59. Mark Leckey @ MoMA PS1
âCombining deeply personal and popular subjects, this amalgamation of media allows Leckey to investigate the pivotal moments in technology and culture that have occurred in his lifetime.â
Cosmic Funnies
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Today's Document
Stranger Things

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"I'm Dorothy Gale from Kansas"
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59. Mark Leckey @ MoMA PS1
âCombining deeply personal and popular subjects, this amalgamation of media allows Leckey to investigate the pivotal moments in technology and culture that have occurred in his lifetime.â

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58. âPain Revisitedâ @ The Whitney
The works in this program combine fiction and documentary realism to investigate African and African American experience, asserting resistance to traditional notions of race, gender, labor, and power. Combining hand-drawn imagery, found photographs, footage of slavery, anti-police brutality protests, field recordings of rural West African garment production and an American 1960s Black Panther rally, the filmmakers refuse marginalization, silence and absence, powerfully answering Tony Cokesâ question âhow do people make history under conditions pre-established to dissuade them from intervening in it?â
57. Dan Flavin @ Paula Cooper
56. Ernesto Neto, âThe Serpentâs Energy Gave Birth to Humanityâ @ Tonya Bonakdar
ââŚshamanism as science, the natural world and its phenomena, and community based crafts. In 2014, Neto and members of the Huni Kuin embarked on a series of artistic exchanges that investigate the rituals and shamanistic traditions of the tribe. The Huni Kuinâs spiritual life, their desire for healing in harmony with nature, and the wisdom and serenity they draw from their deep connection with the energy of the planet, introduced into Netoâs work a new awareness to the scared dimension of nature and to its internal geometry. Drawing inspiration from these traditions, medicines and customs, his new body of work speaks of internal transformation, and adds layers of meaning to his inquiry into connectivity as a social and ecological concern.â
55. William Eggleston: Selected Works from The Democratic Forest @ David Zwirner
âOver the course of nearly six decades, Eggleston has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning.â

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54. Carmen Herrera: Lines of Sight @ the Whitney
âAt 101, the artist Carmen Herrera is finally getting the show the art world should have given her 40 or 50 years ago: a solo exhibition at a major museum in New York, where she has been living and working since 1954.â
53. Lari Pittman, âLike Youâ, @ the Broadâs permanent collection
A work thatâs too large to really represent on a website, the above is just a postage stamp sample. âThe work depicts⌠an upheaval of order⌠The scale and the amount of imagery are aggressively magnanimous. Rendered in exquisite detail, the overflowing canvas presents nuanced complexities.â
52. Matthew Barney, âFacility of Declineâ @ Gladstone
From Wikipedia: â[Jim] Otto punished his body greatly during his NFL career, resulting in nearly 74 surgeries, including 28 knee operations and multiple joint replacements. His joints are riddled with arthritis, and he has debilitating back and neck problems. In his book, "The Pain of Glory" Otto describes near death experiences from medical procedures, including fighting off three life-threatening bouts of infections due to complications with his artificial joints. During one six-month stretch, he was without a proper right knee joint because he had to wait for an infection to heal before another artificial knee could be implanted. Otto eventually had to have his right leg amputated on August 1, 2007 (only the part of his right leg above the knee was amputated, to this day Otto still has all of his right leg below the knee including all of his right toes and right foot this is all attached to a paper thin strip of flesh that goes into his body socket). Despite his maladies, Otto says he has no regrets and wouldn't change a thing even if given the opportunity to do it over again.â
51. Donald Moffett, âAny Fallow Fieldâ @ Marianne Boesky
"With the tightening noose of social media, and the retinal-screen more generally, my empathies and intellectual inquiries are now with nature. Is there a way to look beyond the neurotic human hiveâwith its infinite self-interest and love of violenceâto see again something more interesting? With this work, I will look the other way and remind myself of what is there.â -- Donald Moffett
50. Mindstorm @ Bryce Wolkowitz
"... the process of drafting is tantamount to the process of crafting a lie. We know this. We can accept it. So why do we invariably return to art and to fiction for an approximation of the truth?â

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49. Ryan Gander, âI see straight through youâ @ Lisson
âA walled-off installation, housed within a purpose-built space at the centre of the gallery, contains different objects that glide momentarily past on a moving conveyor belt. Visible only through a small aperture on the wall, the installation acts as a self-portrait, showcasing the internal workings of the artistâs mind.â
43. âPeople Who Work Hereâ @ David Zwirner
Best title for a group show.Â
42. Margot Bergman, and Brian Calvin: Early Work, @ Anton Kern
âHer constructed âdouble-portraitsâ converge into a single subject. With titles like Auntie Gladyce, Gloria Jean, and Patty, each painting possesses a unique personality, a soul.â
âCalvin subverts Popeyeâs inherent cartoon lightness by reimagining himself in an alternate reality, restaging him in a bleak psychological landscape. With the memory accumulated from drawing this iconic character repeatedly in his youth, Calvin uses the figureâs instantly recognizable shape, and itâs associations, as a vessel for ruminations on pathos.â
41. See sun, and think shadow @ Gladstone
âThis show will explore the formal tool of antithesis as it is manifest in works that run the gamut from video and installation, to painting and photographyâŚBorrowing its title from Louis Zukofskyâs short poem, anew #21, the exhibition will use the binary of light/dark not as a thematic end goal, but rather as an allegorical springboard into broader dichotomies that emerge as a result of examining compositional contrariety, such as hope and despair, familiar and foreign, human and mechanical, and real and representational.â
Phew.
40. I Beam U Channel @ Bortolami
âGroundbreaking ceremonies are a lot like burials. Contractors, developers, and mourners alike gather at the edge of a shallow depression in the ground and ambivalently toss soil.â

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39. Public, Private, Secret @ ICP Bowery
âTestamentâ by Natalie Bookchinâa collage of random, anonymous YouTube confessionals stitched together creating a brand new group narrative.
38. Human Interest: Portraits from the Whitneyâs Collection
What constitutes a portrait, and what does it have to say about the artist or its subject?Â