A Number of Cold Reptiles

This was literally the 8th result:

this was the 13th result:

you only have to scroll to page 3 to get this:

this justin chatter guy has uploaded tons of unabashed holocaust denial and neonazi propaganda.

i should not have to say this but this is obviously dangerous and hateful content that could lead to radicalization.

Compare this to rateyourmusic, a website I have been using regularly for years. They are also very anti-censorship and include Nazi material on the site as it is meant to be an encyclopedia of all the music of all time. However, they put warnings on any page that contains Nazi material with a disclaimer that the site does not support that content and that it’s simply there for their mission of cataloging music. RYM also is made up of user input. If a user uploads something that isn’t tagged properly as containing Nazi material, their upload will be rejected. Other users vote on whether a submission is adequate.

Here's what RYM puts as a warning on their site:

Sunflowers - Victor Berg , 1969.

Estonian-Swedish , 1917-1980

what do they even think a fortification is for???

what do you think a shield is for. what do you think ranged weapons are for????

if your tactics are dumb and reckless but you usually win and it's just you punching people that's one thing. or even if it's you and five guys who've decided they like how you roll!

but if you are put in charge of soldiers. and you throw their lives away because you don't know what you're doing. that's not okay.

it's not always avoidable! one of the basic problems with armies! but when it happens in fiction it needs to be on purpose, to make sure the military elements of the narrative remain thematically congruent.

when you have a bit where Main Character is in command and then makes avoidable bad decisions and people die who didn't have to. either the protagonist has been put in a horrific position by whatever authority figure thrust them into a role they didn't want and weren't competent to handle, without support.

or the protagonist, voluntarily assuming a management job they suck at, has committed a grievous harm against others by not recognizing their own limitations.

even if they win! i don't want to be watching a movie where the main character squanders every tactical advantage and loses 40% of their forces totally unnecessarily for Narrative Tension, but the enemy retreats or gets eaten by a dragon or loses the MacGuffin or whatever, and then there's triumphant music and a party because They Won!!!

For example, in the American Civil War, the tactics used of soldiers, marching into open fueled, and exchanging musket fire was not all that different than the tactics of the American revolution a little under 100 years prior. However, the rifles that infantry men were armed with were significantly more accurate. As a result, casualties, both in terms of lives lost, and soldiers, injured were horrific.

The concept of trench warfare in World War I was not all that different from wars, fought all over the continent in the century prior, and were designed to try and curb advantages of cavalry. But again, of mortars, more accurate, rifles, and chemical warfare meant that charging trenches resulted in truly grotesque numbers of casualties.

There is certainly evidence that World War I era generals were fairly callous when it came to casualty figures. They were more interested in territory gained. And it mattered very little how many lives that cost since soldiers were replaceable.

I agree that there should be some narrative coherence when protagonist squander advantages due to bad tactics, but when you look at actual history, it’s very clear that even if there are “good guys“ and “bad guys“ in war, there’s also just a lot of waste. That doesn’t make for a very sexy narrative, but it’s the nature of the beast. Militaries in particular are conservative institutions slow to change. you do things a certain way because that is the way they are done. That will always get people killed. But that’s also excepted as the way things are done.

At the end of the day, I’m just not sure there is a good way to organize two groups of people trying to kill each other.

thereby creating major ruptures in the narrative logic and characterization for anyone who knows (for example) what the point of a wall is.

this is a writing complaint, about failure to adequately situate motive within character and maintain internal consistency.

i'm not going to ask every piece of fiction that wants to have swords in it to engage in a meditation on the nature of conflict. that sounds boring, and also like it's asking too much of people. i'm aiming way lower here.

"People back then always married young it's natural!!!" Every single 1800s guide I've ever met casually mentions that, of course, you really shouldn't get married before you're at least 20, and waiting until 25 is usually better.

Or, like. Okay here's a long segment:

Just firmly going "it is crazy sexist to blame The Wife for overspending when thirty seconds of asking questions will immediately establish that her husband was outright lying to her about how much money they had. Talk to your wife like a normal person."

Or--okay, here. A section on being honest and not writing love letters in secret, because that's usually a good sign that there's something untoward going on....

....except that he then immediately acknowledges that sometimes, the reason you're hiding this from your parents is that your parents suck. That there are parents who frankly have not earned the right to approve or disapprove of your partner.

"Men and women being friends with each other is literally normal. Don't be a controlling freak."

"If you have to abuse a child to keep order in your classroom then you're a bad teacher."

His 110 "rules of civility" (sold as little books many, many places now) were ones he adopted as a teenager after studying older books on how to behave.

This is stuff he was trying to memorize at 14 in order to fit in with the high society his stepbrothers could get him access too, and would later serve him pretty much the Rest Of His Life. And some do still work today:

In visiting the Sick, do not Presently play the Physicion if you be not Knowing therein.

Aka: don't play doctor if you don't know what's actually ailing someone, idiot. Think a loooooot of modern people could do with that one.

When a man does all he can though it Succeeds not well blame not him that did it.

If you know someone did all they could and failure was out of their control, don't blame them for it.

Be not hasty to beleive flying Reports to the Disparag[e]ment of any.