Joseph Mallord William Turner - "Keelmen Heaving in Coals by Moonlight" (1835)
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@kariganelfex
Joseph Mallord William Turner - "Keelmen Heaving in Coals by Moonlight" (1835)

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Built In 1909 / 7 br / 3.5 ba
$4,350,000
Brookline, MA
[househunting on substack]
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Built In 1892 / 4 br / 2 ba
$665,900
Great Falls, MT
âKnown historically as the Egloff/Fairfield House, the residence was first home to Bertha and Paul Egloff, owners of one of Great Falls' earliest jewelry stores, before becoming the home of Dr. John Henry Fairfield, the city's first permanent physician and second mayor.
The home was later owned by nationally recognized artist, painter, printmaker, sculptor, craftsman, educator, and Montana Institute of the Arts founding member Branson Stevenson. Stevenson maintained his studio on the property, and visitors can still experience his artistic legacy today.
Original Branson Stevenson artworks remain on display within the residence, while the basement studio preserves the ink fingerprints and marks left behind by generations of local artists who worked and gathered there.â
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$4,750,000/3 br/3 ba/3,927 sq ft
Solana Beach, CA
Built in 1960
Burkina Faso (West Africa, 2005)

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palacio de cristal in el retiro park (madrid, spain), built in 1887 by architect ricardo velazquez bosco
From Dressing Outside the Box
does anyone else just absolutely crave the gray, gloomy autumn weather where the sky is overcast and the air feels like rain, where you can sit in your windowsill with a cup of hot tea and candles burning, and the deep gray of the sky contrasts with the fiery orange and bright yellows of the trees? where the air smells like wet leaves and it's cool outside, you can put on your favorite sweater and go for a walk in the light misting rain?
because i sure do.
i crave this shit!! and it's only july
thank god for polyamory mods am i right folks
(they/she for the warden pls!)
felt buff.. thatâs it

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Art by kevin hou
A nature god for this weekâs Patreon sketch poll prompt :)
I wanna hear these Opinions on steampunk color palettes, if youâre willing.
tbh âthe Victorians did not go to the trouble of inventing aniline dyes so that we could wear neutralsâ mostly covers it?
they went to a lot of effort to bring affordable screaming bright fuchsias and acid greens into the world, and we should honor their tacky, tacky choices.
letâs not forget the tacky patterns, too
oh yeah
oh fuck yeah
(TELL ME that last one isnât a steampunk look. just try and tell me)
yes! thank you, these are EXACTLY what i meant. tomorrow Iâll take a picture of the bafflingly tacky goldenrod-and-maroon gown Iâve got at the shop
also
this is wise, and correct.
This is 100% true.
Oh no, no those are tasteful compared to what wild color shenanigans the 19th century got up to. Most of them being mid-century are only ~2 colors excepting the plaid. By the 1890s, five colors per dress was the fashion. TheyâŚdidnât all coordinate the way we would. Â
PUMPKIN WORTH
I have seen mid-century dresses in electric blue. Barbie pink
Black with photo-realistic brocade oranges. Royal purple with GIANT POLKA DOTS.
Hey hey did you know lime green and lavender was a favorite color combo in 1895?
This one is not so much tacky asâŚvibrant
Okay at ~1903 itâs not really Victorian but I love the melting ice cream explosion look of it
This dress has faded but it would have originally been a quite eye-catching shade of violet.
Not that past eras were any less fond of colors even if they werenât artificial dyes.  Iâve seen canary yellow Regency dresses and an 18th century manâs coat in turquoise velvet printed with leopard spots.  Steampunk isnât really Victorian so much as it is âdrapery store vomited on a sexy colorblind school marmâ
Et le piece de resistanceâŚ
Yes, those orange blocks are outlined in green chenille fringe.
brb, saving that green one to my âMalfoy estate saleâ pinterest board
Steampunk isnât really Victorian so much as it is âdrapery store vomited on a sexy colorblind school marmâ
Pair a brightass fushia dress with a top hat and gears you cowards
MORE PUMPKIN ORANGE AND FRINGE YOU COWARDS
If youâre not using blood red and forty pounds of lace and trim what the fuck are you even playing at
The Pragmatic Costumer calls this âThe Hot Mess Dress.â It dates from around 1878. They say: âThis dress has more trims than my entire collection of detash combined (detash or destash means all the little bits, pieces, and leftovers from crafting something)! On the outside alone I spot: black lace, bi-colored sandy-brown/cornflower-blue ruffles, tawny velvet, cream silk, beaded netting, cream lace, ribbon bows, ribbon rosettes, cornflower-blue buttons, and that fluffy lace collar. For even more trim-tastic fun and draping pandemonium, hereâs a shot of the back:â
The Pragmatic Costumer: âTrims were all the rage in the mid 1870s and 1880s, and this dress is raging harder, faster, and more extravagantly than most.â
And hereâs a Worth tea gown from 1895. This really needs to be worn by a mad scientist. Especially one interested in fish.
@gwengrimm Some of these are just amazing, and others sink worse than the sink we just unclogged.
I would wear that bright orange pumpkin monstrosity, just saying đ¤Ł
I⌠kind of unironically think all of these dresses rule? Like, the whole bustle/poofy shoulders thing isnât to my taste, but I love the colors and the patterns.
Historical artifacts that served as inspiration for costumes in Legend of Ruyi
Carn Brea Castle, Cornwall
The castle was originally built as a chapel, in 1379, thought to be dedicated to St Michael. Antiquarian William Worcester recorded that there were 32 castles on the Cornish peninsula, including Carn Brea which was described as a tower.
The castle was extensively rebuilt in later periods, primarily in the 18th century by the Basset family as a hunting lodge. It is considered a folly, due to the huge uncut boulders that make up part of its foundations, giving the impression of the building melting into the land.
It is now the location of a middle-eastern cuisine restaurant.

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Hey
Concept art for âBalderâ
Eartha Kitt performing at El Rancho Vegas in 1955.
Photos by George Silk for LIFE magazine
Jazz.