Married the love of my life at 50.

Got my Class A CDL at 59.

You've got time.

HOWEVER ALSO, you do get how if the story hasn't set up for the protagonist to be the one who makes the decisive choice that ends the conflict peacefully and instead it makes more sense for her brother to simply go and do it explicitly against her wishes, and that's narratively framed as the ideal ending, that is also bad writing, YES? like yeah it's more in character for zag to do that but mel and zag aren't autonomous entities, they exist in the context of a story that mel is ostensibly the main character of!! YOUR pov character!! and it just leaves you feeling like...oh okay so nothing I was doing really mattered, this is zag's story again and I was just the elaborate setup for his big moment.

"well she did have agency, chronos gives her the option to kill him afterwards and she doesn't do it--" shut. SHUT. it's a scripted conversation. they didn't actually literally give you the opportunity to destroy chronos and end the game there, so I don't want to hear it!!

Absolutely nothing about this design is convenient to execute in wood. Every piece is curved, most have compound curves. This is artisan craftsmanship: it's inherently slow, manual, and skilled. Notice, also, that most features of this chair must be thicker and heavier than on the plastic chairs being imitated. Injection-molded chairs can be produced in this shape in a matter of minutes with far less material at very low cost.

The standard one-piece injection molded plastic chair is referred to as a "Monobloc", literally just describing it as a single piece. The history of this chair is fascinating, and it all starts back in 1946, with the D.C. Simpson Monobloc.

Douglas Colborne Simpson was an architect mostly active in the 40's and 50's, designing a lot of classic mid-century style buildings in Vancouver, Canada(1). In 1946, as part of a government project to find new uses for materials developed for WWII, he and engineer James Donahue developed the design you see above, simply called the Monobloc(2). Unfortunately, we don't know a lot about this chair as it was only ever a prototype, and no modern examples have survived, nor have most of the records surrounding it(3). To my knowledge, we don't actually know if this was technically injection molded, or crafted some other way. We can't even be sure if it was technically the inspiration for the designs that followed, but no matter the case it has lent its name to the entire genre.

Plastics technology was simply not what it is today back in the 1940's. Most people would have had very little plastic in their homes, most likely just a few pieces of Bakelite (the first commercially viable plastic, made from a formaldehyde based resin in a Bakelizer, the best name for any industrial manufacturing equipment ever). Over the following few decades, however, as a wider variety of plastics were both developed and came down in price to the point of commercial viability, the concept of the plastic chair was revisited, and the first folks to revisit it were Helmut Batzner, in 1964, and Joe Colombo, in 1965.

This, is the Bofinger chair, Batzner's design:

The elements of D.C.Simpson's Monobloc were pretty alien compared to todays mass-manufactured plastic chairs, but here we start to see some more modern elements come into play. The first thing you probably notice is the front legs, which have that characteristic visible 90 degree bend in them for added rigidity, plus a much more comfortably leaned back and slightly scoop-shaped seat. We also see much more support in the back rest, with broad triangles allowing for a more efficient use of materials without losing back support.

Similar to Simpson, Batzner was not an industrial designer, but an architect, and this chair had a very specific purpose. Batzner and his team designed it as part of a project to build a new theater in Karlsruhe, Germany, which required a large amount of additional seating which could be easily packed away into storage or distributed around the theaters rooms by the staff (4). As such, it was designed to be both lightweight and stackable, so several of them could be moved by one person, and they could be stored compactly. This piece of furniture was a huge hit a the theater, and was so popular that 120,000 units would ultimately be manufactured and sold around the world, with each one taking just 5 minutes to produce (4).

Around the same time, Joe Colombo enters the scene with this:

Colombo was an artist in several mediums who, after taking over his families appliance company in the 50's, made the shift towards architecture and interior design, and started designing a wide array of trend-setting furniture(5). The chair shown above is known as the Universale (sometimes referred to as the Chair Universal 4867), designed in 1965. This chair differs pretty greatly from the ones that came after it, it many ways it represents a different path that could have been taken, but it's also very widely referenced as an inspiration for what is broadly considered the origin of the white plastic chair the world over.

Enter: the Fauteuil 300

This is, arguably, the first iteration of the white plastic chair we all know today. Designed by Henry Massonnet in 1972, the Fauteuil 300 and it's imitators are, collectively, the single most widely used piece of furniture in the entire world(6). Before that, however, it was something else entirely: works of art.

What might be hard to recognize in hindsight is that all of these chairs described so far were not everyday objects. They were on the forefront of modern design, they made use of brand new materials and manufacturing processes, and at the time they were each made, they were slick, stylish, and fairly expensive. Despite the speed at which they could be manufactured, these innovative, high-end chairs rose sharply in cost up through the early 1980's due to the sheer demand for them. They weren't cheap spare seating you stuck in the garage, they were placed at dining tables and on fine patios, and they were a wildly popular talking point. That's not to say their expense justified their artistic value, but rather that their expense and popularity was a product of their status as highly contemporary and boundary-pushing designs.

With the price of plastics declining after the 70's, the increasing accessibility of injection molding to manufacturers, and the widespread popularity of these designs, copycats proliferated rapidly, and eventually drove the price down. This era, in the 80's and 90's, is when these chairs became cheap an ubiquitous, and where they became manufactured the world over.

And here is where we reach this piece, "Plastic chair in wood", by Maarten Baas, and a piece of the history I've left out so far. The Monobloc was designed to be made out of wood. Like the the other chairs designed by Joe Colombo, like the chairs that predated the Simpson, the Monobloc was designed with the intention of using laminated plywood, but as the artists and designers behind them began to experiment with new materials they fell in love with the idea of making them from plastic, and so they did. They redesigned and redesigned until they made something that would be impossible to make in wood at a price most people could afford, but which could be made from plastic in mere minutes. The organic curves and thin profiles would take so much time, so much waste material, so much skill and effort to create if made of wood that they could never be furniture, they could only be art. Baas' chair is a perfect, beautiful reflection of that.

That, in brief, is the history of the design of the white plastic Monobloc chair, but it's not all there is to know. In fact, it's kind of just the start. I've linked my sources below, but I would strongly recommend checking out the German documentary Monobloc, by Hauke Wendler. It goes over the history, but it's far more interested with what the Monobloc means, and what it's place is in our world today. The impact it's made, the better and the worse, and what it says about us. It's fascinating, and well worth your time.

sources below.

Saw some pictures of hooded crows playing in the snow and wanted to redraw them as silly little dromaeosaurs.

The pictures are under the cut!

Here’s a Diplodocus clay model I’ve made, inspired by this recent paper on the discovery of fossilized melanosomes preserved in some skin impressions from a few juvenile specimens of this sauropod which came out more than 10 days ago: https://royalsocietypublishing.org/rsos/article/12/12/251232/364075/Fossilized-melanosomes-reveal-colour-patterning-of

You can ask how long it will take for the pizza to get to you, and they will tell you how far away a dispatcher is.

My flat-mate’s date for the night was almost as drunk as her.  She had passed out in her room and locked the door.  He refused to leave because he wanted to have sex.  He also demanded food because he was dealing with “whiskey dick”.  He didn’t like the lack of food in the fridge.  I called 911, did the stuff stated above, and he was getting PISSED about how long the “order” was taking.  He took my phone, demanded they “hurry the fuck up”.  Police arrived two minutes later, arrested him, and helped me file a police report.  Pressing charges wasn’t necessary because he had warrants on him from THREE different states for the very thing he planned to do to me.  Several months after this happened one of the officers informed me he was charged with two felonies because he crossed stay lines, and will be serving no less than 35 years in prison.  The officer ripped into my flat-mate about her bringing home complete strangers, while drunk, knowing full well this shit could happen. 

This was 14 years ago.  

Do the pizza order, do it as calmly as you can.  The dispatcher I spoke to said things like this:

“If he’s drunk say you want mushrooms.”  I said I want extra mushrooms.

“If he’s threatening you with sexual assault say you want onions.”  I said I want onions.

She went like this with different toppings and sauces for a description of him, like pineapple if he’s blonde, black olives if he’s tall, extra large if he’s tall, etc.

I think this is why I have such a hate for it, because essentially this is just canon fan fiction. It has nothing to do with the original writers for the game’s lore it’s changing. Not even a nod or cameos or anything for the game writers who created and worked on the franchise. Just completely disregarding them and making their own shit up.

There's a certain poetry to finishing this right as it's getting dark and blue outside.

Certainly!

I was loosely following a wassail recipe I found but made some substitutions, and this might be closer to a mulled cider than a true wassail, but either way it's delicious.

Ingredients:

-64 floz (~2 litres) of apple cider

-5 mid sized oranges

-1 regular or 2 small lemons

-1/4 teaspoon ground nutmeg

-3 or 4 cinnamon sticks (I used three since one was chonky)

-fresh ginger root (or 1/4 tsp ground ginger)

-15 whole cloves or 1/4 teaspoon ground cloves

-1 Tablespoon of honey

Optional: your choice of rum or brandy

Preparations:

Juice four of the five oranges and your lemon(s). Slice the fifth orange and poke the whole cloves into the slices.

Thinly slice the ginger root. I ended up only using one of the two pictured, and each of those were about 4 inches long or so.

Add all of the ingredients to your cooking vessel and bring to a medium heat. You want to see a bit of bubbling in the liquid (not a rolling boil) and a froth/foam will form on top. This is fine!

Reduce to a low simmer (around a 3 out of 10) for 30-40 minutes. Stir everything in the pot in about five minute intervals.

Storage: