthirsty people with no sense of empathy or compassion, their society literally references 1984 on multiple occasions, and they’re known for the insanely cruel and inhumane methods of torture they use against their prisoners of war. we hate the cardassians…….. except, here’s a cardassian kid who grew up on bajor, and……. fuck. he’s a person. now we actually have to consider his humanity. and being racist is actually……. bad.
this is the jem’hadar, they’re genetically engineered soldiers who have no sense of individuality and only live to defend the state. they’re all born addicted to a synthetic drug that’s manufactured by the state and administered by their masters—this is how they’re kept subservient. they’re ruthless and powerful and they’re incapable of being reasoned with because their only motivation is violence and killing. so we should kill them all, right? FUCK….. what if they’re actually people. goddamnit. now we have to consider their humanity.
hey these are the romulans. hey these are the founders. the list goes on. i just find it really interesting
Mission accomplished!
(For those that don't realize, the previous reblog is one of DS9's writers.)