Drew | >30 white american | COMMISSION SLOTS FULL | main: @drewcifer-mile 18+ blog: | I tag triggers as just the name of the trigger (e.g. #blood) but may need reminders
Hey I need some money to buy my meds and some other stuff until I start my new job and start getting paid. I'm limiting the option to just sketchy portraits like these for $45 USD
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I'm still thinking about the guy who saw me realize my wheelchair wouldn't fit in the elevator because he (also a wheelchair user) was already inside it and immediately quipped, "This elevator ain't accessible enough for the both of us."
Kowalski and her son Andy help Walsh get the charred corpse that might just be his ex back to his apartment without raising alarm. Why? To see what he knows about Andy's missing friend, Carmen Cordero, whom Kowalski has hired Walsh to find.
Walsh waits alone for Mickey to wake up.
“Don’t ask questions you don’t want answers to,” said Kowalski.
“I don’t,” protested Walsh. “I would like answers to all my questions. That’s the point of being a detective.” Kowalski ignored him in favor of binding up the jaw and legs of the goat with hemp rope. “This is kinda sick.”
“You change your mind?” she asked, her voice deadpan. Woman had nerves of steel and little time for men with less. “You’re the one who wants to talk to a frenzied, blood-starved HC that’s not waking up for the next 13 hours. You want a live goat free in here for that amount of time once the sedatives wear off, that’s your security deposit.”
The boy’s pulse was slow and faint. “Please. Matt, please, I’ll do anything you want. Please save him. I know you can. You’re a miracle worker,” he said, his voice going thick with unshed tears.
“You’ll do anything other than turn him and clean up your own mess. Fine. Save your flattery and crocodile tears for when you’re repaying me after,” snarled Mathis, his eyes gleaming. “I’m going to make it hurt.”
Good, thought Mickey, dropping the act and following when Matt turned on his heel and swept deeper into his mansion. I deserve it.
I think every fucked up traumatized character should have an exploiter they sometimes go to willingly to trade favors and participate in their own exploitation as an act of self-harm
Five minutes later stressing myself out writing Walsh berating himself internally and hurting my own feelings, not because I think Walsh being mean to himself is worse than Mickey using Mathis to be mean to himself, but because the Walsh scene involves "person who got his hopes up for something good has had them dashed and is disappointed and blaming himself for even having hope in the first place" which is a very potent kryptonite for me
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I think I posted some or all of this once before but I still like it even though it's scrapped (first crack at Helping You Get To The Bottom Of You before changing my mind about some of the setup)
I think it's still a pretty fun POV of Mickey's 20 year fever dream after his embrace while Odette kept him in a weird state
+++
Mickey has been dizzy for days. Years. He imagines himself in a vortex of time: trapped, spinning in a tunnel that pierces through the heart of reality and bridges the world he left with the dying and whatever comes, and comes, and comes after that.
The overwhelming impression from moment to moment is of a rush of blood to the head, carrying him on red rapids and quickening his cold corpus. Roar of the most vital waters on earth surges through the vast emptiness of his hollowed-out skull, scenery changes in a whirl that makes him feel sick with vertigo. Voices and noises doppler past and his hands are moving but he doesn't know to what end.
World moves past in afterimages rotating around Mickey’s echo-full head:
Scream, scream, a dismembered body in the middle of the street, "In the middle of the STREET, Mickey!" A VIP room at a club and too much perfume on the neck he's biting into, and he doesn’t know whose hand is in his pants, but it doesn't matter because he drinks. “Sweet boy,” Intestines strewn across a hotel bed. “STOP!” Scream. Blood in his mouth, hot and sweet. Muttering, a room full of voices talking like he’s not there. Blood pooling across the floor as vast as Purgatory in a room that goes on forever and he gets down on hands and knees to lap it up like an animal. Moans. A leash around his neck, pulling. A desert road rushing past in the night. A woman coming under his tongue. A coyote licking blood from his hand. Someone saying his name.
“Please no!” A quivering gasp, moaning. Back of an abandoned clothing store, mannequins three dozen deep in the dark. “Are you even listening?” Screams. Hands around his throat. An abandoned farmhold buried in snow, and the stark dark shape of the barn lurking in the white-blanketed fields, under a naked sky streaked with shooting stars. “Mickey harder, harder Mickey” SCREAMS. The hot gush of an artery opening and splashing the roof of his mouth. “Will he remember any of this?” “Bad puppy.” Screaming. Hot cum splashing the roof of his mouth.
The world sharpening into focus again and he takes a breath he doesn't need, Odette's hand is inside his chest, and stupidly he asks her “How long is this montage?"
A beach just after sunset. A woman riding him under the pier. A slap across the face, claws tearing his cheek. A theater, an old movie, his face healed, room full of heartbeats. Screams. “Are you having fun yet?” Six teenagers dead around his feet.
Moments of clarity fade in so suddenly and seamlessly that it takes minutes to notice his thoughts beginning and ending as the same complete thought, instead of mixing and matching disjointedly across time skips, time-traveling forward. By the time he realizes he is lucid he can register precious little, remember less, before he's sinking under the current again.
Sometimes he is fucking. Sometimes he is feeding. Sometimes he is both.
Sometimes he is restrained. Sometimes he is killing. Sometimes he is in a casket. Sometimes he is just standing, kneeling, groveling, curled, weeping, running, leaping, covered in blood and surrounded by bodies. Sometimes he's in the middle of a conversation with someone he doesn't recognize. His outfit changes - sometimes he is nude. Sometimes he is bleeding. Sometimes he's breaking bones in his hands with a laugh in his mouth that isn't his.
He never knows how he got from one scene to the next. He’s carried too wildly on a torrent of blood from cut to cut, too fast for his mind to keep up. Consciousness only seeps back in during the middles and endings of things.
Mickey’s hands are in a screaming man’s ribcage. He’s young and bottle-blond and beautiful, and the look on his face is of terror and betrayal when Mickey rips his heart out and bites into it. He thinks he might be in the man’s dorm room. He thinks they might have known each other before this moment.
He’s lying on a pale green silk duvet that smells of lilies, and staring up at an ornate fresco of witches frolicking nude across the ceiling. Odette commissioned that in 1603 she told him. Odette is telling him: “In some traditions they refer to this new Numen — ha ha — as ‘Razzul.’ Isn’t that lovely? Razzul. I have been attempting to trace the etymology, but the sticking point is in whether the language is—”
A human woman is petting his hair as he lays his head in her lap and listens to her blood pulsing through her lower body.
He doesn’t know what becomes of her — in a flash he’s gone again, digging in a cold room far under the earth. It’s dark dark dark, and he doesn’t understand what organ now tells him every shape in the room that even his inhuman eyes he can’t see. Empty crates and caskets, a pile of skulls, and a lot of not the thing he’s looking for. He doesn’t know what he’s looking for, only that he’ll know it when he finds it. Something skitters past him in the dark.
Memories featuring Odette are often crystal clear for long spans of time, particularly when he’d rather forget. Immense pain, and her smile as she looks down at him like a writhing insect pinned to felt.
✨When you are a giga-strong mountain of stone muscles crushing the heads of weak people, and your wife a diplomatic, intelligent mage who needs to be protected✨
The boy’s pulse was slow and faint. “Please. Matt, please, I’ll do anything you want. Please save him. I know you can. You’re a miracle worker,” he said, his voice going thick with unshed tears.
“You’ll do anything other than turn him and clean up your own mess. Fine. Save your flattery and crocodile tears for when you’re repaying me after,” snarled Mathis, his eyes gleaming. “I’m going to make it hurt.”
Good, thought Mickey, dropping the act and following when Matt turned on his heel and swept deeper into his mansion. I deserve it.
I think every fucked up traumatized character should have an exploiter they sometimes go to willingly to trade favors and participate in their own exploitation as an act of self-harm
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Had the pleasure of painting this piece and two others for @dragonageannual 2026 zine! It was so much fun working on this and seeing other people's art and writing!
I'm offering illustration commissions like this now, info here!
Process under the cut
I think I posted some or all of this once before but I still like it even though it's scrapped (first crack at Helping You Get To The Bottom Of You before changing my mind about some of the setup)
I think it's still a pretty fun POV of Mickey's 20 year fever dream after his embrace while Odette kept him in a weird state
+++
Mickey has been dizzy for days. Years. He imagines himself in a vortex of time: trapped, spinning in a tunnel that pierces through the heart of reality and bridges the world he left with the dying and whatever comes, and comes, and comes after that.
The overwhelming impression from moment to moment is of a rush of blood to the head, carrying him on red rapids and quickening his cold corpus. Roar of the most vital waters on earth surges through the vast emptiness of his hollowed-out skull, scenery changes in a whirl that makes him feel sick with vertigo. Voices and noises doppler past and his hands are moving but he doesn't know to what end.
World moves past in afterimages rotating around Mickey’s echo-full head:
Scream, scream, a dismembered body in the middle of the street, "In the middle of the STREET, Mickey!" A VIP room at a club and too much perfume on the neck he's biting into, and he doesn’t know whose hand is in his pants, but it doesn't matter because he drinks. “Sweet boy,” Intestines strewn across a hotel bed. “STOP!” Scream. Blood in his mouth, hot and sweet. Muttering, a room full of voices talking like he’s not there. Blood pooling across the floor as vast as Purgatory in a room that goes on forever and he gets down on hands and knees to lap it up like an animal. Moans. A leash around his neck, pulling. A desert road rushing past in the night. A woman coming under his tongue. A coyote licking blood from his hand. Someone saying his name.
“Please no!” A quivering gasp, moaning. Back of an abandoned clothing store, mannequins three dozen deep in the dark. “Are you even listening?” Screams. Hands around his throat. An abandoned farmhold buried in snow, and the stark dark shape of the barn lurking in the white-blanketed fields, under a naked sky streaked with shooting stars. “Mickey harder, harder Mickey” SCREAMS. The hot gush of an artery opening and splashing the roof of his mouth. “Will he remember any of this?” “Bad puppy.” Screaming. Hot cum splashing the roof of his mouth.
The world sharpening into focus again and he takes a breath he doesn't need, Odette's hand is inside his chest, and stupidly he asks her “How long is this montage?"
A beach just after sunset. A woman riding him under the pier. A slap across the face, claws tearing his cheek. A theater, an old movie, his face healed, room full of heartbeats. Screams. “Are you having fun yet?” Six teenagers dead around his feet.
Moments of clarity fade in so suddenly and seamlessly that it takes minutes to notice his thoughts beginning and ending as the same complete thought, instead of mixing and matching disjointedly across time skips, time-traveling forward. By the time he realizes he is lucid he can register precious little, remember less, before he's sinking under the current again.
Sometimes he is fucking. Sometimes he is feeding. Sometimes he is both.
Sometimes he is restrained. Sometimes he is killing. Sometimes he is in a casket. Sometimes he is just standing, kneeling, groveling, curled, weeping, running, leaping, covered in blood and surrounded by bodies. Sometimes he's in the middle of a conversation with someone he doesn't recognize. His outfit changes - sometimes he is nude. Sometimes he is bleeding. Sometimes he's breaking bones in his hands with a laugh in his mouth that isn't his.
He never knows how he got from one scene to the next. He’s carried too wildly on a torrent of blood from cut to cut, too fast for his mind to keep up. Consciousness only seeps back in during the middles and endings of things.
Mickey’s hands are in a screaming man’s ribcage. He’s young and bottle-blond and beautiful, and the look on his face is of terror and betrayal when Mickey rips his heart out and bites into it. He thinks he might be in the man’s dorm room. He thinks they might have known each other before this moment.
He’s lying on a pale green silk duvet that smells of lilies, and staring up at an ornate fresco of witches frolicking nude across the ceiling. Odette commissioned that in 1603 she told him. Odette is telling him: “In some traditions they refer to this new Numen — ha ha — as ‘Razzul.’ Isn’t that lovely? Razzul. I have been attempting to trace the etymology, but the sticking point is in whether the language is—”
A human woman is petting his hair as he lays his head in her lap and listens to her blood pulsing through her lower body.
He doesn’t know what becomes of her — in a flash he’s gone again, digging in a cold room far under the earth. It’s dark dark dark, and he doesn’t understand what organ now tells him every shape in the room that even his inhuman eyes he can’t see. Empty crates and caskets, a pile of skulls, and a lot of not the thing he’s looking for. He doesn’t know what he’s looking for, only that he’ll know it when he finds it. Something skitters past him in the dark.
Memories featuring Odette are often crystal clear for long spans of time, particularly when he’d rather forget. Immense pain, and her smile as she looks down at him like a writhing insect pinned to felt.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming