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@now-for-writing
Aight, this is my mind palace
Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.
Ayo this shit getting interesting. chapter one i gonna be real nice and fun lmao. im just writing a general outline of events an oooh, it’s neat :))))))
Ayo fuck lila.
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That post about writing motorcycle scenes I've been meaning to write
Riding a bike is one of those things that’s a very physical experience, so if you haven’t ridden, then there’s a lot you will naturally not be aware of. I love motorcycle scenes in stories, but over the years I’ve noticed that scenes written by non-riders almost always make the same mistakes. They’re ubiquitous in fact, to the point that if you haven’t been there to learn the contrary yourself, it’s natural to assume that’s how it actually works.
The first thing to know about motorcycles is that when driving, the motorcycle performs as an extension of you. It’s almost cybernetic, the way your mass and balance fuse with the machine’s, the way it transmutes your sense of your surroundings and the surface you’re driving on, and the sense of the bike itself and how it’s performing.
Most notably, the driver’s center of gravity becomes the central steering mechanism. At speeds faster than around 10 mph, the driver steers primarily through shifting their center of balance. If you want to turn left, you lean your body left. You’re actually tilting yourself and the motorcycle to take curves and corners.
When carrying a passenger, then, the passenger needs to shift their center of gravity along with the driver’s. It’s like taking the ‘follower’ position in partner dancing. You lean WITH them; not less, because then your weight counters theirs and they end up not turning (which can be highly bad if, say, the road does not go that way), and not more, because then the bike could tip right over.
Being a good passenger on a bike is not a huge learning curve for most people, but there is a learning curve. And some people have more of a knack for it than others. Some people are natural back-seat drivers, for whatever reason overly pushy, eager, demanding, or determined that they know better than you, and have a habit of making it hard on the driver. I’ve had people tell me they hate riding pillion even if they’re good at it, because they don’t like how out-of-control it feels. I detest it myself, in fact; I’d far rather be driving, and it’s a constant struggle for me to just follow along and behave myself.
This means, though, that carrying a passenger who weighs significantly more than you can be a tricky business. I weigh about 110, and when carrying a rider weighing significantly more than that, it’s awfully easy to crash if the passenger tries to back-seat steer. (A way to mitigate this, especially for new passengers, is to simply take 15 minutes or so to bump around quiet local roads at low speeds so that the driver and passenger can familiarize themselves a bit with minimal risk to themselves.)
Now, undoubtedly the #1 most-committed mistake I see from almost everybody who writes about motorcycles (and for that matter, a lot of unsuspecting new passengers try it in real life) is the ‘wrapping arms around the driver’s waist’ business. It’s so common that this line is practically required by law when somebody’s writing a motorcycle scene, but seriously: DON’T DO THAT. <–The all caps there is not for shaming; it’s for emphasizing the safety issues. It’s not only uncomfortable for the driver, it’s potentially dangerous. It makes it hard to steer, hard to breathe comfortably, and easy to get jerked off balance and into a crash.
In a similar vein, holding onto the driver via grabbing their clothing is ill-advised. This can lead to getting jerked off balance, having seams dig in painfully, and being choked by fabric.
What to do instead: The rider sitting pillion should brace their hands on either side of the driver’s waist.
I know, if you’re in it for the sexual tension, this sounds less sexy, but I’m here to tell you that’s a filthy lie. A passenger who’s sitting properly is basically molded onto the driver’s back. Riding with/being a passenger on a bike is a startlingly intimate experience. There’s a lot of trust and teamwork involved, which takes place at a kinesthetic level. It feels a lot like dancing, as I said before, or maybe partnered sports, where the collaboration is happening at a physical, bone-deep level that often skips right past the conscious intellect.
Now, sometimes (you may’ve seen this on the road) you’ll have passengers who prefer to hang onto a part of the bike–bits of the frame, maybe, or a ‘sissy bar’/seat back sticking up from the back. It’s not uncommon, but it’s a bad habit because the passenger is never quite as in-tune with the driver this way, and if something happens–a tire slips in a puddle, for example–their weight moving in the wrong direction can end up jerking the bike out of the driver’s control.
Another thing I see a lot of writers do in stories that doesn’t work in real life: unfortunately, helmets are NOT easily swappable. They’re designed to clasp the head; a well-fitted helmet should not move on your head at all, even if you shake your head hard (though it also shouldn’t be tight enough to exert uncomfortable pressure). A helmet that fits loosely is useless at best and dangerous at worst. One that’s too tight is either painful or doesn’t go on at all. It doesn’t take much difference in the size of two people’s heads for one person’s helmet to not fit the other person properly. (And even if they’re the same size, that doesn’t necessarily mean it’ll be comfortable for more than short-term wear, but hey.)
Also, the stupid things are ridiculously expensive–especially the full-face models–so most bikers aren’t lucky enough to have a bunch of extras just laying around.
Another tip, both for writing and riding: riding pillion on a sports bike (those sleek ones where the driver’s crouched and leaning forward like a race jockey) is a miserable freaking experience. On a lot of models, you’re perched up there on something that barely counts as a seat and leaves you constantly feeling like you’re about to slide off the back; your legs are pushed up into a crouch; you’re hunched like a monkey over the driver; and possibly you’ve got a scalding-hot muffler pressed up against your calf.
(Pro tip: if anybody ever invites you for a ride on their bike and you’re wearing shorts, pay attention to where the muffler’s located in relation to the foot pegs.)
Now, what is it about motorcycles that makes some of us bikers go into a lathered-up frenzy at the idea of riding? It’s because it FEELS SO DAMN ALIVE.
Look. It’s like…life these days is, well, canned. We spend a lot of our time in pods–houses, cars, subway trains–breathing tinned air, walking around on pavement or carpet… But when I’m on a bike, it’s me and a 360 degree panorama of the world, and there’s nothing between me and it. Some people get off on the risk of that, but for me it’s a matter of immersion. When I ride, I can feel the cool humid air rolling down from under a forested hillside. I can smell the road dust, the oil, the exhaust, the herby scent of weeds and wildflowers on the roadside, the river I’m driving near, the shady scent of a forest, the roadside fruit stand…and I’m not talking in that wafty, broken-up way you get if you roll the car doors down. It’s like driving into a wall of scent, crashing through one bubble after another of temperature changes and smells and sounds and sights, and I have this bike underneath me that’s rumbling and vibrating and moving like it’s part of me, and it’s just the most powerful sense I’ve ever had of being in charge of my own life and not hiding from the world. I can see it, and it can see me, and yeah, that’s a bit dangerous, but it’s also real.
Thank you! This is incredibly useful.
Aight, this is my mind palace
Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.
Ayo this shit getting interesting. chapter one i gonna be real nice and fun lmao. im just writing a general outline of events an oooh, it’s neat :))))))
Aight, this is my mind palace
Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Hi ! So, my main character is almost always with 4 to 5 other people and that creates a struggle when it comes to : dialogues. I need to clarify who's talking but without writing "said xxx" every two sentences or adding their names everywhere. Any tips ?
Clarity in complex dialogue...
My main advice on this is to add a dialogue tag when the conversation’s main participants switch. For instance, there will be a few sentences shared between two characters, and then one will add something, and that’s where you tag. You can also specify in the description that while the characters are all together, two or three specific people are talking if that is the case.
Try to make the stage business in your scenes with a lot of characters more interesting. Give your characters things to do, and use those as a way to pivot focus from one character to another.
Here are some other resources you may find helpful:
Giving Characters Stage Business
Vocabulary & Description
Dialogue Punctuation
A Writer’s Thesaurus
How To Develop A Distinct Voice In Your Writing
Tips On Dialogue
Writing Arguments
General Dialogue Advice
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Masterlist | WIP Blog
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HAPPY TWO YEARS OF SPIDER-MAN: INTO THE SPIDER-VERSE Released December 14, 2018
the dynamic between heinz doofenschmirtz and perry the platypus would probably come off as v romantic and gay if they were two people in a similar age range rather than a dude and a platypus. no i dont ship them but think about it. villainous monologues are already a very romantic and gay thing in itself (don’t question me on this you know im right). listening to somebody ramble excitedly about something they’re proud of is even more romantic and cute af. also doofensmirtz is already gay anyway. the only thing preventing this from becoming Peak Gay is the fact that perry is strictly professional and also a platypus. thanks for coming to my ted talk
“Perry is strictly professional and also a platypus”
I love the fact that “professional” is the first reason and “platypus” is the second, because this is extremely plausible for Perry.
“Yeah no I can’t fuck I’m on duty”.
Did you know that…?
1.Doofenshmirtz isn’t evil anymore,allowing Perry to date him
2.Romance betweet animal/human isn’t frowned upon in the Dwampyverse
we even got humans falling in love with inanimate objects, albeit played for laughs
one of Doofenshmirtz’ dates ditched him for a whale
we are talking about a universe where this is canon
for god’s sake
Look, I’m not that knowledgeable about Phineas and Ferb lore (although I’m very glad that my post resonated with the Gay Scientists Dating Tired Platypuses fandom) but what, pray tell, the fuck is going on? am i having a stroke? im willing to accept the teacher falling in love with her desk because language teachers just are like that but is this nerd about to bang an ice cone?? hello?????
It’s the ice cream machine,and her name is Carla
Let us also pop bottles for the time Doofenshmirtz had to help his ex-thwarty call’s current nemesis become desirable for punching again.
I thought Perry was with the Panda?
That’s a funny history actually.Peter the Panda is also dating his respective nemesis,he even got to met his parents
‘‘our boy is all grown up’‘ ‘‘why is he a panda bear’‘
had me crying
I think there was a scene where Peter and Perry were having dinner together at a fancy restaurant. But that was before Doofenshmirtz stopped being evil.
what the fuck is going on in Phineas and Ferb
@deenalloh you have to watch milo murphy’s law season 2 to know what’s going on with Doofenshmirtz life.He stopped being evil to commit to his future self: ‘’Professor Time’’ inventor of time-travel and a public figure.
and he is trying to be a good guy now
also there’s 2 more time lines where he ends up good
1.Science teacher
2. O.W.C.A agent (The OWCA Files)
this universe is big and vast and doesn’t end at Phineas and Ferb
Okay but saying that just because some people in that universe are in love with animals/inanimate objects doesn’t mean it’s normal.
I mean, in our universe, someone wanted to marry the Eiffel Tower.
yeah..but you see..there’s this wonderful thing in cartoons that real life doesn’t have and its animals being actual sentient/anthropomorphic. So,you can’t compare our life with a cartoon ship in this case
Also Perry is arguably one of the smartest characters on both shows when it comes to deductive reasoning, common sense, and social intelligence. He could tell just by looking at a room exactly what happened there a few hours ago. He can problem-solve on the fly, and does so very often. He has basic engineering skills (or at least, “basic” for this universe, which is kinda masterful for our universe), and can communicate complex thoughts to others despite being physically incapable of speaking English (he even knows ASL!) To claim that Perry the Platypus is incapable of providing consent simply because he isn’t human is a disservice to his character. And honestly, if we’re going by the anthropological definition of “human” (bipedal, opposable thumbs, ability to communicate complex thought), then he is by all means “human.” He’s just… A Human Platypus. …?
What the fuck became of my post
Also Doof is legally an Ocelot
Logan that only raises more questions on an already strange post
It’s canon. In the OWCA Files. Him legally being an ocelot is what allows him to be an agent.
What the FUCK
Yeah, in one part of his long, tragic backstory, he was abandon and raised by ocelots
I was wondering when someone was gonna bring up the ocelot thing
@looney-mooney I agree with this vit there’s one thing, even if Perry has amazing deductive reasoning he has to at least fall to one trap. That’s just the law of nature.
@oceanic-panic-panic bold of you to assume that Perry doesn’t let himself get trapped on purpose at least 2/3 of the time. Perry always escapes the traps. And he always waits for Doofenshmirtz to finish monologuing before escaping from them. It’s part of their routine, something they both expect: Perry bursts in, gets trapped, patiently listens to doof’s rant of the day, escapes the trap, fights his nemesis, and blows up the Inator. Whenever this routine is broken, they work to maintain it anyway - I can think of at least like 3 instances where Perry purposefully, politely traps himself, and several more where Doofenshmirtz gets impatient and sets Perry free from the trap himself so they can fight.
Perry getting trapped isn’t a sign of some intellectual folley - it’s a sign of his incredible problem-solving skills that he can escape them so easily, and a sign of his social intelligence that he knows to politely wait until his nemesis is ready to stop venting and start fighting.
But why does Perry need to be trapped for his nemesis to vent? Easy. Doofenshmirtz is a victim of severe child abuse, and needs to feel as though he’s somewhat in control of the situation before allowing himself to be vulnerable. Perry being trapped makes him feel safe, and Perry catches on to this. It’s an intricate social dance that none of his coworkers have mastered, the ability to communicate with and accomidate for a villain with special needs. And though it takes the whole summer, they eventually don’t even need the traps, because Perry makes Heinz feel safe.
I mean, back on the Peter the Panda line, being a nemesis was always supposed to be analogous to being in a relationship anyway. I think of this way more as an “arranged relationship turns to true love” story than an “enemies to lovers” one.
‘’You probably look at Perry the Platypus and me and think it’s a match made in heaven. But it wasn’t always this way. Back in the day, O.W.C.A. assigned agents willy-nilly, with no regard for personality conflicts or basic compatibility issues … like a bad blind date!
Why, when I first met Perry the Platypus, I didn’t even know what kind of an animal he was. Who’s ever heard of a teal platypus?! And I gotta tell you, he got on my last nerve … always staring at me, judging me. You know how he is.
Well, I was ready to call it quits. I even called Major Monogram to see if I could get another nemesis assigned. Something a little less semiaquatic. But thank goodness, Francis said to give it a little more time to see if things could work themselves out. And you know what? They did!
Now I wouldn’t trade my nemesis for anyone in the world. Oh, sure, he still infuriates me and I try to eliminate him on a daily basis, but that’s just what I do.
So, if your first encounter with your mortal foe isn’t perfect, don’t despair! It gets better … usually.’’
I’d say both are correct
Me knowing almost nothing about Phineas and Ferb but reading this entire post anyway
man i fucking love this long ass post about why doofenshmirtz should be able to date perry the platypus.
I forgot the theme of this post so many times until it was brought back up 😅
If you’ve read this far, you are obligated to reblog.
What. Did I just read.
This post punched me in the face repeatedly.
wait is everyone forgetting that episode where Perry jumps in and sees Doof with Peter the panda, and the whole thing was set up as if Doof was cheating on Perry with another nemesis like... I thought they already were dating????
Limits of the Human Body
Body Heat = 107.6 F
Cold Water = 40 F
Hot Air = 300 F
High Altitude = 15,000 ft
Starvation = 45 days
Diving Depth = 282 ft
Lack of Oxygen = 11 minutes
Blood Loss = 40%
Dehydration = 7 days
Writers finding this post:
Thank you
Europeans about half of this post:
Body Heat = 42 C
Cold Water = 4 C
Hot Air = 148 C
High Altitude = 4572m
Starvation = 45 days
Diving Depth = 390m
Lack Of Oxygen = 11 minutes
Blood Loss = 40%
Dehydration = 7 days
Europeans seeing this version of this post:
Elsa - Frozen II by serafleur
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HEY, Romance Writers!
A few followers have asked for tips on writing romance into their stories or as the basis of their stories. Here’s a masterlist of sources (below cut) that may help.
General Romance:
What Defines Romantic Love?
How to Build a Romance Thread in Your Story
How to Plot a Romance Novel
Slowburn Romance
When Friends Fall for Each Other (ask)
Tips for Writing a Character Who Has a Crush
Tips on Writing Unrequited Love
Writing Healthy Couples in Fiction
An Antidote to “Love at First Sight”
How Attractive Should Your Characters Be?
3 Great Ways to Show That Your Character Is In Love
6 Ways to Get Your Readers Shipping Like Crazy
Six Steps to Stronger Character Arcs in Romances
Seven Great Sources of Conflict for Romances
9 Romance Writing Mistakes to Avoid
20 Tips for Writing Lovable Romance Novel Heroes
How to Write a Kissing Scene in a Romance Novel
Types of Kisses and Kissing + This Post Is All About Kisses
List of Ideas to Keep Romantic Tension High
100 Questions for Character Couples
How Do I Make the Relationship Development Realistic?
How Do I Know If Two People Are Compatible?
Healthy Relationships Can Include Teasing
How to Write a YA Romance Without Cliché
Intercultural Romance:
How do I write an interracial couple accurately? (ask)
15 Common Stereotypes About Intercultural Relationships
Cross Cultural Relationships
[Ideas for] Your [Fictional] Cross-Cultural Relationship
Things to Avoid When Writing Interracial Romance
writingwithcolor: Interracial Relationships (w/ links)
Bad Romance:
Removing the Creeps From Romance
Why The Surprise Kiss Must Go
Possessiveness 101
10 Signs You May Be in an Emotionally Abusive Relationship
Edward & Bella Are In An Abusive Relationship
Red Flags, Verbal Abuse, Stalking… | Script Shrink
5 Huge Mistakes Ruining the Romantic Relationships in Your Book
How do you write a [bad] relationship without romanticising it? (ask)
General Tips for Writing Characters Love Interests:
How to Write from a Guy’s POV
Writing Awesome Male Characters: What You’re Doing Wrong
7 Point-of-View Basics Every Writer Should Know
How Do You Describe a Character?
4 Ways to Make Readers Instantly Loathe Your Character Descriptions
3 Signs Your Story’s Characters Are Too Perfect
Is a Quirk Just What Your Character Needs?
Six Types of Character Flaws
Is Your Character Optimistic Or Pessimistic?
5 Ways to Keep Characters Consistent
9 Simple and Powerful Ways to Write Body Language
10 Body Language Tricks for Deeper Characterization
Describing People Part Three: Gestures, Expressions, and Mannerisms
33 Ways To Write Stronger Characters
Conveying Character Emotion
Distinguishing Characters in Dialogue
How to Make Readers Love an Unlikable Character…
Characters: Likability Is Overrated
Relationships in General:
How to Create Powerful Character Combos
8 Secrets To Writing Strong Character Relationships
Character Relationships: 6 Tips for Crafting Real Connections
Writing Relationships: Hate to Love
Stereotypes, Archetypes, & Tropes:
Five Signs Your Story Is Sexist: Part 1, Part 2
Five Signs Your Story Is Sexist – Against Men
Always Female vs Always Male
Born Sexy Yesterday & Manic Pixie Dream Girl
7 (Overused) Female Love Interests
Other Resource Lists
Resources For Romance Writers
Pinterest Board “Writing: Romance Arcs and Plots”
thewritershelpers FAQ (romance, kissing, sexuality, etc)
+ Follow HEY, Writers! on Ko-Fi // Wattpad // AO3 // Goodreads // Pinterest
This was literally the funniest one. Even He couldn’t help but laugh.
I love how He is capitalized as if Drake Bell is God
Whats your point??
Look at this man’s scar.
Look at it!
I just love that it’s ugly. That the skin is clearly warped and shaped wrongly, that his eye can’t even open all the way. I love that you can tell the scar tissue goes deep. Heck, it looks like it would hurt him most days, and sometimes even give him difficulty with his eye and his facial expression. I bet he even has some difficulties hearing out of his left ear because of the build up of scar tissue.
Just look at this beautiful, realistic ugliness. What a strong, gorgeous man.
Speaking of his hearing, his ear all wrong too, if I recall.
@howtodrawyourdragon it’s smaller and all red so yeah.
for me tender is a very loaded word like it’s quite different from softness…softness is clean and light like cotton…tenderness is softness in the face of pain and shame it’s like that one quote “ I don’t want your love unless you know i am repulsive,and love me even as you know it”… softness is a form of innocence and tenderness is a form of grace…a lightness that can only be present as a result of time/experience and requires memory as a binding force
I think, its cause of the word tend. tend meaning to tend to a wound or tend to something that needs attention. “I’ve got some customers to tend to.” soft is in the touch gently. you don't soft a wound. you tend to it. you see a broken wall and tend to the crack. softness is being soft to the touch when there are no cracks. tenderness is knowing where to be soft because you see the cracks
WOOT
Youre art is so beautiful <3<3<3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Short hair. by AndyWaiKit
had to make PJO fanart for the disney+ series announcement
THIS IS SO BEAUTIFUL IM IN LOVEEEEEEEEE
