Hippienerdygal

Meanwhile my spiritual brain is like dear Lord God if it be your will please haunt JD Vance’s dreams with these passages about how being rich is stupid thank you for everything good in my life like my cats and cheese on bread and if it be your will please haunt JD Vance with visions of camels trying to fit through the eye of a needle and make him really uncomfortable about it k love you amen

The other day i bought this yarn cause that’s obviously the trans flag, and I just saw that this colour is called ‘life’! I’m gonna cry

Uhh, well Jake, we started using the rainbow to connote gayness and you immediately stopped using it because you were pants shittingly afraid of looking gay.

it's also a chilling question from nikki because once she walks away bear knows that she doesn't feel the same way about him, and he makes the wish anyway. he is incapable or unwilling to take a hint and see that she doesn't feel the same way. and that question is the last thing she says to him before he ruins her life forever. it's unfair.

[ID: “Trached dykes eat pussy without coming up for air.” Connie Panzarino, a longtime disability activist and out lesbian, would attach this sign to her wheelchair during Pride marches in Boston in the early 1990s. Shockingly explicit, her sign refuses to cast technology as cold, distancing, or disembodied/disembodying, presenting it instead as a source and site of embodied pleasure. “Trach” is an abbreviation of tracheotomy, a medical procedure in which a breathing tube is inserted directly into the trachea, bypassing the mouth and nose. Someone with a trach, then, can, in effect, breathe through her throat, freeing her mouth for other activities (another version of this sign is “Trached dykes french kiss without coming up for air”). From a cyborgian perspective, this sign is brilliantly provocative and productive. It draws on the pervasive idea that adaptive technologies grant superior abilities,not merely replacing a lost capacity but enhancing it, yet it does so in a highly subversive way. The message here isn’t about blending in, about passing as normal or hypernormal, but about publicly announcing the viability of a queer disabled location. It’s disnormalizing, adamantly refusing compulsory heterosexuality, compulsory able bodiedness, and homonormativity. As Corbett O’Toole argues, it challenges the perceived passivity of disabled women, presenting them as actively pleasuring their partners, thereby graphically refuting stereotypes linking physical disability with nonsexuality.]

he can't stop winning