Here I am!!!

???

And the answer is, we don't.

The unhoused people who come here seeking refuge 99% of the time understand that they will be kicked out if they misbehave.

The people you have to watch out for are Jessica, who only came because the kid she didn't want had to visit for a homework assignment and she just *needs* to yell at her child for asking to borrow two books or stay an extra five minutes, or Michael, who came in to look at porn on our computers for whatever fucking reason, or Karen who just wanted to come by to throw a fit that the particular book she wanted was checked out and harrass our staff about our collection being too limited.

And we did what we could to help. He was incredibly kind and patient despite his obvious anxiety and stress, more than most able bodied, housed patrons are to us under much less dire conditions. I liked knowing that we were the first place he came.

We have so many people like this who come in everyday. Many are quiet and keep to themselves, but sometimes they talk to us.

They tell us about how they're taking a few courses on a scholarship they applied for from our library's computer at the local community college to get their diploma. Or ask about a manga or dvd or book we might have to help them pass the time.

One woman, who comes in daily with her tattered walker always says hello to me and likes to work on the new jigsaw puzzle with me when we set one out.

So like, treat unhoused people like people. Treat disabled people like people. I don't want my library to feel like the only safe space in the world, but I'm glad it can be one of them.

Take a moment and ask yourself, a project like this requires a lot of time, money and dedication of resources, why would scientists dedicate that time to something that could just be done by a tree?

The answer is they wouldn't. So that means this claim requires further investigation!

This project is called LIQUID 3, and it's not meant for cities with wide open spaces, it's meant for cities like Belgrade in Serbia. These cities are densely populated and heavily polluted, to the point where pollution actually chokes out current trees and makes creating green spaces difficult.

Liquid 3 was a PhD scientists answer to these problems. The microalgae tank is intended for spaces where you either:

Don't have enough space to plant full trees, or

Don't have enough time to plant trees and wait for them to grow up.

The tank is extremely efficient when you consider the amount of space needed compared to the amount of CO2 turned into oxygen. The tank can operate throughout the winter. And most importantly, it can be quickly set up in areas that desperately need relief from air pollution NOW not in 10 years when trees are done growing. Children currently suffocating on polluted air can't wait for trees to grow, they need to be taken care of now, and Liquid 3 is one of the ways to take care of them. Depending on the species of microalgea used, a number have shown a pretty amazing capacity to pull heavy metals out of the air which is something trees can get choked up by.

The tanks aren't just tanks either! Liquid 3 have solar panels placed on top, they have lighting and mobile phone charging, and they work as public benches. The designers of it want to encourage green spaces where there's room, but where there isn't room or time, Liquid 3 can step in. Realistically, this isn't a replacement for trees. It's replacing boring metal city benches with new, cooler benches that also clean the air (and have at least some heating during the winter).

Not only that, but the microalgea that grows is native to Serbia and all that microalgea has a ton of great uses! It makes for great fertilizer, compost, wastewater treatment, cleaner biofuels and even for helping create new tanks for further air purification. They only require a quick algae divide once a month, and the produced algae can be carted off to where ever it's needed. This makes them effective solutions for areas that can't sustain complex installations.

maybe it's because I don't read or write fanfiction, so all related discourse has always been an iceberg sailing past me, but I just can't imagine who would give a shit. like oh, they wrote about a taboo topic? is it well written? should I read it?

maybe it's because I don't read or write fanfiction, so all related discourse has always been an iceberg sailing past me, but I just can't imagine who would give a shit. like oh, they wrote about a taboo topic? is it well written? should I read it?

Dangers of working on a set.

he would spend multiple days walking overland to locations in full pack, sword, & armour when everyone else was travelling in trucks

refused to use any prop swords that weren’t actual steel

basically lived in the forest in-costume, sleeping rough under the sky, even fishing & foraging for his food when possible

often spent hours in the barn just bonding with the horses. He adopted the horse he rode, Uranus, after filming ended

repaired all his own gear by hand, which was often since he never took it off

had a tooth knocked out during filming but had the crew simply glue it back in place so they could keep filming

the instructor who taught everyone swordplay said Viggo was the best swordsman he had ever trained

carried his sword literally everywhere & practiced non-stop, resulting in the cops being called when locals reported “a wild man swinging a sword around his head" outside a gym in Wellington

an orc actor fucked up & accidentally threw a dagger directly into Viggo’s face, but Viggo just deflected it with his sword. They kept that shot

infamously broke 3 toes kicking that helmet but stayed in-character & sold his very real scream as part of the scene. They also kept that shot

Viggo insists on doing his own stunts; in The Two Towers where Aragorn is unconscious & floating down the river, the strong current pulled him underwater for so long that a rescue team had to go in to save him. Viggo survived by grabbing a boulder on the riverbed and pulling himself to the surface

I say this as someone who sells pottery, and many people who see my art assume I am using art as an outlet to “express myself.”

I am not.

I use art to challenge myself. A lot of what I do is the equivalent of doing a hard sudoko or a half marathon, answering the question of “can I do this?”

I use art to question things and explore ideas. Finding physical synthesis between concepts and working out a design to its end state.

I use art to make money. I make some things just because I suspect they’ll sell well, and I keep making them when they do.

This idea that an artist is “putting themselves out there” every time they create is not only stupid, but harmful, and it kills critique and analysis.

Yes every creative work is influenced by its creator, but the most preliminary step of analysis is to define the purpose of a work of art (functional, narrative, entertainment, persuasive, decorative, ceremonial, etc.) and a vanishingly small percentage of that is self-expression. Even then, it’s generally tied to the self’s relationship with something else—perception, society, etc.

It’s very tiresome to have people assume they know you because they like (or dislike) your art, to make assumptions about who you are and how you approach the world. It’s nothing new— people called the Impressionists insane and the Fauvists degenerate. And now people are expected to hand out their identities and traumas to prove they have the right to explore certain subjects.