A Hill To Die On

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

I’d like to think that once Gerry realized that Gertrude did not give a single smidge about what the archives looked like, he started pulling these kinds of shenanigans.

If you care about Animal Cruelty in Factory Farms, you need to get legislation passed. It must become a crime to mistreat animals in those ways, and when malfeasances occurs, the onus of responsibility for those crimes must fall upon wealthy shoulders. That, also, requires legislation. It requires regulations, and regulators.

The largest source of Microplastics is wear and tear on automobile tires. It doesn’t matter what brand of shampoo you buy. It doesn’t matter which company you support with your dollar. The issue of Public Transit is too large-scale to be handled at anything less than the municipal level.

It’s not enough to just not participate in society

If you want the world to Change, you must leverage the mechanisms of political power.

It's not that we should stop trying as an individual and go oh well guess I'll just litter anyway. Instead it should be a "yes and" situation. Yes, you recycle and reuse, and now you've gotta advocate and push for legislation to stop the creation of more plastics.

We can't lose sight of the big picture when we are successful on an individual level. We can't just say well I'm doing my part so that's good enough. No, we need to hold these corporations accountable. We need to make our governments actually work for us and toward the betterment of this world.