an absolute train wreck of a film.
Early on, Daniel states that the car they are in is likely being tracked. He drives the car to a secret location anyway.
This sets a pattern that continues for the rest of the movie: a character outright states something, their actions immediately contradict what they said, and then nothing matters.
Margaret is so worried about her phone being tracked that she forces Jackson to drive over it not once but twice. She has no issue with his own phone remaining on him though, and later uses it to call Daniel, who's number she knows because She Just Knows Things Now.
The basic premise of the film is that having seen video footage of the CEO of his company torturing aliens, Daniel thinks this information should be shared with the public. Because...it should be?
His girlfriend disagrees, because she thinks it will stop people from believing in God.
The CEO of his company thinks it will change the world.
Margaret...doesn't want to think about any of this.
Character motivations don't really seem to matter in this film, because they're never really gone into or explored. Plot holes abound, and scenes often feel disjointed from themselves. Elements are brought up, forgotten, and brought up again. Everything is explained with a wave of a literal magic wand.
It would be nice if anything was explored with any thought or depth, but actual world building seems to have been cast aside for a series of car chases that made the movie feel like one long car advertisement. It certainly wasn't boring, but it had all the meat of a mirakle burger, and none of the nutrition. If news of aliens will help avoid nuclear warfare, doesn't it actually matter what the war is about?
If Speilberg's call for us to listen does anything to you, I hope it tells you to watch another movie. His own filmography does a better job of it then this movie does.
I hope he makes at least one more film, because this is truly a sour note on which to end a stupendous career.